Kyle Secor Movies

Rumor has it that this weekly, hour-long ABC series about America's first woman president was conceived in anticipation of Hillary Rodham Clinton's likely 2008 presidential bid. Whatever the case, Geena Davis starred as Mackenzie Allen, the politically unaffiliated vice president of popular conservative chief executive Teddy Bridges (Will Lyman). When Bridges fell mortally ill, his party did everything it could to persuade Mackenzie to step down and allow powerful Speaker of the House Nathan Templeton (Donald Sutherland) to assume the Presidency. But our heroine was not about to place the country in the hands of a vengeful, duplicitous sexist like Templeton, and thus upon Bridges' death she dutifully took charge of the Oval Office -- even though she had never had any burning political ambitions at any time of her life. Working hand in glove with her chief of staff (and also her husband!), Rod Allen (Kyle Secor), Allen's second in command, Jim Gardner (Harry Lennix), and Press Secretary Kelly Ludlow (Ever Carradine), the plucky Mackenzie managed to navigate the treacherous waters of the Potomac -- and along the way, she continually surprised both sides of the political spectrum by relying upon her own judgment, rather than pay homage to party pressure, polls, or political correctness. Also in the cast were Jasmine Anthony as Mackenzie's six-year-old daughter, Amy, and Matt Lanter and Caitlin Wachs as her teenaged twin offspring, Horace and Rebecca. Created by Rod Lurie of The Contender fame, Commander in Chief took the oath of office on September 27, 2005. ~ Hal Erickson, Rovi

Season one of Veronica Mars finds both the title character (Kristen Bell) and her ex-sheriff father, Keith (Enrico Colantoni), regarded as lepers in the affluent community of Neptune -- and it's all because Keith made public his suspicion that Jake Kane (Kyle Secor), the town's richest man, killed his own daughter (and Veronica's best friend), Lilly (Amanda Seyfried). Hoping to find Lilly's murderer and redeem her father's reputation, 17-year-old Veronica assists Keith in his efforts to run a private detective agency -- and while in school, she tirelessly crusades for justice as a reporter for the student newspaper. Early in the season, Veronica finds herself with two loyal allies when she protects nerdy new kid Wallace (Percy Daggs III) from school bully Weevil (Francis Capra) -- and then, in the spirit of "fair and balanced" dispersion of justice, she clears Weevil from an unfounded charge of theft. Meanwhile, several of Veronica's fellow Neptunians display bizarre behavior suggesting that they know more about Lilly's death than they're willing to admit, notably Lilly's seriously disturbed brother, Duncan (Teddy Dunn), and his wealthy, arrogant best friend, Logan Echolls (Jason Dohring). Also, Veronica finds time to delve into the mystery of her mother, Lianne (Corinne Bohrer), who for apparently no reason had abandoned her family a year earlier. And all the while, Veronica does the "Nancy Drew" bit, 21st century style, using her acute detecting skills to restore shattered reputations, expose the dangers of cult worship, and gather vital clues pertinent to kidnappings, switched-at-birth cases, instances of alleged sexual harassment, and illegal fight clubs. The season ends with the episode "Leave It to Beaver," in which Veronica at long last has the opportunity to solve Lilly's murder -- but in so doing she may betray the trust of one near and dear to her. ~ Hal Erickson, Rovi

If not the best new drama series of the 2001-2002 TV season, Philly bade fair to be the loudest and most abrasive. NYPD Blue alumnus Kim Delaney stars as idealistic law school graduate Kathleen Maguire, who, after her divorce from assistant DA Daniel X. Cavanaugh (Kyle Secor), put out her shingle as a Philadelphia defense attorney. When Kathleen's partner Marion (Joanna Cassidy) suffers a nervous breakdown, she reluctantly goes into business with highly unethical lawyer Will Friedman (Tom Everett Scott), thereby launching a series-long shoutfest between the two strange bedfellows. If Will weren't headache enough, Kathleen also has to deal with slimy clients, ill-tempered judges, and a seemingly endless parade of eccentric courtroom habitué, most of whom have nothing but sex on their brains. Providing a bit of moral support and affection to the long-suffering Kathleen is her outspoken ten-year-old son Patrick (Scotty Leavenworth). It should be noted that a number of genuine Philadelphia lawyers actively disliked the series, labeling it "unrealistic" and "insulting" -- but they never said it wasn't entertaining. Executive-produced by the prolific Stephen Bochco, the weekly, 60-minute Philly was supposed to have been unveiled by ABC on September 18, 2001, but the network's coverage of the World Trade Center tragedy pushed the debut date up to September 25. ~ Hal Erickson, Rovi

