George Segal Movies
George Segal kicked off his performing career as a boy magician in his Long Island neighborhood. An accomplished banjoist, Segal played with Bruno Lynch and His Imperial Jazz before enrolling at Columbia University. After three years' military service, Segal resettled in New York in 1959, and that same year was cast in his first off-Broadway play. Entering films with 1961's The Young Doctors, Segal quickly established himself as one of Hollywood's most accomplished young character actors; in 1967, he received an Oscar nomination for his portrayal of Nick in Who's Afraid of Virginia Woolf. When one compiles a list of favorite films from the late 1960s-early 1970s, one usually spends a great deal of time exclaiming "Hey! Segal was in that, too." He played a hustling POW in King Rat (1965), a Cagneyesque hood in Saint Valentine's Day Massacre (1967), ulcerated homicide detective Mo Brummel in No Way to Treat a Lady (1968), a neurotic New York Jewish intellectual in Bye Bye Braverman (1968), a straight-laced bachelor in love with a foul-mouthed hooker in The Owl and the Pussycat (1970), and a repressed lawyer saddled with an outrageously senile mother in Where's Poppa? (1970). During this same period, Segal had an arrangement with the ABC TV network, permitting him to star in television adaptations of classic Broadway plays: he was cast as George opposite Nicol Williamson's Lenny in Of Mice and Men, then switched gears as vicious escaped criminal Glenn Griffin in The Desperate Hours. Throughout this busy period in his life, Segal fronted the Beverly Hills Unlisted Jazz Band, cutting several records and making a number of memorable Tonight Show appearances. In 1973, Segal's successful screen teaming with Glenda Jackson in A Touch of Class enabled him to demand a much higher price for his film services; unfortunately, many of the films that followed--The Black Bird (1975) and The Duchess and the Dirtwater Fox (1976) in particular--failed to justify Segal's seven-figure price tag. In the 1980s, Segal starred in two well-written but low-rated TV weeklies, Take Five (1987) and Murphy's Law (1989). His film career was lifted from the doldrums in the late 1980s with such plum roles as the pond-scum father of Kirstie Alley's baby in Look Who's Talking (1989) and the "pinko" comedy writer in For the Boys (1991). Segal's projects of the 1990s have included the syndicated TV adventure series High Tide (1994) and such film roles as the bemused husband of abrasive Jewish mama Mary Tyler Moore in the 1996 Ben Stiller vehicle Flirting with Disaster. In 1996, Segal found renewed success on television playing a well-meaning but rather duplicitous publisher whose estranged daughter comes to work for him in the razor-sharp NBC sitcom Just Shoot Me. Though he has yet to win an Oscar, Emmy, Tony or Obie, George Segal has been honored with the 1990 Jewish Cultural Achievement Award. ~ Hal Erickson, All Movie Guide
- 1976
- PG
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Melvin Frank's burlesque amalgam of McCabe and Mrs. Miller and Wagonmaster teams George Segal and Goldie Hawn as Charlie Malloy, a happy-go-lucky card shark, and Amanda Quaid, an ingratiating dance hall hooker, who want to go to Salt Lake City. Pursued by a gang of outlaws, Charlie and Amanda join up with a wagon train of Mormons who are also heading to Salt Lake City. ~ Paul Brenner, All Movie Guide
- Starring:
- George Segal, Goldie Hawn, (more)
- 1975
- PG
The picturesque streets of Vancouver, British Columbia provide the setting for this thriller that is based on Ardies' novel Kosygin Is Coming. The story centers on a Mountie who finds himself entangled in a KGB conspiracy to kill the renegade Russian Premier Alexei Kosygin during his Canadian visit in 1970. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Segal, Cristina Raines, (more)
- 1975
The Black Bird is a satirical sequel to The Maltese Falcon. George Segal plays Sam Spade Jr., who has inherited his dad's detective agency in a seedy section of San Francisco. The ubiquitous, priceless Maltese Falcon, which eluded Bogart and company in the 1941 film, surfaces once again. This time, Spade's friends and foes include femme fatales Anna and "Decoy Girl" (Stéphane Audran and Connie Kreski), sixtysomething historian Dr. Crippen (Signe Hasso, who looks terrific), and midget villain Litvak (Felix Silla, who played Cousin Itt on the TV series The Addams Family). Gags abound, including a climactic steal from Jaws. Two of the surviving stars of The Maltese Falcon, Lee Patrick and Elisha Cook Jr., recreate their roles in The Black Bird . ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Stéphane Audran, (more)
