Martha Scott Movies

A mother is determined to keep her daughter from the seedy world of prostitution in this made-for-television movie. Jane Alexander stars as Peggy Ryan, a busy single mom who doesn't have much time for her daughter Charly (Roxanna Zal). Lacking guidance, Charly drifts from the wrong crowd into prostitution. Realizing what Charly has gotten herself into, Peggy refuses to accept this as her daughter's fate and sets out to get her back home. ~ Bernadette McCallion, Rovi

Ryan Richmond (Nicholas Strouse) is a lonely teen from Sunnydale, Arizona who believes he is a space alien in this offbeat comedy. Charles (Adam West) and his wife Edna (Candice Azzara) are the new neighbors who reinforce Ryan's vivid imagination. Hugh O'Brien plays a former U.S. vice-president who is embarrassed by Ryan at his daughter's wedding. Hugh Gillin plays Ryan's father who manages a local Holiday Inn that Ryan believes is a spacecraft. Maureen Stapleton and Roddy McDowell make cameo appearances in this uneven teen comedy. ~ Dan Pavlides, Rovi

Adam: His Song Continues is a sequel to the highly regarded fact-based 1983 TV movie Adam. The first film was the heartrending story of Floridians John and Reve Walsh (Daniel J. Travanti, JoBeth Williams) whose six-year-old son Adam was kidnapped and murdered in 1981, whereupon the Walshes lobbied for creation of the Federal Missing Child Act, which allowed public access to FBI files of other lost youngsters. The sequel, also starring Travanti and Williams, doesn't have the emotional drive of the original, but is still absorbing in its chronicling of John Walsh's efforts to create a advocacy service for missing kids--and the pressures brought to bear on Reve, who is expecting another baby. Both Adam films end with a roll call of missing children, with His Song Continues listing those children who'd been found since the first movie. The real-life John Walsh later became the host of a Fox "reality" series America's Most Wanted. ~ Hal Erickson, Rovi

Magnum (Tom Selleck) comes to the aid of the LaSalle sisters (Mildred Natwick, Martha Scott), a pair of seemingly helpless little old ladies who are about to be evicted by a nasty slum lord. At the same time, he continues his search for the person who has been systematically robbing the Day-N-Dark convenience stores. It is only after Higgins (John Hillerman, who'd known and loved the LaSalles in their show-business days, organizes a charity bingo game on the ladies' behalf that Magnum begins to discern a link between the elderly "girls" and the robberies. And how does ex-ballplayer Johnny Wells (John McLiam) figure into all this? ~ Hal Erickson, Rovi

The election of Sandra Day O'Connor to the Supreme Court rendered the premise of First Monday in October anachronistic before the picture was even released; ignoring this, however, the film is supremely entertaining (no pun intended). Jill Clayburgh stars as Ruth Loomis, the first lady justice ever appointed to the Court. She's a conservative, while her principal foe on the bench, Dan Snow (Walter Matthau), is an old-line liberal. The film glides along on a predictable Tracy-Hepburn course until Snow comes to Loomis' defense when her late industrialist husband is accused of improprieties which might compromise Loomis' effectiveness. First Monday in October was adapted by Jerome Lawrence and Robert E. Lee from their own Broadway play, which starred Henry Fonda. Actress Martha Scott co-produced the film, while several other Hollywood veterans, including Herb Vigran and Ann Doran, dot the supporting case. ~ Hal Erickson, Rovi

Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, Rovi

Word is about the newly discovered text that is allegedly written by the younger brother of Jesus Christ. It the document is genuine, it would throw the world's theological community into chaos. David Janssen plays an archaeologist who travels to Italy to verify the document's origins. ~ Stephen Thomas Erlewine, Rovi

One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, Rovi

Bob is aghast to discover that his mother and father are separating after 47 years of marriage. The reason: Mr. Hartley loves to fish, and Mrs. Hartley (Martha Scott) does not. Worse still, Mom wants Bob and Emily's advice on reentering the dating scene. Also in the guest cast is John Holland as Brian McDermott. Written by Sy Rosen, "Breaking Up Is Hard to Do" first aired on December 11, 1976, as the first episode in a two-part story arc. ~ Hal Erickson, Rovi

In this pilot film for the NBC TV series Medical Story, idealistic young intern Dr. Steve Drucker (Beau Bridges) clashes with three of his superiors over whether a prominent actress should have a hysterectomy. The woman in question is played by Harriet Karr, who had undergone a similar experience in real life. In fact, Karr's ordeal was the inspiration for this film, which was produced and written by her husband, Abby Mann (who also partially adapted the script from an unrelated novel by Dr. Howard A. Oglin). Medical Story first aired on September 4, 1975; the series itself was broadcast weekly until January 8, 1976. ~ Hal Erickson, Rovi

They've Kidnapped Anne Benedict is the rerun title for the made-for-TV movie The Abduction of St. Anne. Robert Wagner stars as detective who is hired by Vatican for $100,000. It's his job to find out if it's true that a mobster's 17-year-old daughter (Kathleen Quinlan) has miraculous and healing powers. If the rumors are fact, Wagner is expected to kidnap the girl on behalf of the Church, with the help of bishop E.G. Marshall. Before the film runs its course, all three principals--Wagner, Marshall, and Quinlan--find themselves up to their necks in life-threatening peril. ~ Hal Erickson, Rovi

A terminally ill teacher schemes to get the money from the double-indemnity clause in his life insurance policy. ~ Rovi

Bob and Emily's parents converge at a Thanksgiving dinner at the Hartley apartment. Though Emily is certain that the oldsters will get along, Bob does not share her confidence. True to Bob's predictions, a war of words breaks out between Bob's intractable mother (Martha Scott) and Emily's bullheaded father (John Randolph). Ann Rutherford and Barnard Hughes are cast respectively as Emily's mom and Bob's dad. Its title based on a celebrated PBS miniseries of the period, "An American Family" was written by Charlotte Brown, and first aired on November 23, 1974. ~ Hal Erickson, Rovi