Jacqueline Bisset Movies

Born Jacqueline Fraser, in Weybridge, England, onetime model Jacqueline Bisset was vaulted into stardom on the strength of two 1967 films: In the over-produced spy spoof Casino Royale, she attracted attention as the alluring Giovanni Goodthighs; even more impressive (so far as critics were concerned) was her near-microscopic role in Stanley Donen's Two for the Road, in which Bisset plays the vacationing British schoolgirl whose sudden case of the measles makes the rest of the plot possible. (She reprised and expanded upon this bit in a film-within-a-film in François Truffaut's Day for Night in 1973.) First cast on the basis of her looks alone, Bisset later developed into a top-notch actress, as evidenced by her performances in The Grasshopper (1969) and The Thief Who Came to Dinner (1972). She came to so despise her earlier sexpot image that she insisted that no still photos of her wet T-shirt scenes in The Deep (1977) be reproduced for publication. That year, Newsweek magazine voted her "the most beautiful film actress of all time." In 1978, she played another famous Jackie (although not so named) in The Greek Tycoon, an à clef version of the Aristotle Onassis saga. A more mature but no less dazzlingly beautiful Bisset was later seen in a kinky secondary role in Zalman King's Wild Orchid (1990). The actress received critical acclaim in 2001 for her portrayal of a dying woman's search for the daughter she never knew in Christopher Munch's drama The Sleepy Time Gal. ~ Hal Erickson, All Movie Guide
1965  
 
Add The Knack ... And How to Get It to QueueAdd The Knack ... And How to Get It to top of Queue
Colin (Michael Crawford, who much later won a Tony Award for his role in Broadway's Phantom of the Opera) is an uptight schoolteacher whose housemate, Tolen (Ray Brooks) is a consummate womanizer. Colin imagines a long line of young women in tight white sweaters on his stairwell, waiting to get into Tolen's room. Jealous of Tolen's incredible success with the ladies, Colin asks Tolen for advice on how to get a girl. When Tolen's advice doesn't seem very practical, Colin decides that his first order of business is to get a bigger bed. Colin is also trying to find a third roommate to take a spare room. Tom (Donal Donnelly), who seems compelled to paint everything in sight, happens by the house, and inserts himself in the spare room without so much as saying "hello." Nancy (Rita Tushingham of A Taste of Honey) is new in town, and wanders the streets of London in a fruitless search for the YWCA. She runs into Colin and Tom at the dump, where they are procuring a gigantic bed. They offer her a ride, and proceed to race through London on the bed. Colin seems too shy to speak much to Nancy, despite Tom's encouragement. Eventually, the trio reach Colin's house, where Tolen works his gruff magic on Nancy, and havoc ensues. Capturing late 1960s London in black-and-white, Richard Lester's The Knack. . .and How to Get It was released between the director's two successes with the Beatles, A Hard Day's Night and Help. The script, by Charles Wood (An Awfully Big Adventure) is based on a play by Ann Jellicoe. Future stars Jacqueline Bisset, Charlotte Rampling, and Jane Birkin appear briefly amid all the attractive young women in the film. ~ Josh Ralske, All Movie Guide

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Starring:
Rita TushinghamRay Brooks, (more)
1966  
 
The fact that there isn't a single likeable character in Cul de Sac does not diminish its artistic value in the least. Ageing, furtively kinky Donald Pleasence is married to sexy young Francoise Dorleac. The couple's hermitlike tranquility is shattered when wounded gangsters Jack MacGowan and Lionel Stander invade their home and hold them hostage. As Dorleac urges her tremulous husband to do something, the two criminals begin behaving in a fashion that can only inadequately be described as eccentric. Drawing upon two of Polanski's favorite themes-isolation and latent insanity--Cul de Sac actually improves upon each viewing, assuming that the viewer has the intestinal fortitude to sit through it once. ~ Hal Erickson, All Movie Guide

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Starring:
Donald PleasenceFrançoise Dorléac, (more)
1966  
 