- 1974
- PG
Based on a novel by Michael Crichton, Terminal Man is a sci-fi thriller about a scientist who decides to be the lab rat in an experimental surgery to control his violent tendencies. During the surgical procedure, a miniature computer is implanted in his head. Unfortunately, the mechanism malfunctions, and he becomes a vicious killer. ~ Kristie Hassen, All Movie Guide
- Starring:
- George Segal
The most narratively loose of Robert Altman's '70s films, California Split details the haphazard lives of two compulsive gamblers searching for that ever-elusive big score. Newly single and soon-to-be-unemployed Bill (George Segal) joins live-wire pal Charlie (Elliott Gould), as the pair moves from Fruit Loops with Charlie's hooker roommates Sue (Gwen Welles) and Barbara (Ann Prentiss) to bets on horses, backroom card games, boxing, and basketball. They make it to Reno, but Bill comes to realize that even the big score may not be the answer to the meaning (or meaninglessness) of life. For Charlie, however, that's all there is. ~ Lucia Bozzola, All Movie Guide
- Starring:
- George Segal, Elliott Gould, (more)
Producer/director Melvin Frank struck box-office gold when he teamed George Segal with Glenda Jackson in A Touch of Class. Segal plays married insurance executive Steve Blackburn, who can't seem to avoid bumping into divorced fashion designer Vicki Allessio (Glenda Jackson) wherever he goes. Finally bowing to the inevitable, Steve and Vicki fall in love. He suggests a romantic rendezvous in Spain...but nothing, absolutely nothing, goes as planned. A comedy of errors ending on an unexpected note of pathos, A Touch of Class was nominated for four Academy Awards, and earned Glenda Jackson a Best Actress Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Glenda Jackson, (more)
In the Los Angeles of yoga, therapy, and well-off liberals, a divorcé decides that his ex-wife is the love of his life in Paul Mazursky's romantic comedy. Beverly Hills divorce lawyer Stephen Blume (George Segal) becomes his own client when his social worker wife Nina (Susan Anspach) throws him out for sleeping with his secretary. Only then does Blume realize that he can't live without Nina, even though she seems fine without him, and he has a new sex partner in divorcée Arlene (Marsha Mason). So what does he do to win Nina back? Befriend her laid-back musician beau, Elmo (Kris Kristofferson), show up at her house with breakfast bagels, eavesdrop on her therapy sessions, and forcibly impregnate her, of course. Banished to their former honeymoon site in Venice, Italy while Nina thinks things over, Blume reflects on his past and his obsession, as he dreamily hopes for the best. Cutting between Blume's musings on love and loss in Venice's Piazza San Marco and the events in L.A. that brought him there, Mazursky humorously yet sharply dissects the complications of marriage in the let-it-all-hang-out Me Decade of the 1970s. Blume and Nina face the same dilemma as the couples in Mazursky's 1969 hit Bob & Carol & Ted & Alice: how to mesh traditional vows with the new freedom and its temptations. In this case, it takes a divorce to convince the solipsistic Blume that the woman he wants most is his own wife. Considered by some critics one of the decade's best interrogations of contemporary coupledom, Blume in Love astutely captured the absurdity of Blume's self-involved romantic quest, while slyly celebrating the operatic spirit of love that drives him. ~ Lucia Bozzola, All Movie Guide
- Starring:
- George Segal, Susan Anspach, (more)
Peter Yates directs the early '70s comedy caper The Hot Rock, based on the Donald Westlake novel and adapted for the screen by William Goldman. Robert Redford stars as John Archibald Dortmunder, a former jewel thief just released from prison. His brother-in-law, Andrew Kelp (George Segal), recruits him to steal a diamond from a museum. They are hired by Dr. Amusa (Moses Gunn), an ambassador from Central Fatawi, whose people consider the stone to be sacred. John and Andrew assemble a team with Alan Greenberg (Paul Sand) and Stan Murch (Ron Leibman). They successfully pull off the job until the guards arrest them and Alan swallows the diamond. Alan's father (Zero Mostel) helps him break out of jail, which leads to a series of other heist attempts. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Robert Redford, George Segal, (more)
