Jenny Seagrove Movies

Zoe (Vanessa Zima) is a teenage girl growing up in Michigan, where she's grown frustrated with life in the Midwest and is at odds with her mother (Kim Greist), who refuses to break things off with her boyfriend, who often beats her. Zoe wants to find a new direction in her life, and when she learns that one of her ancestors was a Cherokee Indian, she decides to explore her Native American heritage. Two of Zoe's friends, Ally (Victoria Davis) and Sarah (Stephi Lineburg), want to go to California, and since Zoe thinks she can find a spiritual guide in New Mexico, she decides to join them as they steal a car and head west. En route, Zoe makes the acquaintance of Cecelia (Jenny Seagrove), a British woman who is heading out to Navajo territory to scatter the ashes of her late mother, and Zoe believes she's met a mirror-version of herself (albeit a few years older). Zoe was the first feature film from director Deborah Attoinese, who also co-wrote the screenplay. ~ Mark Deming, Rovi

Made for cable TV, the story involves a wealthy man who believes that a series of people have wronged him during his life. He invites the seven persons to his private island under the pretense of rewarding them for their good deeds, but they soon find out that his plan is much more devious. ~ John Bush, Rovi

A hectic caper flick with farcical overtones, Bullseye! doesn't quite hit the....oh, you know. Government scientist Michael Caine and his titled pal Roger Moore plan to auction off a cold fusion formula to the highest bidder. Meanwhile, a pair of con artists-also played by Caine and Moore-impersonate the scientist and his friends in hopes of getting a piece of the action. This leads to an unending supply of comic complications, deadly encounters, wacky recurring characters and Sennett-style chases. Is louder and faster really funnier? You be the judge (but you'll have to catch the film on home video, since it never received a US theatrical release). Roger Moore's real-life daughter Deborah Barrymore shows up as a CIA agent. ~ Hal Erickson, Rovi

In this mystery, Peter Ustinov reprises the role of Hercule Poirot, the fussy and flower-tending detective from Belgium created by Agatha Christie. In 1937, Mrs. Emily Boynton (Piper Laurie) is on an archeological dig in Palestine; she inherited the wealth of her recently deceased husband and feels little inclination to share it with her relatives. When she turns up murdered, there are plenty of logical suspects among the people who hated Emily, so which one did the deed? It's up to Poirot to find out. The supporting cast includes Lauren Bacall, John Gielgud, and Carrie Fisher; the film was Ustinov's sixth go-round as Poirot. ~ Mark Deming, Rovi

In Like Flynn is Remington Steele cross-pollinated with Romancing the Stone. The title "character," Jason Flynn, is a fictional James Bond-like adventurer created by reclusive author Daryl E. Raymond. Raymond's bestselling books are seemingly the sole source of income for the publishing firm where Jenny Seagrove works as editor and researcher. What nobody knows is that Daryl E. Raymond doesn't really exist--in fact, "he" is none other than the plucky Ms. Seagrove. In this busted pilot film, "Raymond" (that is, Seagrove) is dispatched halfway across the world on a delicate rescue assignment. ~ Hal Erickson, Rovi

This television mini-series sequel to A Woman of Substance finds aging businesswoman Emma Harte (Deborah Kerr) preparing to hand over her empire to granddaughter Paula Fairley (Jenny Seagrave), much to the dismay of the rest of the family. ~ Jason Ankeny, Rovi

This Graham Greene story is a bout a boy who has trouble moving beyond his father's death. ~ Rovi

After wiping out half a village of native South Pacific tribesmen, Captain Bully Hayes (Tommy Lee Jones) is eventually captured, put in prison, and the rest of this swashbuckling action film is told in a series of flashbacks as he remembers the recent past. The lead-in scene may be off-putting, but its larger context is soon revealed. Hayes had just left a young couple, Nate (Michael O'Keefe) and Sophie (Jennie Seagrove) on an island so they could set up housekeeping and follow in the missionary footsteps of an uncle, when the villain Ben Pease (Max Phipps) shows up, kidnaps Sophie and leaves her husband for dead. Pease runs into a German naval officer who feels it would be advantageous to join up with him -- so when Captain Hayes saves Nate and, the two go looking for Sophie, their enemies are formidable villains indeed. Laced with humor and acting in the grand pirate-movie tradition, Nate and Hayes has enough adventure and style to stay entertaining for its 100-minute running time. ~ Eleanor Mannikka, Rovi

Jeremy Irons portrays Nowak, one of four Polish laborers, living in England. In exchange for a place to stay, Irons and his buddies -- none of whom have British work permits -- agree to renovate their landlord's flat within a limited time-frame. Despite their hectic schedule, the boys agree never to work on Sunday: this is the day that they communicate with their loved ones in Poland. On one such Sunday, however, the Soviets declare martial law in Poland, cutting off all telephone and telegraph service to the outside world. Nowak, the only one of the four who speaks English, learns of the turmoil in Poland before his friends do; he decides to keep the news secret, rather than jeopardize their living arrangements. When the flow of money from home ceases, Nowak takes to stealing to finance the renovation project. He pushes his friends mercilessly to make sure the project is completed on time, secretly burning their letters so that they remain in the dark about the Soviet incursion upon their native soil. When they do find out, they physically vent their anger upon Nowak, perceiving him to be as much an enemy and oppressor as the Soviets. This is clearly the allegorical point that director Jerzy Skolimowski is hoping to make in Moonlighting; wisely, he avoids conveying his message in fluent tract, relating his story with generous doses of humor and irony. ~ Hal Erickson, Rovi