William Bishop Movies

As the Oregon Territory prepares to welcome settlers in 1846, wagons traveling the Oregon trail face increasing hostility from the Native Americans who have vowed to protect their land. Dispatched to investigate rumors that President Polk is sending troops to the Oregon Territory disguised as pioneers, New York Herold reporter Neal Harris (Fred MacMurray) is captured by angry natives as he makes his way back to the city. Enlisting the help of a comely Native American maiden to make a daring escape, Harris makes it out just in time to warn the trrops of a potentially devistating attack. Subsequently resigning from his position as a reporter, Harris decides to make a home for himself and his faithful maiden in the new territory. ~ Jason Buchanan, Rovi

As a favor to an old friend, producer Alex Gordon, James Cagney turned director for the first and only time in his career with Short Cut to Hell. The film is a remake of the 1942 Veronica Lake-Alan Ladd starrer This Gun For Hire. Robert Ivers plays Kyle, a hired killer who is double-crossed by his employer Bahrwell (Jacques Aubuchon). Seeking revenge, Kyle is reluctantly teamed with Glory Hamilton (Georgann Johnson), who has been targeted for elimination by Bahrwell and his henchman Nichols (Murvyn Vye). Unfortunately, Glory is the girlfriend of detective Stan (William Bishop), forcing Kyle to go on the lam before he can settle accounts with the film's principal villain. Kyle is finally able to get even with Bahrwell, and in the process reveals his long-dormant "good" side. Though the film itself is nothing special, Cagney's direction is sharp and efficient; it's too bad that Short Cut to Hell was his only effort behind the cameras. ~ Hal Erickson, Rovi

The White Squaw offers an interesting twist on a standard western plot device. Instead of attempting to force an Indian tribe off their land, the government is trying to reclaim the property of white settler Sigrod Swanson (David Brian) and then give it back to the Indians. The title character, Eelay-O-Wahnee (May Wynn) is a half-breed Sioux, whom Swanson has singled out for persecution. Bob Garth (William Bishop) rushes to the "white squaw"'s defense, sparking a violent climactic clash in which Swanson brings about his own demise. The White Squaw was adapted from a novel by Larabie Sutter. ~ Hal Erickson, Rovi

Technically a "B" western, Gun Belt is a notch or two above the norm. George Montgomery stars as former outlaw Billy Ringo, whose bank-robbing brother Matt (John Dehner) implicates him in a recent holdup. When Matt is killed in a shootout, Matt's son Chip (Tab Hunter) holds Billy responsible. When not trying to clear his name and patch up his family problems, Billy finds time to romance requisite leading lady Helen Westcott. The most tangible asset of Gun Belt is the superb Technicolor photography, courtesy of William Howard Greene. The film was one of several budget-conscious 1950s productions turned out by producer Edward Small for United Artists release. ~ Hal Erickson, Rovi

It's always a pleasure to see ace western director Leslie Selander in action, and Riders of Vengeance is no exception. Originally released as The Raiders, this Universal programmer stars Richard Conte as a miner who leads an expedition of his compatriots to the California Gold Rush. Crooked Morris Ankrum sets about to cheat Conte and his friends out of their claims. The good guys stage a counteroffensive with the help of Mexican miner Richard Martin. Viveca Lindfors once more brings intelligence and charm to a two-dimensional role. Watch for future Gunsmoke star Dennis Weaver as "Logan". ~ Hal Erickson, Rovi

Cripple Creek is an excellent example of Columbia's "A-minus/B-plus" Technicolor westerns of the 1950s. Government agent Bret Ivers (George Montgomery) goes undercover to infiltrate a gang of gold smugglers. Ivers and his two partners (Jerome Courtland and Richard Egan) face exposure and sudden death at every turn; indeed, one of the federal agents meets his demise before the film is a third over. The villains are the erudite-but-deadly Denver Jones (John Dehner) and the just-plain-deadly Silver Kirby (William Bishop). With so much already in its favor, Cripple Creek hardly needs a romantic interest, but Columbia had to keep contract actress Karin Booth busy, thus she shows up briefly as a flashy saloon gal. ~ Hal Erickson, Rovi