Born to Win is the grimly ironic title of this jet-black comedy about heroin addicts. George Segal plays Jay Jay, an ex-hairdresser who struggles to support his expensive drug habit. To avoid arrest, Jay Jay turns "narc," informing on his fellow junkies. Eventually Jay Jay's sense of self-hatred threatens to overwhelm him. Also released as Born to Lose and Addict, Born to Win was the first American film for Czech director Ivan Passer. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Karen Black, (more)
Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, All Movie Guide
- Starring:
- George Segal, Eva Marie Saint, (more)
Director Carl Reiner, most closely associated with the homey values of situation comedies, shocked, surprised, and (in some cases) delighted his admirers with the jet-black comedy Where's Poppa?. George Segal plays Gordon Hocheiser, a New York attorney whose love life is constantly being sabotaged by his senile mother (Ruth Gordon), who constantly asks the question of the title. (She doesn't realize Poppa is dead). Every time Gordon has a prospective bride or lover lined up, Mrs. Hocheiser gums up the works with her insane behavior. The attorney at last finds a kindred spirit in the beautiful caregiver Louise Callan (Trish VanDevere), who has likewise been a victim of someone else's eccentricities (her first husband used the conjugal bed as his own personal toilet). When Mrs. Hocheiser chases Louise away like she has all the others, Gordon begins entertaining notions of killing his mother. In desperation, Gordon begs his brother Sidney (Ron Leibman) to take his mother off his hands, which leads to several comic vignettes in deliriously bad taste. The film's incest-themed original ending (trimmed from the video version but still included in cable prints) finds Gordon climbing into bed with Mrs. Hocheiser, only to be greeted with a "Here's Poppa." The celebrated "tush scene," wherein Mrs. Hocheiser bites Gordon on his bare backside while Louise looks on in horror, packed a real wallop back in the early '70s, as did a courtroom scene involving a disgruntled hippie (Rob Reiner) and a psychotic U.S. general who graphically describes his homicidal acts against the Vietnamese. Though Carl Reiner would continue to "push the envelope" in his later films (Steve Martin as a "poor black child"? George Burns as God?) he would never again attempt anything as risky as Where's Poppa?. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Ruth Gordon, (more)
The Owl and the Pussycat began life as a two-character Broadway play by Bill Manhoff, about a stuffy author who entered into an explosive relationship with his neighbor, a foulmouthed, freewheeling prostitute. Manhoff wrote the part of the hooker for a black actress, but all that changed when Barbra Streisand was cast in the role for the film version. George Segal portrays the male lead, and the play's two-character austerity was expanded to a cast of 19 speaking parts. Beyond the added characters (including Robert Klein as Segal's swinging roommate), the heart and soul of the film is the Segal-Streisand relationship; he is utterly appalled by her lifestyle, she is turned off by his prudishness, and both are made for each other. The Owl and the Pussycat was adapted for the screen by Buck Henry, who shows up in a cameo role in one of the bookstore scenes. The film represented the last work of cinematographer Harry Stradling, who'd previously photographed Streisand in Funny Girl; Stradling died during production, and was replaced by Ernest Laszlo. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, George Segal, (more)
This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, All Movie Guide
- Starring:
- George Segal, Robert Vaughn, (more)
- 1969
Childhood sweethearts Jolanda (Virna Lisi) and Franco (George Segal) meet once again after a separation of nearly 15 years. The two immediately rekindle the romance on an adult level. Franco is a dedicated physician working hard to have a successful career and longtime security, while Jolanda is a free-spirited woman who embraces radical causes and lives from day to day. Comedy ensues when this odd couple experiences life from each other's point of view. Jolanda releases animals from a research hospital in protest over their capture. Franco is always chasing the fast-moving Jolanda around in order to extricate her from the consequences of her many activities in this convulsively funny romantic comedy. The exasperated Franco is torn between the love for Jolanda and the stoic professionalism of his medical career. ~ Dan Pavlides, All Movie Guide
- Starring:
- Virna Lisi, George Segal, (more)
- 1969
- PG
In this comedy, a medical assistant and his strange childhood friend fall in love. Unfortunately, the girl is unable to make a permanent commitment. ~ Sandra Brennan, All Movie Guide
- 1969
- PG
