Elizabeth Sellars Movies

A Ghost in Monte Carlo is based on one of the millions of romance novels penned by Barbara Cartland. True to the Cartland canon, the story is set long ago (1875) and far away (The Riviera). Sarah Miles is top-billed as a pompadoured former madam, while Oliver Reed dispenses tons of Armor Star as a lascivious rajah. Christopher Plummer struts about bedecked with medals as a military hero, and Samantha Eggar is a mystery woman shrouded in black. But the story is carried by Lysette Anthony, the niece of Sarah Miles, who tries to break into upper-crust society--a goal impeded by a long-standing thirst for vengeance on the part of one of the older stars. A Ghost in Monte Carlo was produced in Europe by Sir Lew Grade, and first seen in the US over the TNT Cable Network. ~ Hal Erickson, All Movie Guide

Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide

Director Henry Koster and writer Daniel Taradash speculate mightily in this historical tableau charting the rise and fall of Napoleon (Marlon Brando), all due to his unrequited love for noblewoman Desiree (Jean Simmons). The film takes a chronological view of Napoleon's reign and posits Napoleon's love of a woman he wanted to marry as a young general but abandoned for the sake of his career. Both Napoleon and Desiree go their separate ways -- he to become Emperor of France and loveless husband to Josephine (Merle Oberon) and she to become Sweden's disinterested Queen. Napoleon and Desiree meet up again in a whimsical confrontation in which Desiree urges the Little Corporal to surrender and go to St. Helena. The film is based on a novel by Annemarie Selinko that, like the film, takes wild liberties with the truth. ~ Paul Brenner, All Movie Guide

The all-purpose title Floodtide was trotted out once more for this 1949 British drama. Gordon Jackson plays a lowly shipyard worker who falls in love with Rona Anderson, his boss' daughter. For the girl's sake, Jackson keeps an eye out for opportunities to advance himself. Through determination and resourcefulness, he works his way up to an executive position with a shipping firm, but tries his best not to forget his humble roots. Filmed extensively on location, Floodtide was run on a seemingly hourly basis in the early days of American television. ~ Hal Erickson, All Movie Guide

Linda (Elizabeth Sellars) is driven to the breaking point by her no-good husband. One day, he pushes her too far, and she kills him. With remarkable presence of mind, Linda is able to clean up all evidence of her crime and to effectively dispose of the body. But though she may be able to elude the law, Linda remains a prisoner of her own conscience. Setting this one apart from other British crime mellers of the era was the decision to film on location in a remote rural community. A passable timefiller when first released, Guilt is My Shadow ended up a staple of American TV in the 1950s and 1960s. ~ Hal Erickson, All Movie Guide

A father discovers that being a good role model for your son isn't always easy -- especially when you're a criminal -- in this bright British comedy. Percy Brand (Michael Redgrave) is an all-purpose con artist and small-time crook who makes a good living on the wrong side of the law but often finds himself behind bars as a result. Not wanting to present too bad an example to his son and needing an explanation for his frequent time away, he tells young Colin (Jeremy Burnham) that he's a missionary working with a religious group, and his good deeds take him all over the world on sudden missions of mercy. Colin accepts his father's word to the letter, and he grows up to be a law-abiding citizen who works as a barrister for Judge Crichton (Robert Morley), who has had to deal with Percy a number of times over the years. By this time, Percy has retired to a village by the ocean and is living nicely off his ill-gotten gains, but he gets roped into a scheme smuggling brandy and soon finds himself in trouble with the law again. Rather than go back to the pokey (and embarrass Colin), Percy and his mates concoct a bizarre plan by which they'll implicate Judge Crichton in the smuggling and send him to jail in their place. Director Charles Crichton directed a number of fine British comedies, right up to his final picture, A Fish Called Wanda, which he completed at the age of 78. ~ Mark Deming, All Movie Guide

