Tom Seidel Movies

The swinging Andrews Sisters provide the musical interludes and romance in this western. They play a trio of WW II era ranchers. That they are so good at running it proves terrible surprise for a ranch hand who has just returned home after serving in the Navy. ~ Sandra Brennan, Rovi

A young Bar 20 cowboy is killed in this fine Hopalong Cassidy Western directed by the efficient George Archainbaud. Having signed an agreement making Hoppy (William Boyd), California Carlson (Andy Clyde), and Jimmy Rogers part owners of his ranch, young Bud Lawton (Tom Seidel) is promptly killed by a couple of strangers, Sonora (Glenn Strange) and Lefty (Pierce Lyden). The killers, it turns out, are working for crooked banker Mark Foster (Douglass Dumbrille), who has a look-a-like, Kit Moyer (also Seidel), waiting in the wings. To the consternation of Bud's sister, Faith (Claudia Drake), the imposter immediately plans to sell their valuable property to Foster, whose men are scaring the help away. When Hoppy attempts to halt the sale, the entire Bar 20 crew lands in jail, accused of being imposters themselves. To get rid of the opposition without appearing to be doing so, Foster plans to have the crooked sheriff (Roy Barcroft) release the men to the enraged townspeople, but Hoppy manages to force a confession from Kit and the villain is defeated in a final struggle. ~ Hans J. Wollstein, Rovi

In this romantic musical, a chipper radio crooner does everything she can and is still unable to get a break. Later her agent comes up with a sure-fire scheme to get her some publicity by announcing that she is the true love of a WW II hero who has just come home. Fortunately for her, the agent's ploy is quite prophetic and by the story's end, the hero and the singer are hopelessly in love. Musical numbers and songs include: "My Wife's a WAAC", "What Do You Do When It Rains?", "I'd Do It for You", "Left, Right" and ""Valse Continental"". ~ Sandra Brennan, Rovi

In this romantic musical, a pianist is left stranded in Tahiti. He decides to augment his band by hiring on a new singer. The other band members are skeptical of her, but they head to San Francisco to play. They bomb and the pianist must convince the band to play a new kind of music. Things begin to improve as the inevitable romance between the band leader and the singer heats up. Unfortunately, the woman is already engaged to a sailor. Later another sailor vies for affection, but in the end, she is with the right man and happiness for all involved ensues. Songs include: "Tahiti Honey" (Jule Styne, George H. Brown, Sol Meyer), "You Could Hear a Pin Drop," "Any Old Port in a Storm," "This Gets Better Every Minute," "Koni Plenty Hu-Hu," "Of Course I'm a Cossack" (Charles Newman, Lew Pollack). ~ Sandra Brennan, Rovi

The Flying Tigers were a group of American volunteer aviators, flying against the Japanese on behalf of General Claire Chennault and Chinese leader Chiang Kai-Shek in the months just prior to World War II. John Wayne is the most responsible of the bunch, and John Carroll the least. It's bad enough that Carroll tries to beat Wayne's time with pretty Red Cross nurse Anna Lee; but when Carroll's negligence results in the death of veteran-flyer Paul Kelly, the man becomes a pariah to the rest of the pilots. Unable to serve in World War II due to health reasons, John Wayne spent the duration licking the Japanese and the Germans in front of a Republic Studios process screen. ~ Hal Erickson, Rovi

The macabre, overripe war melodrama Prisoner of Japan was produced and directed by the always fascinating Arthur Ripley. Alan Baxter plays the title character, astronomical researcher David Bowman. Stationed on a remote Pacific Island, Bowman is captured by Japanese secret agent Matsuru (Ernst Dorian) when the island is invaded. Ordered to cooperate with the Japanese captors, Bowman is expected to utilize his talents to guide enemy submarines towards American battleships, lest harm befall his sweetheart Toni Chase (Gertrude Michael). Eventually, however, hero and heroine are able to communicate with the U.S. fleet and foil the villains -- but the price is a precious one. Corinna Mura, best remembered as the guitar-playing nightclub singer in Casablanca, plays a major role in Prisoner of Japan. ~ Hal Erickson, Rovi