William S. Burroughs' ill-fated performance of his "William Tell act" -- resulting in his wife Joan Vollmer getting a bullet in the brain with a shot glass atop her head -- soon became the stuff of Beat legend. This film, directed by Gary Walkow, traces this doomed romance from its inception to its bloody end. The movie opens in 1944 New York, where Columbia journalism student Vollmer is already living a bohemian life filled with pharmaceuticals and a host of future beatniks, including hunky Jack Kerouac (Daniel Martinez), a young Allen Ginsberg (Ron Livingston), and of course, Burroughs (Kiefer Sutherland). Also frequenting Vollmer's pad is Lucien Carr (Norman Reedus) whom everyone is enamored with, especially Dave Kammerer (Kyle Secor), who winds up dead after trying to jump the object of his affection. Seven years later, Joan and William have married in spite of Burroughs' obvious homosexual predilections. Their domestic bliss is strained when the two have to flee to Mexico City after they get slapped with a drug rap. Ginsberg and Carr, now correspondents for the UPI, visit the couple only to discover that Burroughs split town with his lover-for-hire. Vollmer and the boys decide to go on a road trip that is brimming with heterosexual tension. William eventually returns from his sex-binge suspecting that Joan had a fling with Carr. During that fateful night, Burroughs pulls out a gun that he was going to sell for drug money and performs one of the most spectacularly botched party-tricks in literary history. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi

In the seventh and final season of Homicide: Life on the Street, Baltimore detectives Pembleton (Andre Braugher) and Kellerman (Reed Diamond) have resigned in the wake of the bloody shoot-out between the homicide cops and the minions of criminal mastermind Georgia Rae Mahoney (though Kellerman will return in a later episode as a private detective). Seriously wounded in the fray, detectives Bayliss (Kyle Secor) and Ghary (Peter Gerety) eventually return to work, but it is clear that some emotional scars will never heal. Former recurring character Det. Terri Stivers (Toni Lewis) has become a regular, while new cast members include Michael Michele as Detective Rene Sheppard, a former beauty queen, and Giancarlo Esposito as FBI agent Mike Giardello, the long-estranged son of homicide lieutenant Al Giardello (Yaphet Kotto). Before the year is out, Mike will make Al a grandfather; Detective Munch (Richard Belzer) will finally propose to his long-suffering girlfriend, Billie Lou McCoy (Ellen McElduff); detectives Det. Laura Ballard (Callie Thorne) and Falsone (Jon Seda) will enter into a romance so torrid that Giardello is forced to warn them to cool things down or they'll be suspended; and Rene Sheppard will endure both a serious injury and a humiliating suspension. Episode highlights include yet another crossover with Law & Order, this one involving an investigation conducted by a Kenneth Starr-like special prosecutor and appropriately titled "Sideshow," and the devastating "Line of Fire," in which the homicide cops try and fail to negotiate with a reluctant murderer. Homicide caps its seven-season run with good news for Giardello; the unauthorized shootdown of a killer who has managed to slip through the legal cracks; and a literal "full circle" for Bayliss (Kyle Secor), whose career with the Baltimore PD began with the series' first episode...and ends with the last one. ~ Rovi

Sheppard (Michael Michele) and Ballard (Callie Thorne) have trouble sustaining their objectivity as they investigate the death of a teenaged member of an all-girl street gang. Meanwhile, Billie Lou (Ellen McElduff) prevails upon her fiancé, Munch (Richard Belzer), to mediate in her neighbors' domestic disputes -- with devastating results. Series regular Richard Belzer's stepdaughter Bree Benton appears as Lizzie Solek in this episode, which was orginally scheduled to air on May 7, 1999. ~ Hal Erickson, Rovi