In this comic adventure, an impoverished Yankee geologist and his cohorts band together with a group of fortune hunters to search for the priceless "Southern Star," an enormous diamond. The geologist has a double stake in the hunt as he not only hopes to earn much-needed cash, he also hopes to marry the daughter of the financier who hired them. It is the geologist and his partner who find the diamond first. During the party the businessman holds to celebrate, the lights suddenly go out. When they flick back on, the diamond and the geologist's partner has disappeared, leaving the geologist to shoulder the blame for the crime. To prove his innocence the geologist sets out after this thieving partner. He is pursued by a group of crooks who want the valuable rock for themselves. In the end, the geologist triumphs and the businessman allows him to marry his daughter. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Segal, Ursula Andress, (more)
- 1968
Bye Bye Braverman is a bittersweet adaptation of Wallace Markfield's coldly cynical novel To an Early Grave. Braverman, an idealistic minor author, dies; his four best friends, writers who in one way or another have all sold out, decide to attend his funeral. The foursome includes a disenchanted magazine writer (George Segal), a poet (Jack Warden), a book reviewer (Sorrell Booke), and an embittered bellyacher (Joseph Wiseman). Taking a picaresque journey from Greenwich Village to Brooklyn, the quartet never quite gets to the funeral, but their odyssey unearths many a self-revelation and previously unspoken truth. Like its four leading characters, Bye Bye Braverman loses its way towards the end, bringing this otherwise insightful comedy/drama to a muddied conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Jack Warden, (more)
New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Steiger, Lee Remick, (more)
- 1968
This independent feature concerns the travels of a 65-year-old man when he leaves his complaining wife behind to experience life and sexual adventures. From New York, Rhode Island and New Jersey, to the sunny climate of Florida, the principle character (Walter Gutman) searches for the free love he has read and heard about but has never experienced. An abandoned circus train in one scene symbolizes the fun and frolic that has passed the man by, as he seeks to know more in his life than the nagging of his shrewish spouse. ~ Dan Pavlides, All Movie Guide
- Starring:
- Walter Gutman, Janine Soderhjelm, (more)
- 1967
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Schlockmeister Roger Corman produced this graphically violent chronicle of the Chicago gangster wars of the 1920s and the events that lead to the bloody title showdown between rival mobsters Al Capone (Jason Robards) and Bugs Moran (Ralph Meeker) that marked a brutal end to a terrifying era. Fred Steiner's film score is effectively mixed with popular songs from the 1920s, and the re-creation of gangster-era Chicago is a credit to the set designers. Historic and insightful narration is dramatically provided by Paul Frees, giving the film the flavor of a docudrama. Jean Hale plays Moran's gun moll, who is mercilessly kneed in the stomach while arguing over a fur coat. Though The St. Valentine's Day Massacre was heralded by critics at the time of its initial release, their opinion of the film has changed with each decade as they waver on the cinematic value of all of Corman's work. Audiences continue to relish the film, which is often shown on the anniversary of the bloody executions. Watch for Jack Nicholson as one of the unfortunate victims. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jason Robards, Jr., George Segal, (more)
This spy saga differs from the usual Bond-styled fare that was popular at the time. There are plenty of gadgets but the hero Quiller (George Segal) never once uses a gun. Quiller is called on by his superior Pol (Alec Guinness) to infiltrate a Neo-Nazi gang in Berlin after two British agents have been killed on the same mission. After a teacher at a school has hanged himself when he is accused of being a war criminal, Quiller meets the late teachers replacement, the lovely Inge (Senta Berger). He willingly goes home with her before being beaten, drugged, and kidnapped by Nazi thugs, but the head Nazi Oktober (Max Von Sydow) allows Quiller to escape in hopes he will lead them to Pol. Quiller is captured again and given until morning to reveal information or he and Inge will die. George Sanders and Edith Schneider make the most of their limited screen time with fine performances. ~ Dan Pavlides, All Movie Guide
- Starring:
- George Segal, Alec Guinness, (more)
