Kelly Bishop Movies

Picking up where the previous season left off, season six of Gilmore Girls begins as Stars Hollow innkeeper Lorelai Gilmore (Lauren Graham) takes the initiative in her love life by proposing marriage to taciturn diner owner Luke Danes (Scott Patterson). Although he accepts, his subsequent hemming and hawing whenever the subject of a wedding date is brought up will dictate much of the action this season, culminating in a jaw-dropping cliffhanger finale involving Christopher Hayden (David Sutcliffe), who as everyone knows, is the father of Lorelai's college-age daughter Rory (Alexis Bledel).
Unfortunately, Lorelei and Rory aren't on speaking terms as the season begins, mainly because Rory has decided to drop out of Yale University -- and, incidentally, has run afoul of the law for the first time in her life, requiring her to perform 300 hours' community service. Happily, Rory finally agrees to return to Yale, taking over the editor's post at the campus newspaper when her roommate Paris (Liza Weil) is ousted in a "coup." Throughout the season, the relationship between Rory and her wealthy student boyfriend Logan Huntzberger (Matt Czuchry) is a shaky one, especially after she learns of his various infidelities while speaking to the bridesmaids at his sister's wedding. Rory and Logan are reunited when she nurses him back to health after he is seriously injured in a stunt performed for the secret campus clique "The Life and Death Brigade." However, the couple's future is placed in jeopardy when Logan's father, powerful publisher Mitchum Huntzberger (Gregg Henry), forces the boy to take a job at his London newspaper. In other season six news, Lorelai's estranged parents Richard (Edward Herrmann) and Emily (Kelly Bishop) have decided to give their marriage a second chance -- and, much to their daughter's dismay, have elected to move to Stars Hollow; Lorelai's business partner Sookie (Melissa McCarthy) again copes with her responsibilities of new motherhood; Luke's ditsy sister Liz (Kathleen Wilhoite) becomes pregnant by her oafish husband T.J. (Michael DeLuise); and Rory's rock-musician friend Lane Kim (Keiko Agena), now reconciled with her conservative mother Mrs. Kim (Emily Kuroda), weds Zach (Todd Lowe), a member of her band, in the oddest ceremony of the 2005-2006 season. This year represents Gilmore Girls' last stand on the WB network; henceforth, the show would be seen on the brand new CW hookup. ~ Hal Erickson, All Movie Guide

Returning home to Stars Hollow after a whirlwind European trip at the outset of Gilmore Girls' fourth season, single mom Lorelai Gilmore (Lauren Graham) is informed that her business partner, Sookie St. James (Melissa McCarthy), is pregnant, while Lorelai's daughter, Rory (Alexis Bledel), prepares for her freshman year at Yale University. Arriving on campus, Rory meets her new roommates: 15-year-old prodigy Tanna (Olivia Hack), sports jock Janet (Katie Walder), and -- surprise, surprise -- Rory's former prep-school nemesis Paris Geller (Liza Weil). Perhaps inevitably, Rory will become so involved in her roomies' trials and tribulations that she will begin neglecting her schoolwork. Back at home, Lorelai and Sookie encounter a number of formidable roadblocks, legal and otherwise, in their efforts to open their new bed-and-breakfast, the Dragonfly Inn; and Rory's friend Lane Kim (Keiko Agena) has severed all ties with her uncompromisingly traditionalist Korean mother by launching a career as a rock singer. In other season-four developments, Lorelai's close friendship with café owner Luke (Scott Patterson) is threatened by events that had occurred during his summer vacation; Sookie and her husband, Jackson (Jackson Douglas), nervously prepare for a "home birth"; Rory and Paris vie for the attentions of their professor, Asher Fleming (Michael York); Rory's troublesome grandma, Trix Gilmore (Marion Ross), suddenly dies; and as for Rory's high-school beaux, Jess (Milo Ventimiglia) tries to rekindle their romance, while Dean (Jared Padalecki) gets married to Lindsay Lister (Arielle Kebbel) on the rebound. The season ends with the grand opening of the Dragonfly Inn, yet another breakup between Rory and Jess, a disturbing turn of events concerning Rory and Dean, a hint of divorce in the offing for Lorelei's parents -- and a distinct deepening of the relationship between Lorelai and the newly divorced Luke. ~ Hal Erickson, All Movie Guide

