Ken Scott Movies

Newspaper reporter Marion Hargrove's best-selling novel was adapted to the screen by MGM as a vehicle for Robert Walker. The story is basically a series of humorous anecdotes about Hargrove's tenure at boot camp in the early days of World War II. Keenan Wynn is terrific as Hargrove's topkick, and Robert Benchley is no less superb as the father of Hargrove's girl friend (Donna Reed). See Here, Private Hargrove not only secured the stardom of Robert Walker, but launched Marion Hargrove on a lengthy career as a Hollywood screenwriter (his son, Dean Hargrove, has carried on the tradition into TV). The film was followed by a lesser 1946 sequel, What Next, Corporal Hargrove?, which followed the leading character to France. ~ Hal Erickson, All Movie Guide

In this adventure, a convict gets released and immediately begins looking for the $250,000 in loot a fellow inmate hid thirty years ago before coming to prison. While he looks, the ex-con is pursued by a strange family who wants a piece of the action. He is also accompanied by his new love, a waitress. The explorers are terribly disappointed when they learn that the gold is now covered by Lake Mead. The family is so angry that they try to kill the lovers. Fortunately, a sheriff intervenes before it's too late. ~ Sandra Brennan, All Movie Guide

A spare, almost austere western, From Hell to Texas stars Don Murray as a carefree cowpoke. Accidentally killing the son of a powerful land baron (R. G. Armstrong), Murray runs for his life, pursued by the dead man's vengeful brothers. The fugitive is sheltered by Chill Wills, upon whose ranch Murray spends the bulk of his screen time. In love with Wills' daughter (Diane Varsi), Murray is concerned that he'll eventually have to leave when his pursuers catch up with him, but the boy is exonerated when he saves the life of the land baron's youngest son (Dennis Hopper). A superb piece of filmmaking, From Hell to Texas is barely worth watching unless seen in its original CinemaScope. ~ Hal Erickson, All Movie Guide

This off-beat western is a freely-adapted remake of the violent film noir Kiss of Death. The story centers on a naive thief, Dan Hardy, who is captured after a bank robbery and placed in a jail cell alongside the maniacal, vicious Felix Griffin. O'Brian gets himself into deep trouble when he tells Griffin where he hid the loot, a location that only O'Brian's partner knows. As soon as Griffin is released, he begins a shocking, and graphically depicted, killing spree as he tries to get to the cache of cash. In desperation, the lawmen arrange to release Hardy so he can find the psychotic O'Brian and stop him. ~ Sandra Brennan, All Movie Guide

The hardships faced by a widow and her eight-year-old son on a rugged Canadian ranch provide the basis of this gripping outdoor adventure. She lost her husband to a forest fire. To help her run the ranch, she hires a handy man. A handsome, but taciturn fellow who has known much tragedy, he works hard for her. The woman's son though resents him, and when he learns that his mother is planning to marry him to quell ugly rumors in town, the youth is most unhappy. After the wedding, the step-father treats the boy harshly, not out of cruelty, but because he wants to prepare the boy to survive the tough life ahead. This creates friction and frustration. Sometimes the handyman beats both the wife and the child. On the day the wife learns she is pregnant, the boy and his step-father get into a violent fight. Afterward the husband goes to the local saloon and ends up jailed for brawling. A month later he is released. When he gets home he finds his wife has moved his things to the barn. A natural disaster changes the family's lives and relationships and after much turmoil, honesty and pain gives them a chance to heal and start afresh. ~ Sandra Brennan, All Movie Guide

Gregory Peck stars as the great American writer F. Scott Fitzgerald in this film based on a memoir by Sheilah Graham, who was Fitzgerald's paramour during his final days. Graham (played by Deborah Kerr) was a gossip columnist and aspiring novelist who met Fitzgerald during his latter days as a Hollywood screenwriter. Deep in debt thanks to his wife's stay in a mental hospital and his daughter's private school tuition, Fitzgerald took a job writing film scripts to pay the bills, as he attempted to complete another novel that would re-establish his position as one of the important American authors of his century. Graham became Fitzgerald's aid and inspiration as he tried to steer himself away from alcohol and focus on his work, but the author was no longer as strong or stable as he once was. While Graham and Fitzgerald were in love, they often fought, and their efforts came to naught when he died of heart failure before completing The Last Tycoon, with Graham at his side. Eddie Albert co-stars as Carter, a character based on Fitzgerald's close friend Robert Benchley. ~ Mark Deming, All Movie Guide