This uneven black comedy went into production as My Last Duchess. It then went through three title changes, representing, in the words of historian Leslie Halliwell, "a descending order of wit": Arrividerci, Baby, Drop Dead, Darling, and You Just Kill Me! Tony Curtis plays a charming contemporary Bluebeard who murders a succession of wives in order to fatten his bank account. At the beginning of the film, the 42-year-old Curtis, decked out in Buster Browns, does in his own stepmother. The remaining murders alternate between moderately amusing and just plain silly; our favorite scene is the disposal of Zsa Zsa Gabor, but that's just on basic principles. Curtis finally meets his match in a much-married widow who plots his demise (a plot point which, incidentally, was planned and abandoned for Chaplin's far superior Monsieur Verdoux). Director Ken Hughes and Ronald Harwood based their screenplay upon the Richard Deming novel The Careful Man. ~ Hal Erickson, All Movie Guide

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Starring:
Tony CurtisRosanna Schiaffino, (more)
1967  
 
Add The Cape Town Affair to QueueAdd The Cape Town Affair to top of Queue
After a purse is stolen on a South African bus, this tale is set in motion--involving secret information and communist espionage. ~ Kristie Hassen, All Movie Guide

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1967  
 
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Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH's hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion. ~ Judd Blaise, All Movie Guide

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Starring:
Peter SellersUrsula Andress, (more)
1967  
 
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In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, All Movie Guide

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Starring:
Audrey HepburnAlbert Finney, (more)
1968  
NR  
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Frank Sinatra gives a gritty performance in the crime thriller The Detective. When Teddy Leikman, the homosexual son of a politically connected department-store magnate, is murdered, detective Joe Leland (Frank Sinatra) is sent in to investigate. Leland drags in Teddy's psychotic former roommate Felix Tesla (Tony Musante) and forces a confession out of him; for his work on the case Leland gets a promotion, which troubles him. Afterwards, Norma MacIver (Jacqueline Bisset), the widow of a well-heeled accountant, comes to see Leland. Her husband was killed after falling off the grandstand at a racetrack -- but Norma thinks he was pushed. She asks Leland to investigate her husband's death. Reopening the case, Leland discovers that the police are opposed to him scratching around any further, and after an attempt on his life, he uncovers some startling evidence that may connect the two deaths. ~ Paul Brenner, All Movie Guide

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Starring:
Frank SinatraLee Remick, (more)
1968  
 
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Robert L. Pike's crime novel Mute Witness makes the transition to the big screen in this film from director Peter Yates. In one of his most famous roles, Steve McQueen stars as tough-guy police detective Frank Bullitt. The story begins with Bullitt assigned to a seemingly routine detail, protecting mafia informant Johnny Ross (Pat Renella), who is scheduled to testify against his Mob cronies before a Senate subcommittee in San Francisco. But when a pair of hitmen ambush their secret location, fatally wounding Ross, things don't add up for Bullitt, so he decides to investigate the case on his own. Unfortunately for him, ambitious senator Walter Chalmers (Robert Vaughn), the head of the aforementioned subcommittee, wants to shut his investigation down, hindering Bullitt's plan to not only bring the killers to justice but discover who leaked the location of the hideout. ~ Matthew Tobey, All Movie Guide

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Starring:
Steve McQueenRobert Vaughn, (more)
1968  
 
On California's Malibu Beach in the late 1960s, young people are enjoying a life with few responsibilities and plenty of romantic opportunities. Denny McGuire (Michael Sarrazin) is a beach bum without ambition. His roommate Collie Ransom (Tony Franciosa) is a professional tennis player who soaks up the admiration of other beach dwellers. Denny is attracted to Vickie Cartwright (Jacqueline Bisset), a mostly-out-of-work actress, and would like to settle down with her, but she is more enamored with a series of meaningless sexual encounters with men she meets on the beach or during acting jobs. The film turns more serious with the brutal beating death of Vickie. Denny pulls himself together and decides to become a more responsible adult by taking a job at a hardware store. Also working there is Choo-Choo Burns (Bob Denver), an off-the-wall jazz pianist. Choo-Choo joins Denny and Collie as another roommate. Pop music is provided by the San Francisco psychedelic band Moby Grape and the British balladeer Dusty Springfield. The script by Tom Mankiewicz was based on a novel by William Murray. ~ Michael Betzold, All Movie Guide

