Jacques Sernas Movies

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, All Movie Guide

In this period drama, romance and confusion rule the day in a 17th theatrical troupe. Giovanni Andreini (Peter Stormare) is a playwright who leads the Company of Faithful Comics, a group of performers dependant on the financial support of the Duke of Mantua; however, before he's willing to finance the Company's upcoming trip to Paris, he requests a special private performance featuring the beautful women of the troupe, without costumes. The actresses grudgingly agree, and Giovanni begins work on his latest play, Love In the Mirror. He intends the female lead to go to his wife Virginia (Anna Galiena), but when a lovely young woman named Lidia (Simona Cavallari) approaches Giovanni and tells him how much she enjoys his work, he's so smitten that he gives the role to her. Soon Lidia and Giovanni are having an steamy affair, and this turn of events so upsets Virginia that she leaves Giovanni and joins a convent; however, she comes up with a better idea for getting revenge on her husband by seducing Lidia herself. ~ Mark Deming, All Movie Guide

Just before wowing international critics and moviegoers with his adventure romp Fanfan le Tulip, director Christian-Jaque dashed off the lampoonish Barbe-Bleu. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Blue's newest spouse Aline (Cecile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleu is underlined by its pleasing utilization of the French Gezacolor process. ~ Hal Erickson, All Movie Guide

Per its title, C'est La Faute D'Adam (It's Adam's Fault) is a comedy about romance. En route to his wedding, the hero picks up a pretty hitchhiker who is suffering from amnesia. Naturally, his fiancee takes a dim view of this, and the marriage is promptly called off. But that's not the end of the protagonist's problems: it seems that a gang of crooks believes that the amnesiac girl is a gun moll, with all sorts of "trade secrets" floating around in her pretty head. Dany Robin plays the forgetful heroine, while the luckless bridegroom (who, of course, will fall in love with Robin before the final fadeout) is essayed by Jacques Sernas. ~ Hal Erickson, All Movie Guide

This romantic Italian anthology film is comprised of six episodes that deal with a century of love. The first vignette, "Garibaldin," set in 1854, follows a rebellious priest who attempts to sway others to his beliefs. "Pendolin" examines a philandering wife's affair with a hotel porter who really only wanted to give her her lost earrings. "Purification" follows an honorable soldier who refuses to convey his commanding officer's last words to his unworthy girlfriend. In the fourth episode, "Golden Wedding," an elderly couple celebrate their wedding anniversary and discover mutual disillusionment. "The Last Ten Minutes" examines the efforts of a priest and a condemned man to conceal the truth about the man's crime from his wife. Finally, in "Amore," which is set in 1954, a father tries to persuade his daughter's husband to stay married to her. ~ Sandra Brennan, All Movie Guide

The misleadingly titled Italian comedy Luxury Girls is set in an exclusive Swiss finishing school. Rambunctious American lass Lorna Whitmore Susan Stephan is enrolled in the school by her wealthy parents. Before long, Laura has set the institution on its ear with her precocious behavior. Her female partners-in-"crime" spend their waking hours thinking of men and how to trap them, rather than concentrating on their schoolwork. There are a few attempts along the way to inject a note of seriousness now and then, but for the most part Luxury Girls is a chucklesome romp. While the cast is largely comprised of unknowns, Jacques Sernas does box-office duty as a commoner passing himself off as an aristocrat. ~ Hal Erickson, All Movie Guide

Gli Angeli del Quartiere (Angels of the District) concentrates on five lovable Italian war orphans. Living a hand-to-mouth existence, the children are elated to discover a bagful of money in a cellar. Wondering where best to spend their treasure, the kids are "advised" by adult thief Mario (Jacques Sernas), who intends to grab all the loot for himself. Ultimately, however, Mario is reformed by the quintet of urchins--though his old gang doesn't quite see things in this new light. Obviously aimed at the kiddie-matinee trade, Gli Angeli del Quartiere delivers a solid 78 minutes' worth of heartwarming entertainment. ~ Hal Erickson, All Movie Guide

Rossana Podesta may not quite possess the face that would launch a thousand ships, but she is otherwise convincing in the title role of Helen of Troy. Filmed in Italy, this super-epic costars Jacques Sernas as Paris of Troy, who sails to Sparta to secure a peace treaty between the two powerful Greek city-states. When he falls in love with Helen, Queen of Sparta, Paris loses all sense of diplomacy. Helen is willingly "abducted" by Paris and spirited off to Troy, thereby sparking a long and bloody war, which culminates with the legendary Trojan Horse. Torin Thatcher costars as warrior leader Ulysses, while Sir Cedric Hardwicke plays Priam, the pacifistic king of Troy who is overwhelmed by circumstances beyond his control. Also on hand is Stanley Baker as Achilles (who ends up with an arrow you-know-where) and Niall MacGinnis as Helen's husband Menelaus. ~ Hal Erickson, All Movie Guide

The Italian The Sky is Red (Il Cielo e Rosso) details the romantic adventures of two postwar couples. Despite being confined to a quarantined zone (quarantined for political, rather than health reasons), love finds a way. The neorealistic elements are passable, but what really "sold" this film abroad was its graphic-for-its-times sexual content. The cast is headed by Jacques Sernas and Marina Berti, another step in the right direction box office-wise. One of the young romeos is played by Mischa Auer Jr., son of the famed Russian comic actor. Among the many screenwriters of The Sky is Red is frequent De Sica and Fellini collaborator Cesare Zavattini. ~ Hal Erickson, All Movie Guide

Steve Reeves once again dons sandals and hoists a sword to come to the dashing rescue of the oppressed masses in this routine Roman tale of the good old days when men were unbelievably muscular, invulnerable fighting machines. Randus (Steve Reeves) is a centurion assigned to Rome's army in Egypt in the first century B.C. who finds out, one fine day, that he is actually the son of the legendary Spartacus. Inspired by this new identity, he decides to continue with his centurion's duties as a cover and dedicate himself to freeing the slaves that labor for the unjust and brutal Cesare Grassus (Claudio Gora). When not overcoming the forces that keep people enslaved, Randus has time for Clodia (Gianna Maria Canale) and some relief from all that fighting. ~ Eleanor Mannikka, All Movie Guide

Il Mulino del Po was based on a novel by Riccardo Baccheli. Essentially an elaborate retelling of the old one about a pair of young lovers kept separated by family rivalries, the film is distinguished by its evocative location photography and tight, mathematically precise editing. Director Alberto Lattuada also manages to insert what one historian has labelled his "progressive ideology" into the proceedings. The romantic plotline is placed in context within the events leading up to the famous Po Valley farmers' strike of 1876; characteristically, Lattuada offers a topical political slant to the facts at hand. As in his other neorealist exercises, Lattuada manages to bridge the gap between "art" and box-office appeal in Il Mulino del Po. ~ Hal Erickson, All Movie Guide