The title tells all in Realart's Basketball Fix. Talented young basketball star Johnny Long (Marshall Thompson) allows success to go to his head. To keep on living in the manner to which he is accustomed, Johnny agrees to shave a few points here and there at the behest of gambling boss Mike Taft (William Bishop). Thoroughly disgusted, sportswriter Peter Ferredey (John Ireland), the man who discovered Johnny, prepares to blow the whistle at the risk of his own life. Waiting anxiously on the sidelines throughout is Johnny's girl friend Pat Judd (Vanessa Brown). This otherwise ordinary programmer is distinguished by the excellent cinematography of Stanley Cortez. ~ Hal Erickson, Rovi

Not a remake of the 1936 film of the same name, The Texas Rangers is an enjoyable second-echelon western from the Columbia Pictures mill. George Montgomery stars as Johnny Carver, a former outlaw serving a life sentence in prison. Carver is given a second chance by the Texas government. Here's the deal: if Carver will deliver his old gang to justice, he'll be set free for good. But Carver is more interested in exacting vengeance against The Sundance Kid (Ian McDonald), the gunslinger responsible for his arrest. When this personal vendetta results in the death of his own brother, Carver vows to "play straight" and complete his original mission. Future TV-favorite Gale Storm co-stars as a feisty female newspaper editor. In addition to the Sundance Kid, other real-life outlaws depicted in The Texas Rangers include Butch Cassidy (John Doucette), Sam Bass (William Bishop) and John Wesley Hardin (John Dehner). ~ Hal Erickson, Rovi

Singer Sheila Bennet (Evelyn Keyes) arrives in New York City by train after a trip to Cuba, carrying a small cache of smuggled diamonds -- what she doesn't know is that she's also carrying a deadly smallpox infection. Her philandering husband (Charles Korvin) isn't too worried about her violent headaches and fever, especially as he is carrying on behind her back with Sheila's younger sister (Dorothy Malone). Sheila's condition worsens, however, and she ends up at a local clinic, where she infects a young girl (Beverly Washburn) who crosses her path. The police and public health authorities get called in after the girl falls ill, and begin desperately trying to find the source of the girl's infection -- meanwhile, Sheila is hiding out from the federal men following her over the diamonds, and also realizes that her husband is trying to cheat her. She tries to confront her sister, and then seeks shelter from her low-life brother Sid (Whit Bissell), who runs a flop-house on skid row. Sheila finally realizes what is happening to her, shooting her way past the doctor (William Bishop) trying to help her -- she may not live long, but she wants to last long enough to catch up with her husband. Meanwhile, the police and the doctor try to reach her in time to find out where she's been and who she's seen and spoken to, before that information dies with her. ~ Bruce Eder, Rovi

Set in a rugged Northwest logging camp, this drama follows the exploits of the lumberjack who inherits the camp. For a long time, he has been courting a pretty young thing, and now that she believes him wealthy, she decides to finally accept his proposal. When she finds out that the company has many financial woes and that living in the woods takes guts and courage, she turns into a nagging shrew, constantly urging him to sell-out to a major corporation. Meanwhile his treacherous foreman, an agent of the bigger company, uses sabotage to change the stubborn camp owner's mind. A big forest fire flushes out the rest of the traitors and makes the wife realize that she loves her husband after all. ~ Sandra Brennan, Rovi

The Walking Hills stars Randolph Scott as a Westerner named Jim Carey. He is one of several people searching for a lost gold mine. Carey's cohorts in this treasure hunt include at least one convicted murderer and several potential killers, so it's a source of wonder who'll survive till fade-out time (veteran moviegoers will probably consider it a safe bet that grizzled old Edgar Buchanan won't be one of the survivors). Lust and greed collide head-on when gorgeous Chris Jackson (Ella Raines) enters the picture. Like most Randolph Scott oaters, The Walking Hills is longer on tension than fast action; director John Sturges would later employ the same cat-and-mouse formula in Bad Day at Black Rock (1954). ~ Hal Erickson, Rovi

Black Eagle was based on The Passing of Black Eagle, a short story by O. Henry. William Bishop stars as Jason Bond, who stays out of trouble by the simple expedient of avoiding other people. Unfortunately, the plot dictates that Bond must come into contact with several characters, all of whom end up fleecing our hero in one way or another. Even so, Jason manages to enjoy a brief romance with pretty Ginny Long (Virginia Patton) before returning to his life of carefree vagabondage. A very minor film, The Black Eagle makes the most of its excellent supporting cast, including Gordon Jones, Trevor Bardette, Will Wright and stuntman extraordinaire Richard Talmadge. ~ Hal Erickson, Rovi