Charles Seel Movies

1962  
 
Tired of living in the shadow of older brothers Adam and Hoss, Joe Cartwright demands that his father Ben give him more of a say in running the Ponderosa. Impressed, Ben hands Joe the solo responsibly of suppling timber to a mining company's construction project. As he begins this assignment, Joe is certain that he can do the job without anyone else's help-but can he? The supporting cast includes Grant Richards as Will Poavey, James Beck as Dave Donovan, Frank Gerstle as Weber, Dan Riss as Crawford and Charles Seel as Hawkins. Written by John Joseph and Thomas Thompson, "The Quest" originally aired on September 30 1962. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1961  
 
Having quit his job as a newspaperman, Phillip Werris (Lonny Chapman) tries to make a go of a farm in Canada, but before long he and his wife Jan (Jena Engstrom) are flat broke. With no other option, Phillip decides to go back to writing, and begins turning out freelance articles. . .in his sleep. Curiouser still, the articles written by the slumbering journalist are about a pair of dead men whom Phillip has neither seen nor previously heard of--but whom he describes down to the smallest detail. This episode was remade on the sequel series Next Step Beyondin 1978. ~ Hal Erickson, All Movie Guide

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1961  
 
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If anything, this star-studded sequel is even sillier than the original, adding to its problems by completely recasting all the roles, combining several of them into existing characters. Carol Lynley is the heroine this time, and she leaves Peyton Place for New York to write a book about the hypocrisy of her hometown. The book causes lots of trouble back home, getting Mike (Robert Sterling) fired as principal, angering Lynley's mother (Eleanor Parker), and stirring such horrible memories in Selena (Tuesday Weld) that she brains her new boyfriend with a fireplace poker, thinking he is her dead rapist stepfather. The film really belongs to Mary Astor, in a hilarious turn as a smotheringly possessive mother. She tries to come between her son and his new bride (Luciana Paluzzi) in some unintentionally hilarious scenes, causing Paluzzi to fling herself down a ski slope in an attempt at a self-induced miscarriage. Overwrought and overblown, the film is still a treat for fans of campy "suburban sin" melodramas. Look for Bob Crane as an unctuous talk show sidekick. ~ Robert Firsching, All Movie Guide

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Starring:
Carol LynleyJeff Chandler, (more)
1960  
 
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In this entertaining comedy by Charles Walters, everyone seems to get in on the act, even the dog and especially the four overactive kids in a wildly challenging family. David Niven co-stars with Doris Day as Lawrence and Kate Mackay, distinctive parents struggling with home, life, and family. Lawrence opts for leaving his job teaching at Columbia University in New York for a post as a drama critic for a Gotham newspaper, bringing new problems to the pile the family already owns. First, they are forced to move out -- far out -- to the countryside with their brood and canine. And next, while Kate handles home, hearth, and hellions, Lawrence proceeds to alienate one of his best friends with a shattering review. That unhappy beginning to his new career also brings in one of the actresses damaged by his cutting remarks (Janis Paige), who wreaks her own form of havoc on poor Lawrence. In the meantime, Day gets to sing some songs which add to the light-hearted attitude of it all. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Doris DayDavid Niven, (more)
1960  
 
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Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneStewart Granger, (more)
1960  
 
In this crime drama, a man serves five years in the state pen for armed robbery. Upon his release, the man is anxious to retrieve the $260,000 in loot he hid before he went to jail. Unfortunately, he is still pursued by both the police and his former gang mates. He ends up severely beaten, robbed, and ultimately cheated by his own lover. Despite these set-backs, the fellow remains content because he now has the love of his former partner's widow. ~ Sandra Brennan, All Movie Guide

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1960  
 
Robert Preston plays the flip side of his eternally ebullient Professor Harold Hill in Dark at the Top of the Stairs. Preston portrays an early 20th-century harness salesman, fully aware that his product is rapidly becoming obsolete. He tries to compensate for his own lack of self-esteem by cheating on his patient wife Dorothy McGuire; Preston's "other woman" is played by Angela Lansbury. Meanwhile, daughter Shirley Knight falls in love with Jewish boy Lee Kinsolving, who kills himself in the face of relentless bigotry. And McGuire's sister Eve Arden is stuck in a loveless marriage with spineless Frank Overton. Robert Eyer plays the young alter-ego of William Inge, who wrote the Pulitzer Prize-winning play on which this film is based. Eyer's fear of the "dark at the top of the stairs" is meant to be symbolic of the other characters' inner demons, a fact that Inge drives home every three minutes or so. In typical Inge fashion, an unlikely happy ending is reached just before "The End." ~ Hal Erickson, All Movie Guide

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Starring:
Robert PrestonDorothy McGuire, (more)
1960  
 