Alex Segal directed this 1966 production of Arthur Miller's classic American play, Death of a Salesman. Lee J. Cobb stars as Willy Loman, the everyman who is suddenly faced with the glaring reality that he is past his prime and has begun living in a self-created fantasy world in which he is not obsolete. The performance also features James Farentino as Happy Loman, George Segal as Biff Loman, and a young, pre-fame Gene Wilder as Bernard. ~ Matthew Tobey, All Movie Guide
- Starring:
- Lee J. Cobb, Mildred Dunnock, (more)
In this wartime melodrama, Lieutenant Colonel Raspeguy (Anthony Quinn) is a French peasant who has worked his way up the military ladder during the French involvement in Indochina. Sent to Algeria, Raspeguy must mold a group of raw recruits into a competent fighting unit. He calls on Esclavier (Alain Delon), his sensitive assistant who eventually deserts the military out of frustration over the pointlessness of war. Raspeguy's other assistant is Boisfeuras (Maurice Ronet), the affable officer whose outside demeanor hides the heart of a vicious killer who loves the bloodlust of battle. Raspeguy takes up with Countess De Clairefons (Michele Morgan), the widow of a respected general. She promises Raspeguy she will marry him if he comes back from the conflict as a general. ~ Dan Pavlides, All Movie Guide
- Starring:
- Anthony Quinn, Alain Delon, (more)
- 1966
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"You are cordially invited to George and Martha's for an evening of fun and games." Thus read the ad copy for Who's Afraid of Virginia Woolf, which in 1966 went farther than any previous big-studio film in its use of profanity and sexual implication. George (Richard Burton) is an alcoholic college professor; Martha (Oscar-winner Elizabeth Taylor) is his virago of a wife. George and Martha know just how to push each other's buttons, with George having a special advantage: he need only mention the couple's son to send Martha into orbit. This evening, the couple's guests are Nick (George Segal), a junior professor, and Honey (Sandy Dennis), Nick's child-like wife. After an evening of sadistic (and sometimes perversely hilarious) "fun and games," the truth about George and Martha's son comes to light. First staged on Broadway in 1962 with Uta Hagen and Arthur Hill, Edward Albee's play was adapted for the screen by Ernest Lehman, who managed to retain virtually all of Albee's scatological epithets (this was the first American film to feature the expletive "goddamn"). Lehman opened up the play by staging one of George's speeches in the backyard, and by relocating the film's second act to a roadside inn (he also added four lines--"all bad," according to Albee). Thanks to the box-office clout of stars Taylor and Burton, not to mention the titilation factor of hearing all those naughty words on the big screen, Who's Afraid of Virginia Woolf was a hit, and it won 5 Oscars, including awards for Taylor and Dennis, though it lost Best Picture to A Man for All Seasons. First-time director Mike Nichols lost the Oscar, but this movie gave him a perfect transition from his stage work and established him as a hot young Hollywood director, leading to his acclaimed (and Oscar-winning) work on his next movie, The Graduate. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Taylor, Richard Burton, (more)
The first person the audience sees in Ship of Fools is dwarf Michael Dunn, who speaks to viewers directly and acts as a Greek chorus throughout the film. It begins on the deck of an ocean liner travelling from Vera Cruz to Bremerhaven. The time is the 1930s, so close and yet so far from war. The cross-section of humanity on board includes ship's doctor Oscar Werner, Spanish political activist Simone Signoret, aging coquette Vivien Leigh, hedonistic baseball player Lee Marvin, philosophical Jew Heinz Ruhmann, a smattering of pro- and anti-Hitlerites (Jose Ferrer plays the nastiest and most vocal "pro") and young lovers George Segal and Elizabeth Ashley. Yes, it's Grand Hotel at sea, a feast for stargazers and an endurance test for those who aren't comfortable with non-stop speechmaking. Despite such lines as "What can the Nazis do? Kill all six million of us?," Ship of Fools manages to stay afloat throughout its 148 minutes. Michael Dunn was nominated for an Academy Award for his interlocutory characterization; the rest of the performances range from brilliant to merely filling up the room. Other Oscars were presented to cinematographer Ernest Lazslo and to the art-direction staff. Ship of Fools was adapted by Abby Mann from the novel by Katharine Ann Porter. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Simone Signoret, (more)
