Judson Scott Movies

Charles Lane directed Andy Breckman's script, based on an old "Saturday Night Live" sketch of Breckman's that featured Eddie Murphy. Comic Lenny Henry takes Murphy's place in True Identity as a black man forced to don white face in order to save his life. Henry plays Miles Pope, an agreeable British actor whose luck sours when he finds out that businessman Leland Carver (Frank Langella) is actually a notorious underworld mobster. Carver now wants to rub Miles out and the only way that Miles can escape Carver's retribution is to disguise himself as a man named Frank LaMotta, the Italian-American killer that Carver has hired to kill him. During the story, Miles finds that he has to assume a variety of roles to keep from getting shot --a gay real estate agent, a British lord, James Brown's brother Val, and even Othello. But the biggest shock for Miles comes when he plays the white man and discovers that he is given preferential treatment --not only by whites, but also by blacks and Hispanics. ~ Paul Brenner, Rovi

Full Exposure: The Sex Tapes Scandal was advertised as being inspired by "today's headlines", though most of those headlines were generated by TV tabloid shows. In her first TV movie, dethroned Miss America Vanessa Williams plays a hooker who specializes in S & M. She videotapes her kinky sexual liaisons, then blackmails the participants. When a mystery killer begins bumping off some of Williams' female compatriots, assistant D.A. Lisa Hartman (we missed that election) is called in on the case. Full Exposure: The Sex Tapes Scandal was mercifully buried in the ratings by its powerhouse competition: the premiere telecast of Lonesome Dove. ~ Hal Erickson, Rovi

Captain Picard finds himself in the middle of a nasty trade dispute between neighboring planets Ornara and Brekka. His involuntary involvement in this squabble endangers his chances of purchasing a valuable drug called Felissium and completing a vital mission of mercy. Unfortunately, the two warring planets intend to use this precious drug as a means of wielding power over each other, and at least one of the planets isn't playing by the rules. Written by Robert Lewin, Richard Manning and Hans Beimler, "Symbiosis" first aired April 23, 1988. ~ Hal Erickson, Rovi

The A-Team goes on a fishing trip, partly for recreation, partly to hide out from the minions of their relentless pursuer Col. Decker (Lance LeGault). Unfortunately, the vacation is interrupted by the arrival of four desperate bank robbers, who have taken ranger Roy Sherman (Ken Swofford) and his daughter Jenny (Kristen Meadows) hostage. The challenge facing the Team is to thwart the villains before Decker can catch up to them. This is the final episode of The A-Team's third season. ~ Hal Erickson, Rovi

Attempting to thwart a robbery, Uncle Jesse (Denver Pyle) suffers injuries which render him blind. Keeping under cover, the robbers bide their time, intending to return to Hazzard and murder Jesse on the off-chance that his sight will return. Meanwhile, Jesse has taken refuge at the home of Boss Hogg (Sorrell Booke)--who is mighty uncomfortable at having to play host while simultaneously trying to close his latest crooked business deal. Ken Hixon, who formerly appeared on the series as Dr. Floyd, returns in the strikingly similar role of Dr. Tawmage. ~ Hal Erickson, Rovi

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, Rovi

In this made-for-TV movie four suburban wives become vigilantes to protect innocent actresses from an amoral, blackmailing talent agent. ~ Sandra Brennan, Rovi