Kirk Scott Movies

A deliciously nasty black comedy, Heathers is set at a cliquish high school in Ohio. The most exclusive of those cliques is the Heathers, comprised of the prettiest and most popular girls in town. The group's leader is the manipulative Kim Walker, who orchestrates the humiliation of anyone who fails to meet her standards. Eventually, Heathers member Winona Ryder begins to exhibit a conscience; together with her hardcase boyfriend Christian Slater, Ryder plots to avenge all the unfortunate victims of the group. Before long, Heather (Kim Walker) ends up dead along with Kurt and Ram, with poignant suicide notes posted near their bodies. ~ Hal Erickson, All Movie Guide

This week, Jessica is in Hartford, Connecticut--in the vicinity of Trinity College, to be exact. While walking along minding her business, Jessica is witness to the slaying of Adam Cosgrove,who with his dying breath confesses that he is a professional hit man. Before long, Jessica finds herself sequestered in a government "safe house", along with a priest who isn't a priest, and several shady-looking gentlemen all named after American presidents. And that's not all: turns out that the "dead man" isn't quite dead after all. ~ Hal Erickson, All Movie Guide

Vance (Christopher Mayer) experiences the proverbial "flash from the past" when his former girl friend Jenny (Beth Schaffel) shows up in Hazzard County. But it's not exactly a social call: Jenny is being pursued by the hired guns of a crooked senator whom she caught in an embezzlement scheme. Even with Coy (Byron Cherry) and Vance's help, will Jenny live long enough to testify before the Senate Crime Commission? ~ Hal Erickson, All Movie Guide

Dr. Andrew Boran (Kirk Scott) is picking up strange signals from outer space that seem to predict natural disasters. When he and his wife (Sue Lyon) decide to investigate, they find themselves held captive in a convent that's been infiltrated by aliens with plans to destroy the world. As alien leader Zindar (Christopher Lee) explains, the earth is a hotbed of disease that cannot be permitted to continue polluting the galaxy. ~ Fred Beldin, All Movie Guide

During the IMF's attempt to rescue black freedom fighter Dr. Frederick Kolda from the sadistic minions of an Apartheid African nation, Barney is wounded and left stranded in the jungle. He takes refuge in the hut of Gabby (Ta-Tanisha), a beautiful deafmute. Falling in love with Barney, Gabby is fiercely determined to protect him from his white pursuers--unaware that she is endangering the IMF's efforts to rescue their fellow agent. Written by Helen Holblock Thompson, "Hunted" was first seen on November 21, 1970. ~ Hal Erickson, All Movie Guide

Together with Orson Welles' Citizen Kane and John Singleton's Boyz 'n the Hood, director Peter Bogdanovich's Targets is among the most impressive first features ever made. When Bogdanovich's cinematic mentor Roger Corman suggested that Bogdanovich might want to make his directorial debut, he offered to "donate" 20 minutes' worth of footage of the Corman-directed The Terror and the services of Boris Karloff, who owed Corman two days' worth of work (at a cost of 22,000 dollars). Karloff became so caught up in the 29-year-old Bogdanovich's enthusiasm that he agreed to work an additional two days at a bare-minimum salary.

The script, by Bogdanovich and his then-wife, Polly Platt, was inspired by the 1966 shooting spree of Texas Tower sniper Charles Whitman. Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low-budget drive-in fare. Unlike the workaholic Karloff, Orlock wants to retire from films, noting that his movies seem inconsequential in light of the real-life horrors occurring every day. As Bogdanovich, playing young-and-hungry director Sammy Michaels, desperately tries to convince Orlock to star in just one more picture, the film's attentions shift to Vietnam veteran Bobby Thompson (Tim O'Kelly). An otherwise amiable, normal-looking lad, Bobby seems to harbor an inordinate fascination with guns, particularly high-powered rifles. One bright and sunny morning, Bobby suddenly and unexpectedly shoots and kills his wife, his mother, and an unlucky delivery boy. He leaves behind a note confessing to these crimes, noting that, while he fully expects to be captured, many more will die before the day is over. From this point onward, the film switches from Bobby's day-long bloodbath (from the vantage point of an oil storage tank, calmly picking off passing freeway motorists) to Orlock's grumbling preparations to make a personal appearance at a local drive-in movie.

Inevitably, Bobby also shows up at the drive-in, hiding himself behind the huge screen and shooting down the patrons as they sit complacently in their cars, watching the latest Byron Orlock film (actually The Terror, in which Karloff also starred). Once the reality of the situation sets in, panic ensues, leading to the ultimate confrontation between the escaping Bobby and the bewildered Orlock. ("Is this what I was afraid of?" Orlock ruefully exclaims as Bobby cowers at his feet.) The tension never lets up throughout Targets' jam-packed 90 minutes. The film was virtually thrown away by its distributor, Paramount Pictures, which was uncertain about packaging a film about a sniper in the wake of the King and Kennedy assassinations. Only when it was reissued to college campuses and film societies did Targets begin building up its much-deserved reputation. Though Targets was not, technically, Boris Karloff's last film, it serves as a worthy valedictory for this cinematic giant. ~ Hal Erickson, All Movie Guide