Donald Bisset Movies

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, All Movie Guide

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, All Movie Guide

This riff on Wait Until Dark is a mixed bag but still manages to offer a few surprises. Brian Clemens' script starts off with a clever premise and offers some solid moments of suspense. Unfortunately, See No Evil begins to drift in its final third, when it introduces one too many plot complications to keep the identity of the killer a mystery. As a result, it loses track of its heroine (the viewer will lose track of how many scenes Mia Farrow spends stumbling around and shouting for help during the latter part of the film). That said, Farrow makes a likeable heroine and is surrounded by a professional cast turning in solid performances. Better yet, director Richard Fleischer gets plenty of opportunities to show off his directorial skills during the many setpieces and he's definitely up to the task: the scenes where Farrow faces off with the killer in her deserted house are staged effectively and make great use of sound as a tool for suspense. Ultimately, See No Evil is second-tier thriller material but it is made with enough skill to make a decent time-killer for anyone in the mood for a few thrills. ~ Donald Guarisco, All Movie Guide

In the second episode of a five-part story arc, the Clampetts have arrived in England, despite a fracas on the airliner bearing them to the country (Elly May had tried to bring her pet turkey buzzard Daisy onboard). Convinced that Queen Elizabeth is in dire financial straits, Jed Clampett purchases a gift for the reigning monarch -- said gift being the entire country of Canada. Needless to say, Mr. Drysdale is, in the words of Her Royal Highness, not amused. Filmed on-location, "Something for the Queen" originally aired on October 2, 1968, as the 200th episode of The Beverly Hillbillies. ~ Hal Erickson, All Movie Guide

In the conclusion of the four-part story "The Highlanders," the Doctor (Patrick Troughton) and Ben (Michael Craze) are still stranded in Scotland in the days following the battle of Culloden. Another battle -- this one between a group of Scottish prisoners and their British captors -- breaks out on board the slave ship Annabelle. Frazer Hines joins the cast as adventurous young Scots piper Jamie McCrimmon. Written by Elwyn Jones and Gerry Davis, "The Highlanders, Episode 4" originally aired on January 4, 1967; this episode is currently unavailable for reappraisal. ~ Hal Erickson, All Movie Guide

The TARDIS arrives in 18th century Scotland -- just in time for the Battle of Culloden. This turn of events obliges the Doctor (Patrick Troughton) to choose up sides: Will he align himself with the Scots, or cast his lot with the English troops? Meanwhile, Ben (Michael Craze) faces the possibility of a lifetime in slavery. Written by Elwyn Jones and Gerry Davis, the four-part adventure "The Highlanders" commenced on December 17, 1966; none of the four episodes are currently available. ~ Hal Erickson, All Movie Guide

In the second episode of the four-part story "The Highlanders," the Doctor (Patrick Troughton) and Ben (Michael Craze) are still marooned in Scotland, in the aftermath of the Battle of Culloden. The Doctor endeavors to rescue a group of defeated Scotsmen who are about to be sold as slaves. Meanwhile, Ben struggles to escape a life of forced servitude himself, a task which requires him to match wits with the formidable Solicitor Grey (David Garth). Written by Elwyn Jones and Gerry Davis, "The Highlanders, Episode 2" originally aired on December 24, 1966; this episode is currently unavailable for reappraisal. ~ Hal Erickson, All Movie Guide

In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, All Movie Guide

In this comedy, a British bus conductor is elated to learn that he has won the lottery's grand prize. Then he finds out that the prize is a visit from two Russian social workers. The conductor's wife cleverly turns the visitation into a drinking party and the Russians are very happy. They have so much fun that they tell all their Russian friends to stop in to the conductor's house for a rousing good time. ~ Sandra Brennan, All Movie Guide

Someone is knocking off top atomic scientists in England. Scotland Yard is summoned to stem the carnage and find the killer. The solution involves the activities of Communist agents operating with the ranks of the scientists. American actor Richard Conte is top-billed, primarily as a means to get the film into US theatres--a box office strategy frequently employed by director Ken Hughes. The original British title of this fast-paced whodunit was Little Red Monkey. ~ Hal Erickson, All Movie Guide