Heather Sears Movies
A product of London's Central School of Speech and Drama, Heather Sears made her stage debut in 1955's The Love Match. Two years later, Sears made her first London appearance as Alison Porter in John Osborne's Look Back in Anger. Her blossoming career received a booster shot when she was cast in the 1957 film melodrama The Story of Esther Costello, in which she played the title character, a psychosomatic deaf-mute. She was most active in films in the years 1960-62, appearing in Room at the Top (1960), Sons and Lovers (1960; as Miriam Leivers) and Phantom of the Opera (1962; as Christine). After her film career ended, Sears remained active in television (notably the 1975 version of Great Expectations) and on stage, working extensively with The Haymarket Theatre in Leicester. Heather Sears has also toured the English-speaking world in her one-woman show Viriginia Woolf. ~ Hal Erickson, All Movie Guide
- 1970
In this thriller, a British lord and his lady attempt to stay alive after their estate is invaded by a psychopathic killer. ~ Sandra Brennan, All Movie Guide
- 1960
A daring escape from prison whips open this actioner right at the beginning, and though the action continues from that moment onward it does not sustain the same break-neck pace. Matt Kirk (Aldo Ray) is in jail, wrongly accused of a crime, and along with three other inmates he escapes by hiding out in an ambulance. Circumstances then lead Matt and the others to set off in a small boat that ends up drifting toward an island called Pinchgut in Sydney's harbor. As the fugitives hole up on the island, Matt devises a way to call attention to his demand for a retrial that instead calls attention to more police... and a siege of the island begins. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Aldo Ray, Neil McCallum, (more)
- 1974
This third talking-picture version of Charles Dickens' novel Great Expectations stars Michael York as Pip, the humble British lad whose aspirations to become a gentleman are financed by a mysterious benefactor. We first see young Pip (played by Simon Gipps-Kent) coming to the aid of escaped convict Magwitch (James Mason). Once this episode has apparently run its course, we find Pip the guest of the wealthy, reclusive, half-mad Miss Havisham (Margaret Leighton), and the worshipper-from-afar of Havisham's snooty niece Estella (played as both a teenager and an adult by Sarah Miles--breaking the usual cinematic tradition of casting two actresses in the role). This brief exposure to the finer things in life leads Pip on the winding road to betterment, with a few surprises in store for him. Great Expectations premiered November 22, 1974, as a Bell System Family Theatre presentation. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael York, Sarah Miles, (more)
- 1959
Ruthless young working-class Englishman Laurence Harvey takes a job in a North Country village controlled by millionaire Donald Wolfit. Harvey resents Wolfit's class consciousness and vows to rise to the top by wooing the millionaire's daughter, Heather Sears. Meanwhile he has an affair with Frenchwoman Simone Signoret. Though he regards Signoret as a mere self-gratifying conquest, she takes their romance seriously enough to kill herself when Harvey impregnates Field. Only as he leaves the chapel after marrying the millionaire's daughter does Harvey that his "smart" marriage, coupled with the guarantee of a fabulous business career, has been attained at the cost of his soul. Based on the novel by John Braine, Room at the Top was one of the most successful films of the British angry-young-man school; it later spawned two sequels, as well as a weekly TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Simone Signoret, (more)
- 1964
This British comedy details what happens to five sailors and a passenger as they spend fifteen hours on shore leave in London while waiting for their cargo ship to unload. The passenger, a lonely widowed business man named George (Bernard Lee), finds his way to a West End bar, where he meets Wanda (Erika Remberg), a seductive blackmailer, working in cahoots with photographer Paul (Derek Bond). Meanwhile, Lee (John Bonney), an Australian sailor, meets and falls in love with wacky beatnik Penny (Heather Sears). Arthur (David Lodge) tells the sailors that he is going to visit his mother when, in reality, he is heading off to seek a prostitute. Rough-and-tumble Harry (Inigo Jackson) finds himself robbed and left penniless after visiting a Soho saloon. Shy and naive Jamie (Colin Campbell) falls in love with the homeless Jean (Francesca Annis). As the hours go by, Jamie has to decide whether to leave Jean or to jump ship and marry her. ~ Paul Brenner, All Movie Guide
