Morton Selten Movies
Although remembered today principally for his grandfatherly roles in some of Alexander Korda's best films of the 1930s, Morton Selten's career on stage went back to the 1870s, and encompassed dashing, heroic leading roles. Given the name Morton Richard Stubbs at birth, and claimed as the son of Morton Stubbs, Selten was actually an illegitimate son of the then 19-year-old Prince of Wales, later King Edward VII (1841-1910) of England -- this fact was an open secret among his acting colleagues of the 1930s and was related as recently as 1988 by filmmaker Michael Powell, who directed Selten in his final film appearance, in The Thief of Bagdad (1940). Selten began his theatrical career in 1878, at the age of 18, and quickly moved into leading roles. On stage primarily in America from the 1880s through 1920, he played such dashing parts as the glib-tongued villain Rupert of Hentzau in the theatrical version of Anthony Hope's The Prisoner of Zenda. By the teens, Selten -- then in his fifties -- had moved into character roles, and at the end of the 1920s was portraying such avuncular figures as Sir Francis Beekman in the stage version of Gentlemen Prefer Blondes. His last theater parts were in the mid-1930's, by which time he had already begun a screen career, playing character roles in movies such as The Shadow Between (1931) and Service for Ladies (1932). Selten played prominent parts in a variety of movies, including that of Sir Charles Clifford, the intended murder victim of Boris Karloff in the 1936 thriller Juggernaut. His most enduring roles, however, were those he played in movies produced by Alexander Korda, including Fire Over England (1936), in which he portrayed the historical figure of Lord Burleigh, the trusted confidante of Queen Elizabeth I; The Ghost Goes West, in which he played Robert Donat's elderly ghostly ancestor; The Divorce of Lady X, where he portrayed Lord Steele, the senior partner to Laurence Olivier's harried divorce lawyer; and The Thief of Bagdad (1940), the most often shown of all his movies, in which Selten played the King of the Land of Legend, before whom Sabu appears at the climax of the movie, and whose magic carpet provides the young hero with the means of thwarting the villain's plans. Selten's scenes in The Thief of Bagdad were among the earliest shot for the film, and the last work of his career, as he died in July of 1939, soon after the movie had started shooting. Selten is best remembered as an avuncular, belovedly reassuring presence in British films, who could command the screen even in the presence of more obviously extroverted actors. Indeed, he steals practically every scene in which he appears in Fire Over England from the likes of Laurence Olivier, Vivien Leigh, and
Flora Robson, and is a haunting and touching presence in The Thief of Bagdad. ~ Bruce Eder, Rovi

- 1940
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In ancient Bagdad, Abu, a good-natured young thief (Sabu), befriends the deposed king Ahmad (John Justin) as both are imprisoned in the palace dungeon, awaiting execution under orders from the evil vizier Jaffar (Conrad Veidt), who has seized the throne. But they escape and make their way to Basra, where Ahmad, now living as a beggar, meets and falls in love with the Princess (June Duprez), who has been betrothed by her father the Sultan (Miles Malleson, who also wrote the screenplay) to Jaffar. Their fight for the love of the Princess triggers a series of adventures for the young Abu that brings him halfway around the world and into mystical realms with help from a towering genie (Rex Ingram), brushing up against the gods and transforming the little thief into a hero in the process. Along the way, we encounter a wide array of characters, some of them charming, such as the gentle Old King (Morton Selten), and some sinister, such as the devious Halima (Mary Morris), plus a range of color and lushly designed sets and set pieces (and special effects) that still dazzle the eye seven decades later, even in the wake of various remakes (which include Disney Studios' Aladdin). And it all leads to an amazing and suspenseful ride on a magic carpet, and a race against time to save the king and his beloved. ~ Bruce Eder, Rovi
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- Starring:
- Conrad Veidt, Sabu, (more)

- 1939
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In this gentle comedy, an aristocratic English fellow is not happy to be betrothed to a brewery heiress. One day he goes to a circus and ends up with a lively human cannonball in his life. He immediately falls for the daring young performer and they end up eloping and going to Paris to live out the rest of their lives. ~ Sandra Brennan, Rovi
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- Starring:
- Griffith Jones, Anna Lee, (more)

- 1939
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In this British comedy, a young woman begins managing her free-spirited father's waterfront pub and does a great job of it until the shipyard is closed down. To help the poor workers, she gathers them together to walk to London in protest. No one goes along with the scheme, so the plucky gal then does all she can to single handedly get the shipyard to open again. She does so by pretending to be someone else so she can get an audience with an important diplomat. One song from the show, "Wish Me Luck as You Wave Me Goodbye," was a favorite of soldiers heading off to fight WW II. ~ Sandra Brennan, Rovi
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- Starring:
- Gracie Fields, Sydney Howard, (more)

- 1938
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Filmed in lavish Technicolor and given Tiffany production values by producer Alexander Korda, the British comedy Divorce of Lady X is at base a trivial little farce, buoyed by the sprightly performances of star Merle Oberon and Laurence Olivier. Ms. Oberon plays a costume-party guest who is forced to stay in a hotel overnight due to inclement weather. There are no rooms available, so the management prevails upon handsome but stuffy lawyer Olivier to give up half of his suite to the lovely Oberon. After a chaste evening together, Olivier becomes obsessed with Oberon, deducing that her elusiveness is due to the "fact" that she is married. Actually, she is nothing of the kind, but when an old school chum (Ralph Richardson) comes to Olivier's office to arrange for a divorce, Olivier jumps to the conclusion that Oberon is his old friend's soon-to-be "ex". Based on Gilbert Wakefield's play Counsel's Opinion, Divorce of Lady X has become a familiar presence on cable TV because of its public domain status; less familiar is an earlier movie version of the Wakefield play, filmed in 1932 by director Allan Dwan. ~ Hal Erickson, Rovi
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- Starring:
- Merle Oberon, Laurence Olivier, (more)

- 1938
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A Yank at Oxford was filmed in England at MGM's "sister studio", Elstree. Robert Taylor plays Lee Sheridan, an arrogant young American scholar/athlete who intends to show the "Brits" a thing or two while attending Oxford University. His abrasive attitude grates against the Oxonian students, who retaliate by subjecting Sheridan to a rather humiliating hazing. Romance enters the picture in the form of Molly Beaumont (Maureen O'Sullivan), the sister of Sheridan's chief academic rival Paul Beaumont (Griffith Jones). When Paul faces disgrace over a breach of student ethics, Sheridan nobly shoulders the blame, simultaneously endangering his own future at Oxford and proving that he's really a "right guy" underneath. All is forgiven during the annual rowing competition against Cambridge, with Sheridan coming through in jolly good fashion. Cast as campus vamp Elsa Craddock is the stunningly beautiful Vivien Leigh, still two years away from Gone With the Wind. A Yank at Oxford was remade in 1984 as Oxford Blues, and mercilessly lampooned by Laurel & Hardy in 1940's A Chump at Oxford. ~ Hal Erickson, Rovi
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- Starring:
- Robert Taylor, Lionel Barrymore, (more)

- 1937
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The war between England and Spain in the late 16th century serves as backdrop for the fictional machinations of Fire Over England. Laurence Olivier plays a British naval officer who offers his services to Queen Elizabeth (Flora Robson) after his father is executed by the Spaniards. The queen dispatches Olivier to the court of Spain, there to determine which of her courtiers are actually spies for King Philip (Raymond Massey). Working under cover, Olivier learns that the Spaniards intend to send an armada to decimate the British navy. Barely escaping with his life, Olivier relays this information to his queen and also dispatches the traitors in her midst. Cast as one of Elizabeth's ladies-in-waiting, Vivien Leigh appears in the role that brought her to the attention of Gone With the Wind producer David O. Selznick. Directed by Hollywood's William K. Howard, Fire Over England was based on a novel by A.E.W. Mason of Four Feathers fame. ~ Hal Erickson, Rovi
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- Starring:
- Flora Robson, Raymond Massey, (more)

- 1937
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This film takes a look at British decorum and civilities when a highly conscientious army officer is accused of cheating at cards and turns to the courts to clear his name. At stake, of course, is his good name and the respect of his peers. The film depicts the British class and court systems and features a fairly powerful cast. Of significance is an excellent performance by Francis Sullivan as the defendant's attorney. ~ Rovi
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- Starring:
- Clive Brook, Ann Todd, (more)

- 1936
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Anthony Asquith evokes a vivid impression of Russia in 1916 in I Stand Condemned. The story follows handsome Russian officer Captain Ignatoff (Laurence Olivier), who is carried into a hospital in a delirious condition from severe war wounds. When he comes to his senses, he sees the beautiful Red Cross nurse Natasha (Penelope Dudley-Ward) staring down at him and he is immediately smitten. Although she feels the same way about Ignatoff, she is unhappily engaged to Brioukov (Harry Baur), a middle-aged war profiteer who has paid off the mortgage on her parent's home. Since she owes so much to Brioukov, she is reluctant to leave him and take up with the comely captain. ~ Paul Brenner, Rovi
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- Starring:
- Harry Baur, Laurence Olivier, (more)

- 1936
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In this British comedy, a barrister badly botches his first case and begins to think he has chosen the wrong career. To assist with their bills, he and his wife sublet their apartment to several people at the same time. To fool them all, the couple pretends to be household servants and throws a dinner party for their guests. The wife then sprinkles sleeping powder into their soup. When the renters awaken, they find themselves in assorted compromising positions. The "servants" then blackmail them for their money. They wind up with a tidy sum of money. ~ Sandra Brennan, Rovi
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- 1936
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This British programmer tells the dark, thrilling tale of a research scientist who resorts to murder to ensure continued funding for his experiments. The killing begins after the slightly insane Dr. Sartorius (Boris Karloff) runs out of money for his experiments with curing paralysis. He is so close to a breakthrough and so desperate for cash that he agrees to kill the wealthy husband of Lady Yvonne Clifford, in exchange for half of her husband's cotton fortune. To do this, he gets hired as Sir Charles Clifford's personal physician and so begins to slowly poison him with injections. Things go awry when the ailing Sir Charles figures out the scam and changes his will to benefit his son from his first marriage. Unfortunately, word gets out and Lady Yvonne changes her deal with Sartorius, claiming that now he must kill the father and the son. But neither the doctor nor the conniving wife count on interference from nurse Eve, who has fallen in love with the son. ~ Sandra Brennan, Rovi
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- Starring:
- Boris Karloff, Joan Wyndham, (more)

- 1936
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Two's Company was based on Sydney Horler's stage comedy Romeo and Julia. The film's storyline is developed in parallel fashion, with the antics of American businessman B. G. Madison (Henry Holman) and his family and associates mirrored and sometimes anticipated by the behavior of Madison's British counterpart, The Earle of Warke (Morton Seiten), and his entourage. The ongoing rivalry between Madison and the Earle wreaks havoc on the romance between Madison's daughter Julia (Mary Brian) and Warke's son Jerry (Patric Knowles). Both families behave in stereotypical fashion, skewering both American and British manners and mores with fine impartiality. Two's Company was very much designed for a dual market, right down to the comedy relief: Ned Sparks for the American fans, Gordon Harker for the British patrons. ~ Hal Erickson, Rovi
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- Starring:
- Ned Sparks, Olive Blakeney, (more)

- 1935
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In this British crime drama, a jealous man seeks to murder his brother. He plans on electrocuting him, but slips up and fries the wrong fellow. ~ Sandra Brennan, Rovi
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- 1935
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In this politically oriented sci-fi film, a star's collision with the moon causes a British village to be shot into space. The village scientist is then elected the new head of state, though this upsets the conservatives who dislike his socialist tendencies. ~ Sandra Brennan, Rovi
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- 1935
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A royal Ruritanian family opens a restaurant with Garrick, their daughter's boyfriend. Queen Grey is the cook and King Selten is the wine steward in this comic musical. ~ Rovi
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- 1935
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In this comedy, a young husband tires of living off of his mother-in-law's money and decides to allow a film crew to use his mansion in exchange for a small fortune. ~ Sandra Brennan, Rovi
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- 1935
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This ingenious crime drama demonstrates how to commit the perfect murder. The trouble begins when a playboy convinces a woman to leave her fiance and travel to Paris with him to get married. When the jilted lover learns that the playboy is really a heartless gigolo, he rushes to Paris and kills the villain. Then using a trick watch, he convinces the cops that he arrived after the murder. ~ Sandra Brennan, Rovi
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- Starring:
- Phillips Holmes, Aileen Marson, (more)

