Harry Semels Movies

The troublesome years "between the wars" provide the backdrop for the romantic drama The Searching Wind. Adapted by Lillian Hellman from her own stage play, the film stars Robert Young as Alex Hazen, an idealistic but incredibly naïve US ambassador who fails to heed the warning signals when Mussolini and then Hitler ascend to power in Europe. Feeding into Hazen's ingenuousness is his beautiful but shallow wife Emily (Ann Richards), who is far more preoccupied with tuxedos and dinner gowns than with brown shirts and Nazi armbands. Only journalist Cassie Bowman (Sylvia Sidney), a character obviously based on playwright Hellman, can foresee the impending horror-even when her judgment is occasionally clouded by her undying love for Hazen. Benefiting from the mistakes of his elders is the Hazens' son Sam (Douglas Dick), who represents the "Never Again" viewpoint of the post-WW2 years. The Searching Wind was the sort of politically supercharged fare that earned Hellman condemnation as a "premature anti-fascist" during the infamous Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

In this musical, a chorus of convicts conspires to get a paroled crooner chucked back in the clink. Songs include: "Time Will Tell," "Now And Always," "Round The Bend," and "How Lovely." ~ Sandra Brennan, All Movie Guide

In this swashbuckler, a princess is raised by gypsies and becomes their queen. The trouble really begins when a count is murdered and the evil, ambitious baron who really did it blames the crime on the gypsies. The baron's messenger knows the truth and tries to prove it. When he notices that the gypsy queen is wearing a pendant bearing the slain count's crest, he reveals her true identity--the count's estranged sister and heir to the throne. The messenger then accuses the baron of the death. The baron has him thrown into the same dungeon as the gypsies and together they team up and escape. Meanwhile the gypsy girl, who has finally promised to marry the wicked baron in exchange for her clan's freedom, is kidnapped by the baron. The gallant messenger rescues her, kills the baron, and gets to marry the young queen. ~ Sandra Brennan, All Movie Guide

Pilot No. 5 is an oddly liberal-minded film to come from conservative old MGM. Franchot Tone plays an army pilot stationed in Java who volunteers for a suicide mission. He is chosen from five possible Allied candidates, hence the title. We learn via flashback just why Tone holds his life at so low a price; among his less pleasant reminiscences are his brief association with a demagogic Southern governor, blatantly based on Huey Long. Pilot No. 5 served to introduce Gene Kelly in a supporting role--as a nasty, pugnacious young jerk. ~ Hal Erickson, All Movie Guide

When millionaire Peter Hedley Lamar Jr. (Buster Keaton) is smitten by the loveliness of an Army nurse (Dorothy Appleby), he decides to enlist because the woman will pay attention only to soldiers. Once in the service, however, he spends most of his time cleaning spittoons and fending off the advances of another, more predatory nurse (Elsie Ames) -- although the two do engage in a show-stopping song-and-dance routine. He eventually manages to get himself sufficiently injured to be put in the hospital near his beloved and, despite the further efforts of the rival nurse, he is able to rescue his girl from a lunatic and win her affection. ~ Nicole Gagne, All Movie Guide

In this drama, set in Paris, a devout communist is slowly seduced into becoming a capitalist by a persuasively pretty young woman. The tale begins as the young man shoots at a banker and then flees the police. He runs into the woman's apartment, and for some reason, she decides to let him stay. She then tells him that she is the banker's ex-wife, and they begin to converse; she is fascinated by communist philosophies and in turn shares her views on capitalism with him. He comes to like them and so abandons his other ideologies for the bourgeois life. ~ Sandra Brennan, All Movie Guide

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide

While James Stewart was filibustering from his senator's pulpit in Mr. Smith Goes to Washington (1939), Gene Autry battled congressional bureaucracy in Rovin' Tumbleweeds, which barely could call itself a Western. Gene runs for a congressional seat in order to pass a flood control bill that would save a group of dispossessed ranchers and farmers, the victims of a disastrous storm. But once elected, the hero's best efforts are thwarted by greedy meat packing plant owner Holloway (Douglas Dumbrille), who lobbies against him. With another storm brewing and Autry's only political ally, Senator Nolan (William Farnum), killed in a car accident, all hope seems gone. But when Gene rallies his troops in a climactic battle, even Holloway catches the community spirit and the valley is saved. Taking time out from fighting both political corruption and the elements, Gene, Smiley Burnette, and the Pals of the Golden West perform "Paradise in the Moonlight," "Ole Peaceful River," Rovin' Tumbleweeds," and other favorite selections. Rovin' Tumbleweeds has been restored to its original length by Gene Autry Entertainment. ~ Hans J. Wollstein, All Movie Guide

A remake of Racetrack, King of the Turf stars Adolphe Menjou as a seedy, alcoholic bookie with a long-dormant streak of decency. Roger Daniel is a young stable boy whom Menjou befriends and offers advice. The bookie and the stable boy purchase a racehorse, with Daniel training to be a top jockey in order to ride the horse to victory. When Menjou's ex-wife (Dolores Costello) arrives on the scene, she reveals that Daniel is in fact Menjou's son, who'd run away from home to pursue a racetrack career. She begs Menjou not to allow the boy to throw away his life--and not to reveal the truth behind their relationship. The next day, Menjou gets good and drunk and orders Daniel to throw a crucial race. The disillusioned boy does so, is disqualified for life, and turns his back on Menjou. Never realizing the true identity of his fallen idol, Daniel returns to his mother, while Menjou, having done the "right thing," disappears into the crowd. ~ Hal Erickson, All Movie Guide

More burdened with leaden production numbers than plot, Rosalie took Sigmund Romberg and George Gershwin's 1928 Broadway hit, threw out most of the songs, including "How Long Has This Been Going On?," but retained the spindly story of the incognito Princess Rosalie of Romanza (Eleanor Powell), who falls head-over-heels in love with All-American Dick Thorpe (Nelson Eddy), although she finds him conceited at first. But Dick gallantly flies to Romanza where the crooning Charles Lindbergh lands in the middle of yet another comic opera revolution. Rosalie, of course, is engaged to someone else, but after a series of misadventures and a colossal closing number, the star-crossed lovers decide to settle down together in democratic America. Cole Porter was hired to write a new score and Eleanor Powell, Nelson Eddy, and newcomer Ilona Massey perform "I've Got a Strange New Rhythm in My Heart," "Why Should I Care?," "Spring Love is in the Air," "It's all Over but the Shouting," "Who Knows?," "To Love and Not to Love," and, most memorably, "In the Still of the Night." ~ Hans J. Wollstein, All Movie Guide

The Sidney Howard/Paul de Kruf Broadway play Yellow Jack was transferred to the screen by MGM in 1938. The film is set at the turn of the century, when yellow fever was the Number One killer in Latin America. Army doctors Lewis Stone, Charles Coburn and Stanley Ridges gather in Cuba to attempt to find the cause and cure of the dreaded disease. Five US soldiers--Robert Montgomery, Buddy Ebsen, Alan Curtis, Sam Levene and William Henry--volunteer to expose themselves to yellow fever as a means to test the experimental vaccines. In a very well handled close-up setpiece, the audience discovers long before the medical staff that the humble mosquito is the disease carrier. The "Let me be the first to die" brand of heroics is sometimes hard to take, but otherwise Yellow Jack is inspiring entertainment in the grand old Hollywood tradition. ~ Hal Erickson, All Movie Guide

The Three Stooges play inept Navy tailors for the Republic of Telvana in this comic short. The Admiral has been invited to a luncheon by Count Gehrol, a possible spy, but Curly intercepts the telegram and puts on the Admiral's suit himself. Moe and Larry are temporarily tossed in the brig for hitting an officer -- Curly. But he gets them out (for five dollars), and they borrow a couple more officer uniforms and head for the luncheon. The count sends a woman-spy to get secret information out of Curly, and her technique sends him into throes of ecstasy; he also gets the seat of his pants stuck on a couch spring. When the real admiral shows up, the Stooges allow a policeman to cart him off as an impostor. "We'll be shot at sunrise for this," Moe remarks. "Maybe the sun won't come out tomorrow. It might rain," replies Curly, who promptly gets poked. The Stooges get into even more trouble when the Count and his female associate hold them at gun-point on a submarine, but somehow the boys manage to knock them unconscious. They also get the sub off the ocean floor only to discover that the Navy is trying to bomb it to keep it out of enemy hands. Some of the submarine footage for this short came from Columbia's 1937 film Devil's Playground. ~ Janiss Garza, All Movie Guide

The inimitable Preston Sturges originally scripted Hotel Haywire with George Burns and Gracie Allen in mind, but by the time the film went before the cameras, the Burns and Allen roles had been recast with Benny Baker and Colette Lyons -- and significantly abbreviated in the process. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington). Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Baker and Lyons) in his scheme. Things get really hectic when Parkhouse's daughter Phyllis (Mary Carlisle) and her sweetheart Frank (John Patterson) show up at the same hotel. The film is dominated by the antics of larcenous astrologer Zodiac Z. Zippe, played with comic ferocity by Leo Carrillo. ~ Hal Erickson, All Movie Guide