A pregnant Alice Faye was forced to bow out of this colorful Fox musical, which instead went to Rita Hayworth, whom the studio borrowed from Columbia. Hayworth plays the highly fictitious Sally Elliott of the title, a musical star teaming up with Indiana boy Paul Dresser (Victor Mature), a runaway who after a brief stopover in a tank town medicine show arrives in Gay Nineties New York full of verve and vigor. There he composes the title tune for the fair lady and becomes the toast of Tin Pan Alley. There are the obligatory bumps on the road along the way, of course, but everything ends, as any Fox musical should, with a grand and glorious finale. Although Fox publicity claimed that My Gal Sal was based on a My Brother Paul, a biography by the composer's brother, Theodore Dreiser, it was actually concocted from an unpublished manuscript by Dreiser and his wife Helen Richardson. The film earned Oscars™ for art and set decoration and included such Dresser songs as "On the Banks of the Wabash", "I'se Your Honey, If You Wants Me, Liza", "Come Tell Me What's Your Answer (Yes or No)" and "Mr. Volunteer. House songwriters Leo Robin and Ralph Rainger contributed "Me and My Fella" and "On the Great White Way. ~ Hans J. Wollstein, Rovi

If Edward G. Robinson thought he'd get away from tough-guy roles by moving from Warners to MGM, he was sorely mistaken. Robinson plays the editor of a 1920s tabloid newspaper, compelled to accept financial aid from a gangster (Edward Arnold). Defying his "unholy partner," Robinson adopts an editorial stance in direct opposition to the gangster's activities. The crook is less upset by this than by the fact that Robinson's star reporter (William T. Orr) is romantically interested in the crook's girlfriend (Marsha Hunt). When Robinson tries to expose the gangster's insurance racket, the young reporter is kidnapped. Robinson kills the crook, then covers his tracks in noble fashion by participating in a suicidal airplane test flight. Unholy Partners manages to keep its multitude of plot threads in order, resulting in one of Edward G. Robinson's most solid vehicles. ~ Hal Erickson, Rovi

Before changing his name to Richard Powers, cowboy hero Tom Keene spent the waning days of his stardom at Monogram, churning out westerns like Riding the Sunset Trail. When ingenue Betty Dawson (Betty Miles) and her kid sister Sugar (Sugar Dawn) are cheated out of their cattle ranch, Tom Sterling (Keene) and his sidekick Mendoza (Frank Yaconelli) vow to get the ranch back for the girls. This requires Sterling to cross six-guns with Pecos Dean (Gene Alcase), a former friend who'd turned bad. The climax is a shootout between our heroes and the minions of chief heavy Jay Lynch (Kenne Duncan). Formerly a bit too overenthusiastic in his screen appearances, Tom Keene turns in a restrained, well-modulated peformance in Riding the Sunset Trail. ~ Hal Erickson, Rovi

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, Rovi

A transport pilot is ordered to fly a risky mission. The pilot, Scott, refuses the dangerous mission and is fired from his job. Scott starts up a pilot school which struggles to stay in business. As an inspector for the government, Foster gives Scott trouble about his school, Scott hopes a new government pilot program will help him out. ~ Rovi

This 1938 remake of Howard Hawks' 1930 film The Dawn Patrol is faithful to the original's basic plotline. The story is set during World War I; the scene is the French headquarters of the British Royal Flying Corps, 59th division. The corps is suffering heavy losses, a fact that ace pilot Courtney (Errol Flynn) ascribes to the supposed ruthlessness of squadron commander Brand (Basil Rathbone). What the audience knows that Courtney doesn't is that Brand is distraught at losing his men, but is forced by his own superiors to push the pilots beyond their limits. After being accused day after day of being a butcher, Brand takes grim delight in turning over his command to Courtney. Soon Courtney finds himself enduring the "butcher" tag, especially after the younger brother of his best friend Scott (David Niven) is killed. To redeem himself, Courtney gets Scott drunk and takes his place in a suicidal bombing mission. Courtney is killed, Scott assumes command, and the cycle begins again. The extensive use of combat scenes from the original Dawn Patrol has led some viewers to assume that the 1930 version is the superior of the two. In fact, the remake is far better than the original on several counts, not least of which was the star power of Errol Flynn and Basil Rathbone in their third screen teaming. ~ Hal Erickson, Rovi