- 1935
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Wealthy American Joe Martin (Eugene Pallette) purchases an ancient Scottish castle and then has it dismantled and transferred to his Florida estate where he plans to reconstruct the castle brick by brick. Martin is unaware that his new acquisition comes equipped with an 18th-century ghost, played by Robert Donat. As the spectre, who feels as though his honor has been besmirched, flits around haunting one and all, Martin's daughter Peggy (Jean Parker) carries on a romance with the ghost's descendant, also played by Donat. It is only natural that the "live" and "dead" Donat will become mixed up, and this comedy of errors dominates the final scenes of The Ghost Goes West. The film was the first English-language production of French director René Clair -- and almost the last, due to producer Alexander Korda's insistence upon tampering with the original concept as laid down by Clair and screenwriter Robert E. Sherwood. ~ Hal Erickson, Rovi
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- Starring:
- Robert Donat, Jean Parker, (more)

- 1934
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This musical centers around a Rurutanian ballerina, wanting to inspire jealousy in her friends, fakes an engagement to a diplomat. ~ Sandra Brennan, Rovi
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- 1933
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In this comedy, two rival reporters vie for the scoop on the whereabouts of a missing heiress. They find her in Switzerland. One of the journalists falls in love with her and saves her from marrying an aristocrat. His rival gets to write the story as a consolation prize. ~ Sandra Brennan, Rovi
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- Starring:
- Jack Hulbert, Dame Cicely Courtneidge, (more)

- 1933
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A wager forms the basis of this convoluted British drama. The trouble begins when a general bets his son, a novelist, that the lad will be unable to earn 1500 pounds in a year. The young man needs the money so he can marry his girl. Opportunity knocks when some of his father's jewels are stolen. The lad's friend, an advice columnist, suggests that the general offer a 1500 pound reward for the stones. She then helps the son capture the thieves, earn the reward, and win the bet. ~ Sandra Brennan, Rovi
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- 1932
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Quite popular when first released, Wedding Rehearsal is a bit obscure today, which is a shame when one considers the talented cast and production staff. Roland Young plays a diffident aristocrat who is pressured to marry by his veddy proper family. Imagine their shock when Young falls in love with (ugh!) a commoner. His working-class bride is played by Merle Oberon, who in real life became the wife of the film's producer/director Alexander Korda. The very first effort from Korda's London Film Productions, Wedding Reharsal costarred theatrical giant Maurice Evans and Hollywood stars-to-be John Loder and Wendy Barrie. ~ Hal Erickson, Rovi
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- Starring:
- George Grossmith, Roland Young, (more)

- 1932
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Adapted from the Ernest Vajda novel The Head Waiter, Service for Ladies stars Leslie Howard as Max Tracey, premiere waiter of a luxurious London hotel. Falling in love with the aristocratic Sylvia Robertson (Elizabeth Allen), Max poses as a European prince, enlisting the aid of an amiable Ruritanian monarch (Lawrence Grossmith) who owes him a favor. When Sylvia finds out the truth, she is both shocked and appalled, but all is patched up when her own father (Morton Selten) reveals that he himself was once a lowly hotel dishwasher. Previously filmed in 1927 with Adolphe Menjou, Service for Ladies was released in the U.S. as Reserved for Ladies. Merle Oberon, later a star in her own right as well as the wife of director Alexander Korda, shows up in a bit role. ~ Hal Erickson, Rovi
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- Starring:
- Leslie Howard, George Grossmith, (more)

- 1931
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In this interesting British prison film, an innocent man goes to prison and his wife later commits a crime so she can join him there. Unfortunately, while she is out trying to get in, he gets released. ~ Sandra Brennan, Rovi
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- Starring:
- Godfrey Tearle, Kathleen O'Regan, (more)