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Starring:
Anthony FranciosaMichael Sarrazin, (more)
1969  
R  
Christine (Jacqueline Bisset) is the young bank teller who is bored with her job and her husband. She leaves for Las Vegas where she scores a job as a chorus girl. The beautiful Christine does not have the talent to parlay the job into an upwardly mobile career. She marries an older man and becomes a "kept woman." Tommy Marcott (Jim Brown) is the greeter at a casino who poses for pictures with the guests and marries Christine. When Christine is invited to dinner by Roosevelt Dekker (Ramon Bieri), she is beaten up by her host. Tommy tracks down the construction magnate at a local golf course and beats him to a pulp. Danny (Corbett Monica) is the comic who gives Christine her first tour of Vegas and his bedroom. Christine hires a pilot to skywrite an obscenity that sums up her feelings about her experience. Joseph Cotten also appears in this drama of a naive young woman nearly swallowed up by the seamier side of the Las Vegas nightlife. ~ Dan Pavlides, All Movie Guide

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Starring:
Jacqueline BissetJim Brown, (more)
1969  
PG  
Wendy (Jacqueline Bisset) is the British guest of a French couple and the daughter of the man who saved the host's life during World War II. Living with the couple is their 20-year-old son and a 12-year-old nephew whose parents were killed in an automobile accident. The father and son both try to seduce the attractive guest. The young boy retreats into his own world and dreams of being taken back to Britain by Wendy in this romantic drama. The mother spends her time bleaching her hair and is seemingly uninterested in anything that goes on with her family at the beachfront villa. Meanwhile, Wendy and the younger boy develop a fondness for each other, while his aunt and uncle fail to understand his needs. ~ Dan Pavlides, All Movie Guide

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Starring:
Jacqueline BissetGisèle Pascal, (more)
1969  
R  
Three teenage boys yearn for their first sexual experience in The First Time. Kenny (Wes Stern) is sent to Buffalo for the summer to visit his grandmother. Terminally bored, he writes letters back home to his friends telling them what a good time he is having. Of particular interest is a bordello called Rosie's across the Canadian border. Kenny had overheard the conversation of two men describing Rosie's and his imagination runs wild in one of his letters. Soon his pals Mike (Rick Kelman) and Tommy (Wink Roberts) arrive on their way to camp wanting Kenny to show them the famed bordello. The trio drive around until Kenny identifies an abandoned Canadian warehouse as Rosie's. They meet Anna (Jacqueline Bisset), and believe since she has no passport, she must be a prostitute. The four go back to the U.S. where they check into a motel reserved by Mike and Tommy. Comedy ensues when the inexperienced young men are reduced to behaving like scared little boys when they realize they are not ready to take the plunge. ~ Dan Pavlides, All Movie Guide

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Starring:
Jacqueline BissetWes Stern, (more)
1970  
 
Add Airport to QueueAdd Airport to top of Queue
Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide

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Starring:
Burt LancasterDean Martin, (more)
1971  
R  
A sexy day in the life of a young family provides the basis of this sudsy drama. During this time the husband, the wife, and their daughter each have their own secret sexual interlude. Many enjoy this film because it contains five minutes of nudity starring the luscious Jacqueline Bisset. ~ Sandra Brennan, All Movie Guide

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Starring:
Per Oscarsson
1971  
 
A drug addict seduces his lover into sharing his chemical joys and together they begin a wrenching downward spiral into destruction in this unflinching, well-wrought drama. Before getting hooked on speed, the woman had a successful career. But, despite the efforts of those who would help her, the couple cannot seem to kick their habit. ~ Sandra Brennan, All Movie Guide