It took a great deal of intestinal fortitude for the WB network to schedule the first of its "prestige" drama series, Gilmore Girls, opposite the NBC powerhouse Friends on Thursday night. But the gamble paid off: a critical success virtually from the outset, Gilmore Girls gradually built up a loyal following which assured WB some of its best ratings of the year. The series was set in the town of Stars Hollow, CT, home of 32-year-old single mother Lorelai Gilmore (Lauren Martin) and her 15-year-old daughter, Rory (Alexis Bledel). Having never married Rory's irresponsible father, Christopher Hayden (David Sutcliffe), and long estranged from her wealthy parents, Richard (Edward Herrmann) and Emily (Kelly Bishop), Lorelai had been forced to go it alone in life, ultimately landing a good job as manager of Independence Inn, a Star Hollow landmark since 1779. She had also done a good job raising her straight-A student daughter, Rory -- though because of the close proximity of their ages, the relationship was more sister-sister than mother-daughter. As the first season opened, Rory was poised to enter the prestigious Chilton Prep School in nearby Hartford. The tuition cost obliged Lorelai to swallow her pride and seek out funding from her parents, who agreed to foot the bill on one condition: that Lorelai mend her relationship with them and once again become part of their lives. This condition was primarily set up by Lorelai's mother, who had plans to mold young Rory into the "perfect" granddaughter that her own child had never been.

In the tradition of Northern Exposure, Gilmore Girls was populated with a large and colorful supporting cast, ranging from lovable eccentrics to not-so-lovable drama queens. The staff at Independence Inn included pompous French concierge Michel Gerard (Yanic Truesdale) and klutzy but talented chef Sookie St. James (Melissa McCarthy). Not far from the inn was the diner run by curmudgeonly Luke Danes (Scott Patterson), who, as the season wore on, revealed that he'd had a long-standing crush on Lorelai. The self-appointed "leader" of Stars Hollows' merchant class was Taylor Doose (Michael Winters), owner of the town's main grocery store and employer of Rory's off-and-on boyfriend Dean Forester (Jared Padalecki). Others in town included Rory's best friend, Lane Kim (Keiko Agena), whose efforts to assert her blossoming womanhood were constantly being thwarted by her super-strict Korean parents; busybody dance instructor Miss Patty (Liz Torres); supercilious Babette Dell (Sally Struthers) and her husband, Morey (Ted Rooney); and funky handyman Kirk Gleason (Sean Gunn), a classic example of "still waters run deep." At Chilton, Rory ran smack-dab into a maelstrom of snooty snobbery and calculated cattiness personified by Paris Geller (Liza Weil), editor of the school paper. Halfway through season one, Lorelai began dating Rory's English teacher, Max Medina (Scott Cohen) -- a relationship that nearly cost Max his job. Complicating matters was the return of Rory's prodigal father, Christopher, who was still unwilling to make a permanent commitment to Lorelai -- or was it the other way around? Likewise on the romantic front, Rory found herself caught in the middle of the tempestuous relationship between the jealous, spiteful Paris and the trouble-prone Tristan DuGrey (Chad Michael Murray). The first season of Gilmore Girls ended on a cliffhanger as Lorelai pondered whether or not to accept Max Medina's marriage proposal. There was, however, no doubt that critics and fans alike had thoroughly taken Gilmore Girls to their hearts. ~ All Movie Guide

Based on a best-selling autobiography, this comedy drama is the surprisingly sweet-natured life story of a controversial radio personality. Howard Stern, who stars as himself, is a nerdy New York kid who dreams of a disc jockey career despite being a self-loathing klutz who lacks a traditional broadcaster's voice. A strikeout artist in college, Stern's romantic travails end when he meets and marries Alison (Mary McCormack), a beautiful social worker. Stern's early career at several radio stations is undistinguished. Bored, he makes his life the centerpiece of his show, including his obsessions with sex and bathroom humor, and he finds willing cohorts in news reporter Robin Quivers and producer Fred Norris. After an abortive tenure at a Washington D.C. station that loathes his high-rated antics, he lands at NBC in New York. Again, Stern clashes regularly with executives, especially Kenny "Pig Vomit" Rushton (Paul Giamatti), who runs roughshod over Stern's team. At home, Stern's tendency to discuss the intimate details of his marriage takes a toll, reaching a meltdown when he jokes about Alison's recent miscarriage on-air. ~ Karl Williams, All Movie Guide

