Vito Scotti Movies

This "very special" episode goes back in time to recount the hectic three months leading up to the wedding of Paul (Paul Reiser) and Jamie (Helen Hunt). Last minute complications include a call from Aunt Selma, a tiff over Incan gifts, and a detour to a manhole. And wait till you see who performs the ceremony (hint: Julia Roberts is not among the guests). Originally telecast in a single hour-long time slot, this episode has since been divided into two half-hour installments for syndication. ~ Hal Erickson, Rovi

The Lethal Weapon series and the rest of the buddy-cop genre receives the parody treatment in this low-brow comedy. Emilio Estevez stars as Jack Colt, the Mel Gibson-like loose cannon, while Samuel L. Jackson assumes the Danny Glover role as Wes Luger, his exasperated partner. Together, Colt and Luger investigate the murder of Luger's former partner (Whoopi Goldberg) and discover a criminal conspiracy led by the nefarious General Mortars (William Shatner). Hoping to mimic the success of the Naked Gun films, director Gene Quintano (of Police Academy 4 fame) loaded the film with broad visual gags, deadpan slapstick, and gratuitous parodies of The Silence of the Lambs, Basic Instinct, and other movies. The attempt to mimic successful parodies proved ineffective, however, as critics and viewers alike found the parody stale and the juvenile humor dreary. ~ Judd Blaise, Rovi

Columbo: Murder, A Self Portrait stars Patrick Bauchau as an artist hounded by a contentious ex-wife (Fionulla Flanagan). He murders his former spouse on the beach at Malibu, but arranges things to make it seem he was far away in his art studio at the time of the killing. Lt. Columbo (Peter Falk) has heard this song before, and he meticulously chips away at the artist's alibi. Also in the cast is Shera Danese, a.k.a. Mrs. Peter Falk. Murder, A Self Portrait was one of the handful of Columbo 2-hour episodes shown during the 1989-1990 season on The ABC Saturday Mystery Movie. ~ Hal Erickson, Rovi

Blood Feud was a two-part TV drama, originally presented as an "Operation Prime Time" special. Robert Blake is disturbingly convincing as labor leader Jimmy Hoffa, engaged in a decade-long war of words with attorney (and later attorney general) Robert F. Kennedy. Cotter Smith makes his TV debut as Kennedy, a role he'd repeat on future occasions. Thoroughly compelling when sticking to the facts, the drama falls apart whenever indulging in flight of fanciful speculation (Sample: two of Hoffa's lieutenants watch the live telecast of Lee Harvey Oswald's murder, then celebrate the fact that Oswald will never be able to reveal their complicity in the JFK assassination!) Blood Feud was syndicated to local TV stations beginning April 24, 1983. ~ Hal Erickson, Rovi

Maxwell Smart, the infamous Agent 86 from the '60s television sitcom Get Smart makes his feature-film debut in this goofy espionage spoof. This time, Smart and his cohorts must stop enemy spies from detonating a bomb that would destroy all the world's clothing. On television, the film was renamed The Return of Maxwell Smart. ~ Sandra Brennan, Rovi

Based on the kind, generous puppetmaker from Pinocchio, Geppetto's Music Shop is an endearing children's film where Geppetto gathers the local children in his house to tell the great stories in children's literature, which are all presented in animated form. ~ Stephen Thomas Erlewine, Rovi

The Big Bus is set aboard a nonstop, nuclear-powered luxury bus commandeered by Joseph Bologna. Naturally, Bologna is a tortured hero with a deep dark secret (he keeps insisting he didn't eat all those passengers on his last disastrous drive). Stockard Channing and Harold Gould play the designers of the big bus, and of course they have a few skeletons in their closet. In fact, there isn't a passenger on the all-star manifest that isn't hiding something. The supporting cast features contributions by René Auberjonois (parodying his M*A*S*H role), Ned Beatty, José Ferrer, Ruth Gordon (doing a devastating send-up of Airport's Helen Hayes), Sally Kellerman, Richard Mulligan, and many others; Murphy Dunne contributes a memorable bit as a smarmy cocktail pianist. Unfortunately, The Big Bus was dumped onto the summer 1976 release schedule without fanfare by Paramount, and it sank without a trace. ~ Hal Erickson, Rovi

Originally released as The Wild McCulloughs, this AIP melodrama stars Forrest Tucker as J.J. McCulloch, a domineering patriarch. In their race to escape their father's overbearing influence, J.J.'s grown sons come to grief; one son dies in Korea, while another is arrested for murder. Only Gary (Chip Hand), the youngest son, manages to survive the situation. J.J. also has a daughter, played by Janice Heiden, whose romantic misadventures add more fuel to the dysfunctional flames. Costarring in The McCulloughs is Julie Adams as Tucker's long suffering wife, and former "Beverly Hillbilly" Max Baer (who also produced, directed and wrote the film) as one of Heiden's beaus. ~ Hal Erickson, Rovi

Herbie Rides Again is the first sequel to Disney's fabulously successful The Love Bug. The emphasis here is on Mrs. Steinmetz (Helen Hayes), a feisty old San Franciscan who refuses to sell her home to conniving developer Alonzo Hawk (Keenan Wynn). Hawk's nephew, lawyer Willoughby Whitfield (Ken Berry), joins Mrs. Steinmetz's camp when he falls in love with her niece Nicole (Stefanie Powers). (This, of course, is after Nicole angrily slaps Willoughby with a boiled lobster, sending him plummeting over a balcony railing and into the drink). The day is saved by Herbie, the almost-human Volkswagen, who rallies every VW in town to thwart Hawk's machinations. Herbie Rides Again performed admirably enough to inspire still another sequel, Herbie Goes to Monte Carlo. ~ Hal Erickson, Rovi

This sex farce stars Angus Duncan as a lothario on a mission to sleep with five very different women. ~ Jason Ankeny, Rovi

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi

Young Tom Black Bull (Frederic Forrest) is a Ute Indian who ventures into the world of white men after the death of his parents. He winds up working at the rodeo. When hard-drinking Red Dillon (Richard Widmark) spots Tom's horse-handling skills, he makes him a bronco-riding star (and keeps the money for himself). Tom eventually tires of their exploitative relationship and sets out on his own, eventually winning a championship. Motivated perhaps by nostalgia, he later seeks Red out. Red, who is nearly dead from alcoholism, steals Tom's championship money to have one last spree. When Red dies, Tom genuinely mourns him and gives him Ute death rites before returning, now a seasoned man, to the reservation. ~ Clarke Fountain, Rovi