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1971  
 
Adapted from a Fred Mustard Stewart novel, this offbeat occult thriller stars Alan Alda (just prior to his eleven-year stint on M*A*S*H) as journalist and burgeoning musician Myles Clarkson, whose long-sought interview with ailing concert pianist (and closet Satanist) Duncan Ely (Curt Jurgens) leads to a mysterious ritual in which Ely's soul is transferred into Clarkson's body at the moment of the elder man's death. Further complications ensue when Myles' wife Paula (Jacqueline Bisset) discovers the none-too-subtle change in her husband's behavior, and she is pulled deeper into Ely's twisted circle. The plot thickens as further soul-swapping, dark family secrets, and demonic possession come into play. A heavy sense of doom pervades this bizarre film, thanks to some offbeat cinematography and eerie music, as well as some truly shocking setpieces courtesy of prolific TV director Paul Wendkos, who helmed the excellent Legend of Lizzie Borden. The prosaic Alda lacks the dangerous edge his character demands, but Bisset's performance is chillingly effective. ~ Cavett Binion, All Movie Guide

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Starring:
Alan AldaJacqueline Bisset, (more)
1972  
PG  
This gag-filled movie makes a stab at examining the women's liberation movement but never quite gets there. The effects of the movement are shown through a series of comic and romantic episodes between men and women. The story is loosely tied together as the research of Sheila Hammond (Jacqueline Bisset), a fashion magazine editor who is preparing an article on women's liberation. ~ Clarke Fountain, All Movie Guide

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1972  
PG  
Add The Life and Times of Judge Roy Bean to QueueAdd The Life and Times of Judge Roy Bean to top of Queue
Paul Newman plays the title role in John Huston's surreal, revisionist western as the infamous Texas hanging judge. Upon arriving in the tiny West Texas town of Vinegaroon, Roy Bean draws a moustache on a wanted poster of himself, marches into a saloon, and declares his presence. He is immediately robbed, beaten within an inch of his life, tied to a horse and dragged out into the prairie, then left to die. Rescued by a young Mexican girl, Maria Elena (Victoria Principal), Roy Bean heads back into town and murders everyone in the local saloon, declaring that he'll kill anyone of the same sort who turns up. He also sets himself up as the sole arbiter of law and order and renames the town Langtry, in honor of the legendary actress Lily Langtry (Ava Gardner). The community prospers as Judge Bean dispenses his own brand of frontier justice upon strangers passing by, robbing or killing anyone who tries to make their way through the town. But when Maria dies, Bean's old associates begin to turn on him, one at a time (in response to his constant harping on their wives, many of whom were former prostitutes) and Bean is forced to leave. Years later, Bean rides back into town, called back to the place to save his daughter from trouble - and finds that the community has been taken over by a shady character called Frank Gass (Roddy McDowall) - a circumstance that requires Bean to dispense his own unique brand of justice once again. Stacy Keach lends a neat comic turn to the film as Bad Bob, an albino gunslinger whose dining habits consist of chowing down on raw onion, drinking hot coffee from a pot, and demanding that an entire horse be cooked for his supper. John Milius (Red Dawn) scripted.
~ Paul Brenner, All Movie Guide

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Starring:
Paul NewmanVictoria Principal, (more)
1973  
PG  
Bud Yorkin directed this middling comedy, written by Walter Hill from a novel by Terrence Lore Smith. Ryan O'Neal plays a computer expert named Webster, who alleviates on-the-job doldrums by moonlighting as a successful jewel thief. Webster invites himself to upscale soirees, where he cases out the location and proceeds with his heists. During his adventures, he meets up with Laura (Jacqueline Bisset), a high society woman who teams up with Webster to assist on his heists. Gradually the two fall in love. However, it's not all easy going, since an insurance detective (Warren Oates) suspects that Webster is the jewel thief but he has no proof ... yet. ~ Paul Brenner, All Movie Guide

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Starring:
Ryan O'NealJacqueline Bisset, (more)
1973  
PG  
Add Day for Night to QueueAdd Day for Night to top of Queue
Known to English-speaking audiences as Day for Night, La nuit américaine was director François Truffaut's loving and humorous tribute to the communal insanity of making a movie. The film details the making of a family drama called "Meet Pamela" about the tragedy that follows when a young French man introduces his parents to his new British wife. Truffaut gently satirizes his own films with "Meet Pamela"'s overwrought storyline, but the real focus is on the chaos behind the scenes. One of the central actresses is continually drunk due to family problems, while the other is prone to emotional instability, and the male lead (Truffaut regular Jean-Pierre Leaud) starts to act erratically when his intermittent romance with the fickle script girl begins to fail. In addition to all this personal drama, the film is besieged by technical problems, from difficult tracking shots to stubborn animal actors. The inspiration for future satires of movie-making from Living in Oblivion to Irma Vep, La nuit américaine was considered slight by some critics in comparison to earlier Truffaut masterworks, but it went on to win the 1973 Oscar for Best Foreign Film. ~ Judd Blaise, All Movie Guide

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Starring:
Jacqueline BissetValentina Cortese, (more)
1973  
 
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In this parody of James Bond movies, a dullard of a spy novelist finds himself the subject of an English sociology student's term papers. She travels to his Paris apartment to do her research and their relationship is interspliced with episodes from the writer's newest book that features his popular hero Bob St. Clair, master spy and anithesis to the writer, and his lovely assistant Tatiana, (who is of course, the lookalike of the lovely student). The spy's nemesis is in reality, his pushy publisher. ~ Sandra Brennan, All Movie Guide

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Starring:
Jean-Paul BelmondoJacqueline Bisset, (more)
1974  
PG  
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Like many of Agatha Christie's mysteries, Murder on the Orient Express is predicated on an actual event, in this case the Lindbergh kidnapping. In the movie, everyone on board the Orient Express seems to have concluded that hateful financier Ratchett (Richard Widmark) was behind the abduction and murder of the infant daughter of a famed aviatrix. Thus, when Ratchett is himself found murdered, everyone is suspect. Normally, the police would handle the investigation, but the train has been stalled by a snowslide halfway between Istanbul and Paris. Thus, it's up to the insufferable but brilliant Belgian detective Hercule Poirot (an unrecognizable Albert Finney) to activate his "little grey cells" and determine who's guilty. Among the suspects are colorful characters played by Lauren Bacall, Martin Balsam, Jacqueline Bisset, Sean Connery, Wendy Hiller, John Gielgud, Anthony Perkins, Vanessa Redgrave, and Ingrid Bergman, whose performance won her a third Academy Award. (In her acceptance speech, Bergman apologized for her win, insisting that Day for Night's Valentina Cortese deserved the prize.) The first and best in a long line of contemporary Christie adaptations, the film scores on atmosphere, period detail, and richness of characterization. ~ Hal Erickson, All Movie Guide

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Starring:
Albert FinneyLauren Bacall, (more)
1975  
 
Actor Maximillian Schell functioned as coproducer and director of End of the Game. Conversely, director Martin Ritt is the leading actor in this existentialist crime story. Ritt plays Hans Barlach, a Swiss police inspector who has spent 30 years trying to pin the murder of the woman he loved on Richard Gastmann, an "untouchable" industrialist (Robert Shaw). When Barlach's assistant Donald Sutherland is killed while trying to get the goods on Gastmann, the inspector puts idealistic detective Walter Tschantz (Jon Voight) on the case. Jacqueline Bisset costars as Anna Crawley Sutherland's girl friend, who attempts to solve the case on her own. Author Friedrich Durrenmatt, long fascinated with the intangible aspects of Guilt and Innocence, wrote the novel (The Judge and His Hangman) upon which End of the Game is based. ~ Hal Erickson, All Movie Guide

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Starring:
Jon VoightJacqueline Bisset, (more)
1975  
NR  
This made-for-television remake of a taut thriller from 1946 concerns a small-town psycho stalking disabled female victims, whom he shoots with a silencer pistol. His next intended prey is a poor young woman who cannot speak. ~ Sandra Brennan, All Movie Guide

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Starring:
Jacqueline BissetChristopher Plummer, (more)

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