In this high-seas adventure set in the 1600s, a British sea captain must go undercover, join a pirate band, and capture the notorious Captain Henry Morgan. But Morgan is on to the ruse and is well prepared when the sea captain makes his move. As the two engage in mortal combat, they are knocked unconscious and dragged to the governor of Tortuga who prepares to hang them both as pirates. Fortunately, a stowaway aboard the pirate vessel steps forward and reveals the hero's true identity and saves him. Morgan is not so lucky. ~ Sandra Brennan, All Movie Guide

Something of a variant on the American western where colonialists face off with Native Americans, The Fiercest Heart by George Sherman is set in 1837 and focuses on a group of Boers (Dutch colonialists in South Africa) and their enemies, the Zulus. Similar to the former portrayals of Native Americans, the Zulus are the bad guys. Bates (Stuart Whitman) has escaped from a British prison and joins a group of Boers migrating to farming lands further north. Francina (Juliet Prowse) is the most sought-after woman in the group, and Bates cannot help but notice her. As the band of farmers continue in their journey, the ragged, rugged, untamed Bates starts to learn how to behave and leads his newfound friends in their defensive battles against the aggressive Zulus. ~ Eleanor Mannikka, All Movie Guide

Scuba-divers plot a bank robbery on lovely Catalina island in this caper movie. After the heist, the thieves dive into the see with their booty and swim for their getaway boat. Unfortunately while fleeing, the ring leader's chief assistant suffers a heart attack; more trouble ensues when a police bullet punctures the leader's air tank. Though he is now starving for oxygen and tired, the villain keeps going. Just as he is about to board the boat, he is sucked in to the crafts powerful propeller and dies a grisly death. ~ Sandra Brennan, All Movie Guide

Darrin doesn't know what trouble is until beautiful model Pleasure O'Riley (Kipp Hamilton) moves next door to the Stephens home. It seems that Pleasure is terrified by her jealous boyfriend, pro football player Thor Swenson (Ken Scott) -- and she turns to poor Darrin for protection. As usual, Samantha ends up rescuing her husband from a horrendous fate. Written by Ken Englund, "Pleasure O'Reilly" originally aired on March 18, 1965. ~ Hal Erickson, All Movie Guide

Stephen Boyd heads a team of scientists sent on a bizarre experimental mission. Through a revolutionary and as-yet untested process, the scientists and their special motorized vehicle are miniaturized, then injected into the blood stream of a near-death scientist (Jean del Val). Their mission is to relieve a blood clot caused by an assassination attempt. One member of the expedition is bent on sabotage so that the scientist's secrets will die with him. Another member is Raquel Welch, seemingly along for the ride solely because of how she looks in a skintight diving suit. The film's Oscar-winning visual effects (by Art Cruikschank) chart the progress of the voyagers through the scientist's body, burrowing past deadly antibodies, chunks of tobacco residue in the lungs, and other such obstacles. Oscars also went to Jack Martin Smith and Dale Hennesy's art direction and Walter M. Scott and Stuart A. Reiss' set decoration. Fantastic Voyage was later spun off into a Saturday morning cartoon series. ~ Hal Erickson, All Movie Guide

In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, All Movie Guide

The murder of a rocket manufacturer tips the FBI to an insidious scheme to blackmail executives into giving up classified missile secrets to the Enemy. The villains have already set up their next patsy, a lonely rocket-firm functionary named Ken Haney (Norman Fell). Serving as bait to lure Haney into betraying his country is sexy young blonde Julie (Celeste Yarnell)--as potent a "secret weapon" as has ever been conceived! This is the final episode of The F.B.I's third season. ~ Hal Erickson, All Movie Guide