Charles Seel Movies

Today's shift finds mobile officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) chasing after a man suspected of kidnapping a child. The two cops also deal with an escaped prisoner, and with a vicious gang of armored-car hijackers. Featured in the supporting cast is venerable character actor Burt Mustin (84 years old when this episode was filmed) and former Western sidekick Rand Brooks, who in 1970 was the owner of an ambulance service which provided a number of vehicles for Jack Webb's various police shows. ~ Hal Erickson, All Movie Guide

This episode is clearly inspired by the famous "Bridey Murphy" affair of the mid-'50s. During a party, Lucy Pryor (Phyllis Thaxter) allows herself to be hypnotized by Professor Miles Farham (Tom Helmore). While in a trance, she regresses to the year 1853 and assumes the personality of a Quaker woman named Dora Evans -- and then, just as Dora Evans had done over 100 years earlier, Lucy promptly murders her husband. During her subsequent trial, Lucy undergoes hypnosis a second time to prove that she had had no control over herself when committing the murder...and the results are astonishing. ~ Hal Erickson, All Movie Guide

Written and directed by Michael Landon, "The Wish" would remain Landon's favorite Bonanza episode long after its original airing on March 9, 1969. Preparing for a two-month fishing trip, Hoss Cartwright meets Sam Davis (Ossie Davis), an ex-slave trying to make a go of a drought-plague farm. Though Hoss would like to offer assistance, he hesitates, fully aware that Sam is too fiercely proud to accept help from a white man. Conversely, Sam's son John (George Spell) immediately bonds with Hoss-and expresses the disturbing wish that his own father was white! Recalling his participation in this episode, guest star Ossie Davis told TV Guide "I like the script. It shows a black man heading a family and fighting to keep it together. He encounters prejudice. . .There's no pat ending. The story says a great deal without making speeches." Unfortunately, "The Wish" is one of those "lost" Bonanza episodes which, for various reasons, is seldom rebroadcast today. ~ Hal Erickson, All Movie Guide

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide

John Ford's last film to deal with World War II, Donovan's Reef is an alternately comical and sentimental look back on the fighting Navy men from that war, and how and where -- in Ford's eyes, and Frank Nugent and James Edward Grant's script -- they should have ended up. Michael "Guns" Donovan (John Wayne), Thomas "Boats" Gilhooley (Lee Marvin), and Dr. William Dedham (Jack Warden), a trio of navy veterans who fought on the Pacific island of Haleakalowa during the war, now live on the island. Donovan and Gilhooley, biding time and enjoying themselves, engage in rough-house hijinks among themselves, and are both part of the doctor's extended family, enjoying the good will of the islanders for whom they fought during the war. While Dedham is away on a call to a neighboring island, his grown daughter, Amelia (Elizabeth Allen), from his first marriage, whom he has never seen, announces that she is arriving from Boston to determine Dedham's fitness of character to inherit the majority shares in the family shipping business. Donovan contrives to present Dedham's three Polynesian children, whom the doctor had with the island's hereditary princess, as his own, and also squires Amelia around the island in her father's absence. In the process, the cold Bostonian woman discovers a whole world -- of passion, joy, heroism, and a life among men and women whose lives have been about something other than making money -- that she's never known. She also understands all of the good that her father has accomplished away from Boston, even though it entailed abandoning her. Sparks and even a few fists fly between Donovan and Amelia (and between Donovan and several other characters), in the usual Ford rough-house manner, before their eventual reconciliation and a romantic clinch at the end, in this sweet, sentimental comedy-drama. ~ Bruce Eder, All Movie Guide

Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who'd shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983. ~ Hal Erickson, All Movie Guide

In the series' second takeoff of the TV western Branded, Cpl. Agarn faces death by firing squad for the murder of Sgt. O'Rourke. As Agarn awaits his fate, flashbacks reveal how all this came about (and though we don't want to spoil the suspence, it can be noted that O'Rourke is still alive and kicking). The storyline is fused together by a plaintive ballad, composed by F Troop producer Herm Saunders and the episode's cowriters Austin Kalish and Irma Kalish, and performed by John Mitchum, who'd made several appearances in Season One as Trooper Hoffenmueller. (And yes, John Mitchum is the brother of Robert Mitchum). ~ Hal Erickson, All Movie Guide

From the folks who brought you I Was a Teenage Werewolf comes this relentlessly shlocky variation on the Frankenstein legend. Whit Bissell stars as Professor Frankenstein, descendant of you-know-who, who harbors a few radical theories about limb transplantation. Laughed at by students and colleagues alike, the good professor intends to prove the efficacy of his theories in his own lab at home--keeping an alligator as a "pet" to dispose of discarded body parts. When a carful of teenagers crashes near his home, Frankenstein and his assistant Carlton (Robert Burton) gather up the bodies and begin stitching up the fragments, adding a few chunks of flesh recovered from a convenient plane wreck. The result is a teenaged monster (Gary Conway) with a bad attitude. Already a bit off in the coop to begin with, Professor Frankenstein goes completely bonkers, using the monster to dispose of such awkward witnesses as the professor's fiancee Margaret (Phyllis Coates). The film's final burst of violence is filmed in color, for no discernable reason. If for nothing else, I Was a Teenage Frankenstein would be memorable for Professor F's deathless line to his sullen creation: "Answer me! You have a civil tongue in your head! I know, I sewed it in there!" ~ Hal Erickson, All Movie Guide

Olivia de Havilland stars in this sensationalistic shocker as Mrs. Halyard, a wealthy widow recuperating from a broken hip. Inside her mansion, she becomes trapped between floors in her elevator. She activates an emergency alarm but succeeds only in attracting the attention of the wino (Jeff Corey), who steals goods from her house and sells them to a fence. The wino visits Sade (Ann Sothern), a prostitute, who spreads the plight of Mrs. Hilyard's dilemma to three young hoods, Randall (James Caan), Elaine (Jennifer Billingsley), and Essie (Rafael Campos). The trio follows the wino and the hooker back to the mansion, where they have an orgy, kill the wino, and lock Sade in a closet. Randall taunts Mrs. Hilyard and confronts her with a nasty suicide note from her son, Malcolm (William Swan). Mrs. Hilyard, mustering up her strength, attempts to fight back against Randall and the two other goons. ~ Paul Brenner, All Movie Guide

Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

Having quit his job as a newspaperman, Phillip Werris (Lonny Chapman) tries to make a go of a farm in Canada, but before long he and his wife Jan (Jena Engstrom) are flat broke. With no other option, Phillip decides to go back to writing, and begins turning out freelance articles. . .in his sleep. Curiouser still, the articles written by the slumbering journalist are about a pair of dead men whom Phillip has neither seen nor previously heard of--but whom he describes down to the smallest detail. This episode was remade on the sequel series Next Step Beyondin 1978. ~ Hal Erickson, All Movie Guide

Uncle Joe (Edgar Buchanan) is in hot water again, this time for catching far more than the legal limit during a fishing trip. All that can save Joe from jail is for someone to step forward and vouch for his "good character"--and who in Hooterville is willing to risk committing perjury? This episode introduces Jonathan Daly as Orrin Pike, bumbling game warden and erstwhile boyfriend of Joe's niece Bobbie Jo (Lori Saunders). ~ Hal Erickson, All Movie Guide