A man is found murdered -- with his nose removed -- in his own backyard. To solves this case, Mike Giardello (Giancarlo Esposito) plumbs the depths of the Federal Witness Protection program, only to conclude that his FBI bosses aren't being up-front with him. Elsewhere, a bartender at a strip club is killed, the medical examiners "misplace" the identity of a corpse, and Gharty's (Peter Gerety) drinking increases. ~ Hal Erickson, Rovi

While investigating the beating death of a Buddhist monk, Lewis (Clark Johnson) worries that his born-again-Buddhist partner, Bayliss (Kyle Secor), will not be able to remain objective -- thus Lewis teams with the prickly Munch (Richard Belzer). In another case, a street shooting investigated by Gharty (Peter Gerety) and Ballard (Callie Throne) is complicated by three wildly contradictory "eyewitness" recollections. And on a personal note, Ballard comes to a crossroads in her relationship with Falsone (Jon Seda). ~ Hal Erickson, Rovi

This episode of Homicide: Life on the Street is the conclusion of a two-part story introduced on its "sister" series Law & Order. Newly appointed to a district court bench, ADA Danvers (Zeljko Ivanek) brings the Baltimore homicide unit into the investigation of the death of governmental official Janine McBride, who, despite being found murdered in New York City, was actually killed in Baltimore. Al Giardello (Yaphet Kotto) is mad that his son Mike (Giancarlo Esposito) turned over confidential information about the McBride case to his FBI bosses, who, in turn, handed it over to Independent Counsel William Dell (George Hearn) -- resulting in immunity for the accused murderer. As it turns out, the ruthless Dell (who bears a startling resemblance to Kenneth Starr) is using both the Baltimore cops and Law & Order regulars Rey Curtis (Benjamin Bratt), Lennie Briscoe (Jerry Orbach), and Jack McCoy (Sam Waterston) as unwitting stepping stones for his own political ambitions. ~ Hal Erickson, Rovi

A ritual murder is played out on the Internet, but the homicide detectives aren't certain whether the killing is real or an elaborate hoax. Whatever the case, the detectives "stake out" the Web when it is announced that another murder will occur at midnight. In the course of the investigation, the squad discovers that Bayliss (Kyle Secor) is running his own website -- much to Bayliss' embarrassment. The climax of this episode will dictate the outcome of Homicide: Life on the Street's series finale. ~ Hal Erickson, Rovi

A case that has remained unsolved for two decades is reopened when the decomposed body of an unidentified woman is found buried at a construction site. Meanwhile, a convalescing Sheppard (Michael Michele) is confined to desk duty until further notice. And the romance between Falsone (Jon Seda) and Ballard (Callie Thorne) heats up considerably, forcing Giardello (Yaphet Kotto) to warn the couple to "cool it" -- or face suspension. ~ Hal Erickson, Rovi

Patti D'Arbanville guest stars as Darlene Everett, who shows up at the squad room with a videotape that "proves" that her husband, a bestselling author of espionage thrillers, was killed by his agent. Trouble is, there's no corpse -- and for the moment at least, it looks like there was no crime. In another case, an old woman is found dead after a break-in at her home -- but was she murdered? And on the romantic scene, Munch (Richard Belzer) pursues waitress Bille Lou (Ellen McElduff), while Falsone (Jon Seda) pursues fellow detective Ballard (Callie Thorne). Austin Pendleton makes his first appearance as eccentric Baltimore coroner Dr. Griscom. ~ Hal Erickson, Rovi

The twin brother of a murder victim insists that the dead man's girlfriend is responsible, but the men and women of Homicide have their doubts. Elsewhere, several of the male detectives are moonstruck by attractive new arrival Rene Sheppard (Michael Michele); Mike Giardello (Giancarlo Esposito) has requested a transfer to the FBI's Baltimore bureau, but hasn't yet picked the right time to tell his father, Al (Yaphet Kotto); and Ballard (Callie Thorne) and Gharty (Peter Gerety) find themselves tied up in a jurisdictional boondoggle when a teenager found shot in Baltimore turns out to have been killed in Washington, D.C., following a bungled drug deal. Anthony Joseph Perry of Aerosmith guest stars as D.C. narcotics detective Joe Landrewsky. ~ Hal Erickson, Rovi