Emmanuelle Seigner Movies

An English-language throwback to the type of distinctly Italian thriller that earned him the international reputation as "The Italian Hitchcock," Dario Argento's Giallo once again teams the director with producer and younger sibling Claudio Argento to tell the tale of a serial slasher with a penchant for cutting beautiful women. After discovering that her sister has been abducted by a notorious serial killer who operates under the name "Yellow," an American flight attendant enlists the aid of an Italian investigator in seeking out her missing sibling. Asia Argento, Adrien Brody, Emmanuelle Seigner, and Elsa Pataky star in this thriller, penned by screenwriters Jim Agnew and Sean Keller. ~ Jason Buchanan, Rovi

The astonishing true-life story of Jean-Dominic Bauby -- a man who held the world in his palm, lost everything to sudden paralysis at 43 years old, and somehow found the strength to rebound -- first touched the world in Bauby's best-selling autobiography The Diving Bell and the Butterfly (aka La Scaphandre et la Papillon), then in Jean-Jacques Beineix's half-hour 1997 documentary of Bauby at work, released under the same title, and, ten years after that, in this Cannes-selected docudrama, helmed by Julian Schnabel (Basquiat) and adapted from the memoir by Ronald Harwood (Cromwell). The Schnabel/Harwood picture follows Bauby's story to the letter -- his instantaneous descent from a wealthy and congenial playboy and the editor of French Elle, to a bed-bound, hospitalized stroke victim with an inactive brain stem that made it impossible for him to speak or move a muscle of his body. This prison, as it were, became a kind of "diving bell" for Bauby -- one with no means of escape. With the editor's mind unaffected, his only solace lay in the "butterfly" of his seemingly depthless fantasies and memories. Because of Bauby's physical restriction, he only possessed one channel for communication with the outside world: ocular activity. By moving his eyes and blinking, he not only began to interact again with the world around him, but -- astonishingly -- authored the said memoir via a code used to signify specific letters of the alphabet. In Schnabel's picture, Mathieu Amalric tackles the difficult role of Bauby; the film co-stars Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny, and Patrick Chesnais. ~ Nathan Southern, Rovi

Thirty-three years after his ambitious concept album Berlin was pronounced dead on arrival, Lou Reed reteams with producers Bob Ezrin and Hal Willner to stage live performances of the now-classic release at concert venues all across the globe. The album, which was savaged by critics upon release, was scored with orchestral arrangements and follows several characters as they experience jealousy, rage, and loss. While many turned their backs on the release back in 1973, the tide eventually turned and Berlin was even named by Rolling Stone as one of the top 500 albums ever released. Filmed during a five-night stint at St. Ann's Warehouse in Brooklyn, N.Y., this belated, live rendition of Berlin features an impressionistic backdrop filmed by director Julian Schnabel's daughter Lola and haunting backup vocals courtesy of the Brooklyn Youth Chorus. ~ Jason Buchanan, Rovi

Celebrity obsession leads a French teen to track down her favorite singer following a disastrous staged television encounter between the pair in the feature debut from director Emmanuelle Bercot. The music of pop superstar Lauren (Emmanuelle Seigner) has a profound effect on the quiet life of teen admirer Lucie (Isild Le Besco), but when Lauren suddenly appears on Lucie's doorstep as part of a promotional campaign, the starstruck teen is left reeling when her idol serenades her with a love song in front of millions of viewers. Determined to have a genuine encounter with her idol sans the media circus, Lucie subsequently sets out to locate Lauren and hoodwinks the singer's tough-as-nails production assistant (Noemie Lvovsky) into allowing her into the mixed-up megastar's luxury suite. After the pair bonds over Lauren's latest breakup, the singer agrees to take her fan in as a low-level errand girl. Now, as the disillusioned teen begins to see past the glamorous facade to discover that fame has little bearing over emotional instability, she gradually begins to realize that the celebrity world is much different than she ever imagined. ~ Jason Buchanan, Rovi

In this bizarre drama that would seem to have "cult item" written all over it, Francis (Aidan Gillen) is a severely introverted young man with a speech impediment who shares a shabby apartment with his bedridden mother, Sal (Susan Tyrrell). Francis has developed certain voyeuristic tendencies which are satisfied through his job in a photo lab, where he helps process other people's snapshots all day. Soon Sal has a new boarder, a massive plumber named Vic (Mark Boone Junior), and Francis notices that a beautiful woman has moved in across the street -- who, to his delight, never draws her curtains. One day, while walking home, Francis sees the woman being attacked by a mugger, and he's able to rescue her. The grateful woman introduces herself as Gloria (Emmanuelle Seigner) and begins flirting with Francis; the evening ends with Francis in Gloria's bed, hardly able to believe his good fortune. However, he can't help watching her from across the street, and when the staunchly vegetarian Gloria is gobbling down some meat, he begins to suspect that not everything is what it seems to be, leading him into a labyrinth of violence and murder. The score was composed by Michael Brook, with contributions from Brian Eno. ~ Mark Deming, Rovi

A computer virus endows Solo (Diego Abatantuono), the hero of a virtual reality game, with human consciousness, thereby creating all kinds of headaches for his creator Jimi (Christopher Lambert). The trouble begins in the futuristic metropolis of Northern Agglomerate three days before Christmas. With little time left, video-game designer Jimi has no choice but to give his newest game, "Nirvana," to his powerful bosses. Unfortunately, the virus strikes just before the deadline. At first Solo doesn't know he is a graphic image, but when he finds out, he fervently pleads with Jimi to destroy every existent copy of the game so that he will not have to live the same sequence of events over and over for eternity. Jimi, vulnerable after the mysterious and sudden disappearance of his lover Lisa (Emmanuelle Seigner), agrees to honor Solo's wishes, but is unable to simply erase the program because his every move, on and off the job, is monitored by a giant, Orwellian computer. He therefore takes off for the Arab quarter and enlists the aid of two hackers, Joystick (Sergio Rubini), an expert at sabotaging databases, and Naima (Stefania Rocca), a woman with the skills to destroy the prototype of the computer game. With the company's henchmen hot on their heels, the threesome set off on a colorful journey through real and virtual worlds to destroy Solo before it is too late. ~ Sandra Brennan, Rovi

Love and larceny travel the same road in this high-speed comedy-thriller. Luke (David Arquette) is a car thief who is sent to an auto show in France with a special assignment -- to steal the RPM, a prototype of a new high-tech supercar that doesn't need gas to run. Luke soon leans he has competition when he discovers a beautiful female thief, Claudia (Famke Janssen), trying to steal the same vehicle. RPM also features Emmanuelle Seigner and Stephen Yardley. ~ Mark Deming, Rovi

The unbearable vanity of the human male facing death is one of the subtler themes of this French drama which tells the story of a dying man who finally finds and desires to conquer the perfect sex object. Poor Le Clainche is about ready to keel over from a heart attack. He's already had one and knows the second will be fatal. He is in his sixties, and though tired really wants to have sex with a beautiful woman one more time (for old time's sake). Odile, a tennis pro, is the sex object possessing a natural beauty that drives men crazy. She is a daring young thing. She first appears at a carnival where she has just finished a breathless roller coaster ride. She becomes intrigued by a striptease tent and is tempted to join them after the barker tries to coerce her. When La Clainche sees Odile in a railroad compartment she instantly becomes the object of his desire and he stands firm in his commitment to have her. His come-on is not subtle and she, the perfect woman, actually considers it. A strange relationship begins. ~ Sandra Brennan, Rovi

In this wry comedy, if it were not for the fact that screenwriter Giuseppe Marchi (Giancarlo Giannini) is clearly overwhelmed by attacks of guilt at his sometimes caddish behavior, it would be easy to dislike him as he is shown disclosing his inner life to his psychiatrist (Vittorio Caprioli). Instead, he is seen to have suffered a series of acute psychosomatic illnesses which were misdiagnosed so that he suffered a slew of unnecessary abdominal operations. Eventually some shred of self-understanding, coupled with a deep sense of resignation at life's unfairness, prompts him to leave all his travails behind for a simple, if lonely, life in Calabria. ~ Clarke Fountain, Rovi

This drama, spiced with sexual innuendo, is directed by Pierre Granier-Deferre, and features Jeanne Kern (Elizabeth Bourgine) as a pretty, somewhat repressed schoolteacher who suffers a smear campaign at work. Someone has been sending her director (Michael Aumont) letters accusing her of lewd and immoral conduct. Matters take a turn for the worse when a photograph of an orgy is sent to all the faculty with one face cut out; presumably, the face is hers. ~ Eleanor Mannikka, Rovi

This standard erotic thriller set in St. Tropez involves an unusual ménage à trois first there is Claude, a mother approaching 40 who is also approaching a liaison with the second and pivotal figure in the trio; Romain (Bernard Giraudeau), a Don Juan who is not above pimping on occasion and who is also attracted to Claude; and thirdly, the neurotic Chris (Valèrie Kaprisky), Claude's sexually fixated young daughter. As flashbacks show Chris seducing a former lover and symbolism likens her to a jellyfish whose sting can be fatal, the scenario is set for real trouble -- especially since Chris is angered that Romain obviously avoids her and just as obviously will end up as her mother's lover. Sex, hatred, and fear combine to bring the unbalanced relationships to their final resolution. ~ Eleanor Mannikka, Rovi