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The first big budget Western to feature a black hero, this military courtroom drama from director John Ford starred his long-time stock player Woody Strode. When a cavalry commander and his daughter are discovered murdered, racism amidst the 9th Cavalry immediately leads to suspicions that Sergeant Braxton Rutledge (Strode), a black man, is responsible for the crime. Arrested by Lieutenant Tom Cantrell (Jeffrey Hunter), Rutledge escapes from captivity during an Indian raid but voluntarily returns to warn his fellow cavalrymen that they are about to face an ambush by hostiles, saving the detachment from certain doom. At first among those who accept Rutledge's probable guilt, Cantrell and his love interest Mary Beecher (Constance Towers) become two of the accused man's scarce defenders as he is put on trial and faces testimony from prejudiced "witnesses." ~ Karl Williams, All Movie Guide

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Starring:
Jeffrey HunterConstance Towers, (more)
1959  
 
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Based on an actual Civil War mission, Colonel Marlowe (John Wayne) and Major Kendall (William Holden) are ordered by General Grant to take three regiments 300 miles into enemy territory. They must destroy the railroad line between Newton Station and Vicksburg in hopes of choking off supplies to the South. Marlowe encounters a Southern belle loyal to the enemy, and keeps her in sight throughout the journey so she can't warn the Confederates. Kendall, a Northern surgeon, and the crusty Marlowe have their differences along the way. Action, romance and gory battlefield surgery accompany the army as the mission is completed. John Ford directed this film based on a novel by Harold Sinclair. ~ Dan Pavlides, All Movie Guide

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Starring:
John WayneWilliam Holden, (more)
1959  
 
John Carradine and Michael Landon guest star in this early episode of The Rifleman. The only one in town to own a shotgun, young Billy Mathis (Landon) becomes the obvious suspect when Hallager (Robert Bice) is shot in the back. Especially when Sheriff Torrance (Paul Fix) learns that the victim had refused young Billy to court his daughter Lucy (Sue Randall). But both the sheriff and Lucas McCain (Chuck Connors) remain unconvinced and the latter finally agrees to let traveling mind reader James Barrow McBride (Carradine) add his two cents. ~ Hans J. Wollstein, All Movie Guide

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Starring:
John Carradine
1959  
 
Tired of churning out dull commission jobs, sketch artist Anthony March (Michael Higgins) yearns for more excitement in his life. One afternoon, Anthony glances out of the window of his Greenwich Village apartment and sees a young woman apparently planning to commit suicide in her hotel room--but when he rushes over to save her, the room turns out to be empty. This disturbing hallucination occurs time and time again before coming to a startling climax when Anthony's model Jeannie (a young Louise Fletcher) finds herself playing a key role in the proceedings. ~ Hal Erickson, All Movie Guide

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1958  
 
This episode is clearly inspired by the famous "Bridey Murphy" affair of the mid-'50s. During a party, Lucy Pryor (Phyllis Thaxter) allows herself to be hypnotized by Professor Miles Farham (Tom Helmore). While in a trance, she regresses to the year 1853 and assumes the personality of a Quaker woman named Dora Evans -- and then, just as Dora Evans had done over 100 years earlier, Lucy promptly murders her husband. During her subsequent trial, Lucy undergoes hypnosis a second time to prove that she had had no control over herself when committing the murder...and the results are astonishing. ~ Hal Erickson, All Movie Guide

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1957  
 
From the folks who brought you I Was a Teenage Werewolf comes this relentlessly shlocky variation on the Frankenstein legend. Whit Bissell stars as Professor Frankenstein, descendant of you-know-who, who harbors a few radical theories about limb transplantation. Laughed at by students and colleagues alike, the good professor intends to prove the efficacy of his theories in his own lab at home--keeping an alligator as a "pet" to dispose of discarded body parts. When a carful of teenagers crashes near his home, Frankenstein and his assistant Carlton (Robert Burton) gather up the bodies and begin stitching up the fragments, adding a few chunks of flesh recovered from a convenient plane wreck. The result is a teenaged monster (Gary Conway) with a bad attitude. Already a bit off in the coop to begin with, Professor Frankenstein goes completely bonkers, using the monster to dispose of such awkward witnesses as the professor's fiancee Margaret (Phyllis Coates). The film's final burst of violence is filmed in color, for no discernable reason. If for nothing else, I Was a Teenage Frankenstein would be memorable for Professor F's deathless line to his sullen creation: "Answer me! You have a civil tongue in your head! I know, I sewed it in there!" ~ Hal Erickson, All Movie Guide

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Starring:
Whit BissellPhyllis Coates, (more)
1956  
 
In their search for a diamond thief, Friday (Jack Webb) and Smith (Ben Alexander) visit a bar frequented by the suspect. Their search is temporarily sidelined when bar employee Alice Kolbar is beaten to death by her jealous husband. It turns out that Alice may have been romantically involved with the alleged jewel thief...but the only real evidence the detectives have to go on is a custom-made hat with the initials "T.R." This episode is based on the Dragnet radio broadcast of February 15, 1955. ~ Hal Erickson, All Movie Guide

