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Gregg Scott Movies

1990  
R  
This sci-fi adventure pays homage to those campy B-films from the 1950s, the hey-day of bad sci-fi films. This time a hungry alien monster shows up on Earth to feast on hominids and grits. Unfortunately, his repast is interrupted by a brave pair of kids and a courageous NASA commander. ~ Sandra Brennan, Rovi

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1990  
 
This film has all the requisite ingredients for a ripping slasher yarn: a car filled with hapless teens, a storm, a ramshackle mansion, and a strange hitchiker, and horribly disfigured killers. The nightmare begins when the violent storm erupts and the teen in charge of showing the others the way to an isolated New York lake admits that they are lost. They then pick up the hitcher. As the sun goes down, they decide to seek shelter in the abandoned mansion. There they see a shrine built around a wrecked auto. As they break into the house, the rambunctious youths are unaware of the evil presence within. Before the night is through much blood will flow, and only one will survive. Like many films of this genre, graphic violence and gore abounds as does nudity and simulated sex. ~ Sandra Brennan, Rovi

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1988  
 
This Italian haunted-house outing begins with strange, paranormal emanations being picked up as radio signals by a group of Boston youths, who trace the signal to an abandoned estate. When they enter to investigate, they are attacked by the malevolent spectre of a young girl and her sinister-looking clown doll, who manages to decimate nearly the entire cast. The ensuing mayhem incorporates some of the goriest effects ever to grace a haunted house film, including axe murders, acid baths, impalements, and decapitations -- the nastiest of which features an unfortunate teen bisected by a falling pane of glass. Despite a fairly rich atmosphere and an ominous mood, this is really just a prolonged excuse for gruesome (though, admittedly, well-staged) giallo-style death scenes. After a spooky initial setup, the endlessly repeating musical ghost-message becomes profoundly annoying. ~ Cavett Binion, Rovi

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Starring:
Lara WendelGregg Scott, (more)
 
1987  
R  
Though not a true sequel to Paul Lynch's derivative slasher-dud Prom Night, this Carrie-flavored horror film begins in 1957 with the fiery death of bitchy prom queen Mary Lou Maloney (Lisa Schrage) courtesy of a backfired stinkbomb stunt pulled by her jealous ex-boyfriend. Thirty years later, her killer has become the school principal (Michael Ironside), and sweet, innocent Vicki (Wendy Lyon) is a contender for the prom-queen title. Mary Lou's vengeful spirit spies the perfect opportunity to reclaim her crown once and for all. The rest of the film involves Vicki adopting Mary Lou's less-than-reputable habits and messily destroying anyone who stands between her and the coveted title. High points include a telekinetic "Tutti Frutti" locker-room squashing and a swirling demonic blackboard, all courtesy of FX wizard Jim Doyle, who worked previously on A Nightmare on Elm Street, to which this film bears some stylistic similarities. ~ Cavett Binion, Rovi

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Starring:
Michael IronsideWendy Lyon, (more)
 
1987  
R  
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"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, Rovi

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Starring:
Michael DouglasGlenn Close, (more)