Eric Warren Goldman Movies

A man seeking to escape the past realizes that he'll first have to confront the present after receiving a desperate call from a friend on his deathbed. Harry Sweeny (Jamey Sheridan) is an aged but handsome divorcée with a grown son and a small business. He lives a comfortable life in a small town, where his main source of entertainment is stopping by the local diner to flirt with pretty waitress Muriel (Karen Young). But Harry's life hasn't always been this easy, and after getting a call from Tom Kelly (Steve Buscemi) he starts to remember why. Tom isn't long for this earth, and before he goes he seeks forgiveness from David Kagan, a fellow crewman that he and Harry knew from their Navy days. Unable to say no to an old friend, Harry sets out on a reluctant search for David, visiting old friends and drudging up painful memories in the process. Why does Tom feel like he needs David's forgiveness to pass on, and whose redemption is Harry searching for anyway? ~ Jason Buchanan, Rovi

Director Craig Lucas teams with screenwriter Elyse Friedman for this sociologically-slanted comedy drama concerning three eccentric siblings who were forced to grow up in an environment with no actual grown ups. In a typical family, the pattern usually goes something like this: Parents have children, children grow up, children move out, and family comes together for visits on holidays and special occasions. Unfortunately for Morrie Tanager, any concept of normalcy was thrown out the window when his parents died, and he was left to raise his two siblings Ida and Jay in the family home. These days Morrie shares the home with his wife Betty, Ida is a promiscuous artist who's always traveling despite the fact that she's perpetually broke, and Jay is a reclusive weirdo who frequently conducts antisocial experiments. All that the perpetually constipated Morrie wants out of life is to please his wife Betty. While it's been quite a while since siblings Morrie, Ida, and Jay have all been together under one roof, those familiar childhood dynamics quickly return when Ida comes knocking at the exact moment Jay goes supernova. As neurosis and instability suddenly cascades through the home like a dysfunctional Niagara Falls, Morrie and Betty suddenly find their delicate attempts to secure Morrie's tenure washed down the river right towards the big drop. ~ Jason Buchanan, Rovi