This shockingly violent yet engaging crime drama is about a bitter battle for survival in the lingering poverty of post-World War II London. Richard Todd plays optimistic but ineffectual soap and shampoo salesman John Cummings whose job becomes even harder when his new car is stolen. The theft triggers an unraveling of Cummings' life, and he channels his desperate energy toward retrieving his stolen vehicle. He first tracks it down through young tough Tommy Towers (pop star Adam Faith), who actually stole the automobile, and then to his boss Lionel Meadows (Peter Sellers), who heads the car thief ring. Meadows hides his sadistic tendencies behind the facade of a legitimate business. Above the garage he uses as a front, he has locked Tommy's girlfriend, Jackie (Carol White), in his apartment and appropriated her as his moll. Cummings tries to get the police involved, but they cannot act for lack of any evidence. He then earns the trust of Tommy and Jackie to get better knowledge of how Meadows operates his business. In his naïve attempts to confront the car ring, Cummings is at first treated as an annoyance, but as his intention to destroy Meadows' business and livelihood becomes clear, the crime boss vows to destroy him in turn. ~ Michael Buening, All Movie Guide

Screenwriter Philip Dunne doubled as director on the elaborate filmed biography Prince of Players. Richard Burton stars as the eminent American tragedian Edwin Booth, whose life and career is thrown into turmoil after his younger brother John Wilkes Booth (John Derek) assassinates Abraham Lincoln. The film begins as the younger Edwin assists his alcoholic, ailing father Junius Brutus Booth (Raymond Massey) during a tour of the American hinterlands. When Junius dies just before a performance, Edwin goes on in his stead, thereby launching his own starring career. In danger of becoming as much of a drunk and carouser as his father, Edwin eventually pulls himself together, but his brother's act of violence turns the audience against the name of Booth. Almost booed offstage during a performance of Hamlet, Edwin stands his ground, finally earning the respect of his rowdy audience. Not exactly packed with fast action, Prince of Players will appeal most to lovers of theater in general and Shakespeare in particular. Highlight: Richard Burton and Eva LeGalleine performing the balcony scene from Romeo and Juliet in the courtyard of a brothel. ~ Hal Erickson, All Movie Guide

The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide

This film adaptation of Edith Bagnold's play stars Deborah Kerr as Miss Madrigal, the secretive new governess of British "problem child" Laurel (Hayley Mills). Both Madrigal and faithful butler Maitland (John Mills) are aware that Laurel's atrocious behavior stems from her belief that her oft-married mother (Elizabeth Sellars) does not love her. Madrigal determines to straighten out Laurel before she becomes totally unmanageable and hurts someone else. She knows what she's doing; Madrigal has just been released from a long prison term, having been charged with the murder of her stepsister. Dame Edith Evans steals every scene she's in as Laurel's wealthy grandmother, who is pulled away from tending her precious garden only when it appears that she has a murderess in her house (the old lady indicates that she's somewhat thrilled by the prospect). The Chalk Garden represented a "stretch" for Hayley Mills, who previously had been confined to sugary-sweet Disney heroines. ~ Hal Erickson, All Movie Guide

Originally made for British television, Dunroamin' Rising is graced with a topnotch veteran cast and a solid premise. The title refers to the Dunroaming Evening Tide Nursing Home, where resides 88-year-old Thorley Walters. As an economy move, Dunroaming is targeted for demolition and its residents are slated to be scattered to various less hospitable establishments. In protest, Walters embarks upon a hunger strike that ends up having wide-range repercussions. Dunroamin' Rising proved to be the last professional appearance of Thorley Walters, who died less than three years after its completion. ~ Hal Erickson, All Movie Guide

Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions. Chauffeur Robert Shaw is in the employ of aristocratic widow Sarah Miles. When she suffers a nervous breakdown, Shaw helps her through her recovery. They grow to love each other during the convalescence; but when she is cured, Ms. Miles refuses to regard Shaw as an equal, and the original status quo is reinstated. The Hireling provides an interesting contrast to the similarly structured American film of 1991, Driving Miss Daisy. ~ Hal Erickson, All Movie Guide