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1955  
 
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When Otto Preminger was willing to release his drug-addiction drama Man With the Golden Arm without the sanction of a Production Code seal, it proved to be yet another nail in the coffin of that censorial dinosaur. Based on the novel by Nelson Algren, the film stars Frank Sinatra as Frankie Machine, expert card dealer (hence the title). Recently released from prison, Frankie is determined to set his life in order -- and that means divesting himself of his drug habit. He dreams of becoming a jazz drummer, but his greedy wife Eleanor Parker wants him to continue his lucrative gambling activities. Since Parker is confined to a wheelchair as a result of a car accident caused by Frankie, he's in no position to refuse. Only the audience knows that Parker is not crippled, but is faking her invalid status to keep Frankie under her thumb. Gambling boss Robert Strauss wants Frankie to deal at a high-stakes poker game; terrified that he's lost his touch, Frankie asks dope pusher Darren McGavin to supply him with narcotics. When McGavin discovers that Parker is not an invalid, she kills him, and Frankie (who is elsewhere at the time) is accused of the murder. He is willing to go to the cops, but he doesn't want to show up with drugs in his system. So with the help of sympathetic B-girl Kim Novak, Sinatra locks himself up and goes "cold turkey"-a still-harrowing sequence, despite the glut of "doper" films that followed in the wake of this picture. After Parker herself is killed in a suicidal fall, the path is cleared for Frankie to pursue a clean new life with Novak. ~ Hal Erickson, All Movie Guide

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Starring:
Frank SinatraEleanor Parker, (more)
1949  
 
First love leads to unexpected responsibilities and difficult decisions in this well-crafted drama. Sally Kelton (Sally Forrest) is a free-spirited young woman who is chafing at the restrictions of living at home with her folks and wants to make something of herself. One evening after work, she stops for a drink with some friends and meets Steve Ryan (Leo Penn), a charming but cynical piano player. Sally falls for Steve in a big way and they embark on a brief romance, but Steve regards Sally as a passing fancy and soon moves on to another town. While Sally follows him, Steve makes it clear things are over between them and he takes a gig in South America. Heartbroken Sally takes a new job at a filling station and general store run by Drew Baxter (Keefe Brasselle), a war veteran with a bad leg and a serious crush on Sally. Sally is still getting over Steve and isn't interested in Drew when she learns that she's carrying Steve's child. The disgraced Sally decides to give her child up for adoption, but finds her maternal instincts are stronger than she expected and her desire to have her baby back leads her on a desperate and dangerous path. While Streets of Sin (aka Not Wanted) is credited to director Elmer Clifton, most of the picture was actually shot under the aegis of co-producer Ida Lupino after Clifton fell ill during production; it was the actress' first film as a director. In the '60s, Streets of Sin was reissued as The Wrong Rut, with the addition of footage of a Caesarian birth "borrowed" from an educational film, and booked into drive-ins and grindhouses on the exploitation circuit. ~ Mark Deming, All Movie Guide

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Starring:
Sally ForrestKeefe Brasselle, (more)
1939  
 
Pat O'Brien is his usual likably obnoxious self in the Warner Bros. newspaper yarn Off the Record. While trying to smash a numbers racket, star reporter Breezy Elliot (O'Brien) takes tough young numbers-runner Mickey Fallon (Bobby Jordan) under his wing. The kid gets a job as a copy boy, earning the enmity of one and all because of his inability to keep his fists to himself. Mickey redeems himself-and, by extension, Breezy-when he engineers the capture of his gangster brother Joe Fallon (Alan Baxter). The romantic angle is handled by Breezy's gal Friday Jane Morgan (Joan Blondell), who eventually agrees to marry the hero only if he adopts the troublesome Mickey as his son (gee, things were so much simpler in the movies!) ~ Hal Erickson, All Movie Guide

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Starring:
Pat O'BrienJoan Blondell, (more)
1938  
 
Despite the presence of Busby Berkeley in the director's chair, Comet Over Broadway contains nary a single musical number. Instead, the film concentrates on the lachrymose private life of stage star Eve Appleton (Kay Francis). While appearing in amateur theatricals, Eve indirectly causes the death of a fellow actor at the hands of her husband Bill (John Litel). When Bill is thrown into jail, Eve goes on the road, appearing in one cheap stock company after another to earn enough money for her husband's parole. Seven years pass, during which time Eve becomes the toast of Broadway. Falling in love with playwright Bert Ballin (Ian Hunter), Eve almost forgets the reason that she climbed to stardom in the first place, but by the final reel she elects to give up personal happiness to remain loyal to her incarcerated husband. Way, way down the cast list of Comet Over Broadway is Linda Winters, who as Dorothy Comingore achieved stardom in Orson Welles'Citizen Kane (1941). ~ Hal Erickson, All Movie Guide

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Starring:
Kay FrancisIan Hunter, (more)

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