- Starring:
- Heather Sears, Bernard Lee, (more)
- 1960
The Motion Picture Production Code was still in effect (albeit weakly) when Sons and Lovers was filmed in 1960, so don't expect a thoroughly frank and faithful adaptation of the D.H. Lawrence novel. Set in an English mining town, the film focuses on Paul Morel (Dean Stockwell), the sensitive son of a roughhewn, alcoholic miner (Trevor Howard) and his gentle, repressed wife (Wendy Hiller). Intent on becoming an artist, Paul is not above depending upon the financial kindnesses of the young women of the town. Many of the girls carry a torch for him, but his strong bonds to his mother leave him emotionally sapped. Freddie Francis's evocative, grimy industrial-town cinematography won him an Academy Award. Despite censorial restrictions, this admirably captures the essence of the dour Lawrence original. ~ Hal Erickson, All Movie Guide
- Starring:
- Trevor Howard, Dean Stockwell, (more)
This staid British thriller stars John Turner as 18th-century nobleman Sir John Fordyce, whose blissful honeymoon holiday is cut brutally short by angry locals who accuse him of raping a woman from the village. Worse, they claim to have seen the ghost of his first wife riding through town on horseback, shrieking that she had died by her husband's hand. Despite Sir John's protestations of innocence, the hand of fate seems to be closing in, as more violent acts are perpetrated -- including the death of his father -- and his new bride (Heather Sears) is prepared to shoot him dead if he comes near her. All is revealed in the contrived climax -- which plays out like a Gothic version of a "Scooby-Doo" episode. The filmmakers tried to punch things up with a plethora of cheap spook-house gimmicks but fail to disguise the threadbare plot. ~ Cavett Binion, All Movie Guide
- Starring:
- John Turner, Heather Sears, (more)
- 1962
This Gothic melodrama from Hammer Studios is in color, but the plot is basically the same as the two previous efforts. Instead of Paris, the action takes place at the Royal Opera House in London. The Phantom (Herbert Lom) is a facially disfigured musician/composer who had his opera stolen by a conniving composer, the lecherous Lord d'Arcy. The Phantom -- who lives in the sewer beneath the opera house -- has his dwarf assistant (Ian Wilson) kidnap Christine Charles (Heather Sears), the lead actress in Gough's production, with whom he has fallen in love, and trains her to become an opera singer, performing a work he has written. Meanwhile, Christine's fiance, Harry Hunter (Edward de Souza, researches the phantom's history and, after locating his whereabouts and finding him, decides to unmask the mysterious fellow. ~ Dan Pavlides, All Movie Guide
- Starring:
- Herbert Lom, Heather Sears, (more)
- 1957
Story of Esther Costello is the cinematic equivalent of eating a whole box of potato chips; you may hate yourself, but you'll relish every bite in the meantime. Joan Crawford plays a well-meaning woman who throws herself whole-hog into every charitable cause that comes down the pike. She is married to Rossano Brazzi, who is as greedy as Crawford is generous. Crawford rescues blind deaf-mute Heather Sears from her squalid surroundings, leading to her creation of a charity campaign on behalf of handicapped children, with Sears as "poster child." Brazzi, in league with crooked promoter Ron Randell, seizes upon this as a means to line his own pocket--and one night, he decides to assert his manhood with the helpless Sears. The shock of this assault causes the girl to instantly regain her sight and hearing! Crawford reacts to her husband's outrage by driving her car into a tree, snuffing out Brazzi's life as well as her own. Sears--or Esther Costello, for she is indeed the title character--finds happiness with an honest young reporter (Lee Patterson). Set in America and released by an American company (Columbia), Story of Esther Costello was nonetheless filmed in its entirety in England. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Rossano Brazzi, (more)
