Mary Seibel Movies

Just as the university research team is about to prove that their new technique will permit water to be used as a fuel, their laboratory is sabotaged and the lab manager is killed. Eddie Kasalivich (Keanu Reeves) stumbles onto the scene and manages not only to witness the sabotage, but to escape from it. When he tries to talk about it to authorities, he discovers that they think he and the other project survivors committed the crime. In reality, a group of energy companies have conspired with interested parties in the government to completely erase all notion of the existence of a way to use water as fuel. The project sponsor (Morgan Freeman) wants Eddie to turn himself in, but before he can do that, he must find enough evidence to clear himself and his friends. But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators. ~ Clarke Fountain, Rovi

In the style of the screwball comedies of the 1930s and 1940s, I Love Trouble depicts the developing romance of two rival reporters who reluctantly fall for each other while competing for a major scoop. Old hand Peter Brackett (Nick Nolte) and aspiring newcomer Sabrina Peterson (Julia Roberts) first meet when they are both assigned to cover a mysterious train crash. The pair immediately develops a connection despite their professional rivalry, and they decide to work together. Sensing something fishy about the crash, they look deeper and are soon fighting to expose a wide-ranging conspiracy, while also struggling to outmaneuver and out-charm each other along the way. Co-creators Charles Shyer and Nancy Meyers, who previously found success harking back to 1940s comedy in Father of the Bride, borrow heavily from His Girl Friday, Bringing Up Baby, and other screwball classics. ~ Judd Blaise, Rovi

In this comedy, stockbroker Jon Aldrich (Tom Selleck) is the man who has it all, until his ill, aging parents (Don Ameche and Anne Jackson) move in with him. As his perfect life begins to disintegrate bit by bit, Jon becomes more and more depressed and disillusioned. Finally, broke and friendless, Jon begins to listen to his addled parents' insistence that he do away with them and use their insurance money to start again. ~ Iotis Erlewine, Rovi

Inheriting the Cleveland Indians baseball team from her late husband, covetous ex-showgirl Rachel Phelps (Margaret Whitton) wants to move the franchise to Miami, primarily to take advantage of the many personal perks she's been promised by that city. But Cleveland won't yield its lease on the Indians unless the year's attendance falls below 800,000. Figuring that chances for this are already good given Cleveland's inability to win a pennant, Phelps tries to make doubly certain that the fans won't turn out by ordering the club manager to put together the worst team possible. The new players include has-been Jake Taylor (Tom Berenger), blind-as-a-bat pitcher Ricky Vaughn (Charlie Sheen), self-protective free agent Roger Dorn (Corbin Bernsen), and Willie Mays Hayes (Wesley Snipes), who is constitutionally incapable of hitting straight. Surprisingly, this band of misfits begins winning games, so Whitton decides to break their spirit by forcing them to fly from game to game in a World War II prop plane, assigning them a rickety old bus for road games, and divesting them of their precious whirlpool.

Still, the team's talent and esprit de corps grows, especially after "Wild Thing" Ricky Vaughn dons a pair of glasses and is able to see where he's lobbing his 100-mile-an-hour pitches. Once the players are told that Phelps plans to dump them all whether they win the pennant or not, the team defiantly adopts an "us against the you-know-what" attitude. In a nailbiting 20-minute climax, the Indians face down their hated Yankee rivals in the pennant playoff game. The film's conclusion ties up several loose plot ends, notably the off-and-on romance between the irresponsible Berenger and his "ex" Lynn Wells (Rene Russo). Though set in Cleveland, Major League was filmed virtually in its entirety in Milwaukee, with the Brewers' play-by-play announcer Bob Uecker giving a terrific performance as the Indians' drink-besotted color commentator. The film represented not only the fictional comeback of the Cleveland Indians, but the actual comeback of producer/director David S. Ward, who'd been in a professional slump for several years. Though containing few surprises, Major League was a box-office smash, inspiring a 1994 sequel, inventively titled Major League II. ~ Hal Erickson, Rovi

The Package, a thriller involving political assassination and intrigue, is an excellent action feature using a familiar theme and providing good performances by the cast. Boyette (Tommy Lee Jones) is a prisoner entrusted to Gallagher (Gene Hackman) for transportation back to the United States. Boyette escapes and Gallagher must find him. In doing so, Gallagher finds himself getting into far more than he had bargained for as he becomes involved in a political assignation plot that he must stop. Both Hackman and Jones are excellent in reprising familiar roles. Hackman is never better than when portraying the decent man in a precarious position, and Jones plays Boyette with the same cunning and intelligence that he brought to The Executioner's Song. ~ Linda Rasmussen, Rovi

Jane Fonda stars in this made-for-TV movie, which uses the backdrop of World War II and urbanization to tell the story of one woman's fight to keep her family together. Gertie Nevels (Fonda), the wife of a Kentucky sharecropper, wants nothing more than to one day own her own farm. Thriftily hiding her savings from husband Clovis (Levon Helm), she prepares to make her dream come true -- until Clovis summons her to come join him in Detroit, where he's gone to work in a factory to help with the war effort. Arriving with her children in tow, Gertie finds Clovis all settled into a tenement-like block house and living the life of a union man. Soon, though, the downside of urban life -- from monstrous neighbors and repressive schools to the pitfalls of the industrial landscape itself -- threaten Gertie's family both individually and as a whole. Despite Clovis' freewheeling way with money and his propensity to blame her for the family's problems, Gertie continues to save money. A lifelong whittler, she begins selling hand-crafted wooden dolls, and when the union goes on strike, Gertie finds herself supporting the family. Adapted from Harriet Arnow's novel by Hume Cronyn and Susan Cooper, who would go on to collaborate on the similarly themed Foxfire in 1987, The Dollmaker was directed by feature and TV veteran Daniel Petrie. It debuted on ABC on May 13, 1984, and earned Fonda an Emmy for her work. ~ Brian J. Dillard, Rovi