The discovery of marital troubles in her family causes a young woman to question her own upcoming nuptials in this clever romantic comedy. Sarah Jessica Parker stars as Gwyn, a bright, slightly neurotic advertising copywriter who is initially thrilled when her boyfriend Matt (Gil Bellows) finally proposes. Soon afterwards, however, she learns that her mother Nina (Mia Farrow) is indulging in an extra-marital affair with a handsome Latin stud (Antonio Banderas). This is only the first of several shocking revelations, as Gwyn soon learns of infidelity by her father (Paul Mazursky), brother (Kevin Pollack), and even newlywed sister (Carla Gugino). These indiscretions make Gwyn question the validity of the entire institution of marriage and doubt her own future. Director David Frankel, who also penned the screenplay, follows in the footsteps of Woody Allen in using introspective dialogue to detail the romantic troubles of a wealthy, neurotic Jewish family; practiced performances and a colorful use of Miami locations give the film its own personality. ~ Judd Blaise, All Movie Guide

Richard Libertini and Kelly Bishop appear as Nathan and Connie, the parents of "FYI" producer Miles Silverberg (Grant Shaud). Both tireless liberal activists since the 1960s, the elder Silverbergs have arrived in Washington DC to participate in a huge protest rally against a big oil company. Murphy (Candice Bergen) eagerly looks forward to covering the rally--while neurotic, image-conscious Miles only wishes that both rally and parents would quietly disappear. ~ Hal Erickson, All Movie Guide

Ray (Ken Olin) is a young adult and has a girlfriend whom he lives with quite happily. However, the agreed-upon date of their marriage is coming up, and he's not quite sure he wants to make that kind of commitment. His buddies Dennis, Elliot, and Vinny have their own commitment problems. Dennis (Kevin Bacon) isn't sure he wants to stay away from his buddies long enough to get his music career going in Hollywood; Elliot (John Malkovich) knows that he's homosexual but thinks that being gay means fitting all sorts of ugly stereotypes -- stereotypes he is determined to avoid at all costs; and Vinny (Tony Spiridakis) commits himself all too frequently and often to the nearest desirable female. Meanwhile, cousin Al (Joe Mantegna) is in trouble with his wife, and only the intervention of a well-intentioned psychotic (Jamie Lee Curtis) can put him back on the right track. ~ Clarke Fountain, All Movie Guide

A teenage girl learns about love, adult responsibility, and how to do The Dirty Boogie in this romantic drama. In 1963, "Baby" Houseman (Jennifer Grey) is a 17-year-old spending the summer with her family at a resort hotel in the Catskills; she plans on being in the Peace Corps next summer, so this is expected to be her last summer as a carefree adolescent. Baby doesn't get along with her older sister, Lisa (Jane Brucker), and she's bored to tears by most of the older guests at the resort. However, one night Baby hears what sounds like a party going on in the employee's dormitory, and she pokes her head in to discover most of the hotel staff enjoying the sort of close dancing that would get you kicked out of the senior prom in no time flat. Baby is particularly struck by handsome Johnny Castle (Patrick Swayze), a dancer in the resort's floor show, and falls head over heels in love, wanting to be near him. When Johnny's dance partner, Penny (Cynthia Rhodes), finds herself pregnant after a fling with one of the waiters, Baby volunteers to learn her steps and take her place; however, Baby's father, Dr. Jake Houseman (Jerry Orbach), will have none of it, convinced that Johnny is a low life and that his daughter is too young to understand her own feelings. Dirty Dancing was a surprise box-office hit, and the soundtrack album was an even bigger success, spawning several hit singles and inspiring a top-drawing concert tour featuring several of its artists. ~ Mark Deming, All Movie Guide

This ghostly made-for-television romance tells the story of a struggling widower who finds that life becomes easier once his beloved comes back from the grave to assist him. ~ Sandra Brennan, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide