Campbell Scott Movies

Dan McCormack spins this yuppie nightmare about lost identity, lost love, and New York. Phil (David Aaron Baker) and Anna (Mary McCormack) are a young couple whose marriage is slowly going sour. Each suspects the other of having an illicit affair. Anna shares with her analyst, Dr. Grover (Stockard Channing), that she is seeing another man, while Phil confides in his wildly erratic buddy John (Campbell Scott), that while he suspects Anna is sleeping around, he is engaging in a little extra-marital infidelity himself. Though Dr. Grover is unnerved by how flippantly Anna is treating her dalliances, John suggests that Phil consult with Jordin (Peter Gallagher in an outrageous French accent), one of Gotham's finest private dicks. Soon Phil finds himself jumped by Mink (Ricky Aiello), one of Jordin's goons, and Anna is stalked by her unhinged brother Jeff (Rob Morrow) who is trying to prevent a rendezvous between her and her mysterious lover. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

Playwright and character actor Tom Gilroy made his feature directorial debut with this dialogue-driven character study set against the backdrop of the changing seasons. Liev Schreiber plays Paul, a short-fused ex-con who finds unlikely comfort, stability, and camaraderie when he takes an odd job in park maintenance. On his first day, he's teamed with Murph (Ned Beatty), a groundskeeping veteran who manages to defuse an outburst between Paul and their snide supervisor (Campbell Scott). Paul sticks with the job, and, as the months pass, he and Murph work their way through events both mundane and monumental, all the while sharing their hopes, regrets, and ambitions. Shot in sequence over a one-year period, Spring Forward received a third-place mention for best first feature at the 1999 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

John Schlesinger directed this razor-sharp retelling of the familiar Demon Barber legend, previously a Victorian penny-dreadful by Christopher Bond (The Story of Pearls), a stage play by George Dibdin-Pitt, a Tod Slaughter film (the 1936 Sweeney Todd, the Demon Barber of Fleet Street), and the 1979 Stephen Sondheim stage musical (Sweeney Todd). Sondheim's musical has been televised in a production with George Hearn and Angela Lansbury heading the cast. This John Schlesinger drama, scripted by executive producer Peter Shaw, is set in turn-of-the-century London where bald barber Sweeney Todd (Ben Kingsley) runs a cutting-edge business with an affluent clientele. He also has several sidelines, including the sale of his murder victims' jewelry, plus a profitable agreement with Mrs. Lovett (Joanna Lumley), who uses an industrial-size meat grinder to prepare her tasty "meat pies" for her unsuspecting customers. American insurance investigator Ben Carlyle (Campbell Scott), tracking $50,000 worth of missing diamonds, encounters corruption throughout the city as he attempts to solve the case. Victorian London locales seen here were actually filmed in Dublin. Shown April 19, 1998 on Showtime. ~ Bhob Stewart, All Movie Guide

Actor Stanley Tucci made his directorial debut with a strong cast in this Depression Era farce focusing on two struggling two New York actors. In opening scenes, Maurice (Oliver Platt) and Arthur (Tucci) fabricate a fake fight at an outdoor cafe, do acting exercises, audition for a theater director (Woody Allen in an uncredited cameo), stage a pastry shop argument (to get food), and watch over-the-top, Barrymoresque actor Jeremy Burtom (Alfred Molina) on Broadway in Hamlet. Later, Burtom overhears himself insulted by a drunken Maurice and gives chase, forcing Arthur and Maurice to hide in a box. When they awaken, the box has been moved onto a luxury liner bound for France. To evade Burtom, they pose as stewards, meeting passengers and crew members: Staff director Meistrich (Campbell Scott) fancies head stewardess Lily (Lili Taylor), who goes for ship detective Marco (Matt McGrath). Others on board include Greek wrestling enthusiast Sparks (Billy Connelly); a former European queen (Isabella Rossellini); a suicidal lounge vocalist (Steve Buscemi); and a revolutionary (Tony Shalhoub) planning to bomb the liner. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Writer-director David Mamet crafted this unusual, Hitchcockian thriller in which no one is who they appear to be. Campbell Scott is Joe Ross, who has just created a "process" that stands to make his company and his boss, Klein (Ben Gazzara), millions of dollars. At a clandestine meeting in the Caribbean, Ross discusses the details of the process with company executives. There, purely by chance, or so he believes, he meets the wealthy, enigmatic Jimmy Dell (Steve Martin), and the two strike up an unusual friendship. Dell informs Ross that he's naïve to believe that his company will fairly compensate him for his valuable work. Upon returning home, Ross becomes paranoid that Dell is right, and he takes steps to protect his invention, becoming unsure if he can trust Klein or even his own love-struck assistant (Rebecca Pidgeon). When Ross discovers that Dell has lied to him about his identity, he contacts the FBI -- he then finds himself set up as a murder suspect who learns, almost too late, to trust no one. The title of the film refers not to any of the characters but to a classic con artist's scam. ~ Karl Williams, All Movie Guide

The debut from writer/director Greg Mottola, The Daytrippers follows a Long Island family as they make a disastrous journey into New York City. The impetus is a love letter discovered by suburbanite Eliza (Hope Davis) which seemingly incriminates her publisher husband Louis (Stanley Tucci) in an extramarital affair. To solve the mystery, Eliza, her parents (Anne Meara and Pat McNamara), her oddball sister Jo (Parker Posey) and Jo's boyfriend Carl (Liev Schreiber) all pile into the family station wagon in a misbegotten attempt to track Louis down. Beginning as a playful, satiric look at family dynamics, The Daytrippers occasionally loses its way, becoming increasingly dark and venomous as it rushes towards the revelations of its final moments. For all of its flaws, however, it's often an engaging debut. ~ Jason Ankeny, All Movie Guide

Jennifer Jason Leigh offers an acclaimed performance as humorist Dorothy Parker, who together with such 1920s luminaries as Robert Benchley, Alexander Woollcott and George S. Kaufman, was a charter member of the legendary Algonquin Round Table. The story is related in flashback form, as Mrs. Parker, in Hollywood to cowrite the 1937 feature A Star is Born with her second husband Alan Campbell (Peter Gallagher), recalls her glory days as an Algonquinite. A great deal of attention is afforded Parker's vituperative bon mots, her alcoholism, her self-destructiveness, her suicide attempts, and her affairs with such literary contemporaries as Charles MacArthur (an uncharacteristically unsympathetic Matthew Broderick) and Robert E. Sherwood (Nick Cassavetes). The one person Parker truly seems to care about is humorist Robert Benchley (Campbell Scott), who prefers to keep their friendship platonic. Director Alan Rudolph attempts to convey the ambience of the 1920s by having dozens of that decade's luminaries appear in fleeting cameos, from Will Rogers (Keith Carradine) to Harpo Marx. Also featured in Mrs. Parker are Tom McGowan as the waspish Alexander Woollcott and Andrew McCarthy as Dorothy's near-invisible first husband, Eddie Parker. ~ Hal Erickson, All Movie Guide

Set amidst the burgeoning Seattle alternative music scene of the early '90s, Singles follows a group of twentysomethings as they try to find love and try to come to terms with their passage into adulthood. Arranged as an episodic comedy, the film follows a group of friends who live in the same apartment building and hang out at the same coffee shop. The central couple is Steve Dunne (Campbell Scott) and Linda Powell (Kyra Sedgwick), a pair who meet at an Alice In Chains concert and eventually fall in love. Singles follows the tumultuous relationship between Steve and Linda and their friendship with Janet Livermore (Bridget Fonda), who is trying to win the affection of grunge-rocker Cliff Poncier (Matt Dillon). The film also has a number of cameos, including actors Eric Stoltz, Tom Skerritt, Peter Horton, director Tim Burton and the film's author/director, Cameron Crowe. From the musical side of the fence, Singles features appearances by Sub Pop executive Bruce Pavitt, musicians Chris Cornell (Soundgarden), Pat DiNizio (Smithereens), Tad (Tad), and Pearl Jam's Eddie Vedder, Jeff Ament, and Stone Gossard, who play Dillon's backing band, Citizen Dick. ~ Stephen Thomas Erlewine, All Movie Guide

Directed by Joel Schumacher, Dying Young was adapted from a novel by Marti Leimbach. When Victor Geddes (Campbell Scott) discovers that he is suffering from leukemia, his wealthy family hires pretty, young Hillary O'Neil (Julia Roberts) to help nurse him through his chemotherapy treatment. As the two struggle through the debilitating effects of Victor's treatment, they fall in love and attempt to make the most of their time together. Campbell Scott's real mother, the late Colleen Dewhurst, plays his "reel" mother in the film. ~ Iotis Erlewine, All Movie Guide

From director Bernardo Bertolucci, The Sheltering Sky is a filmed adaptation of the novel of the same name by Paul Bowles. Debra Winger and John Malkovich star as Kit and Port Moresby, a married American couple who globetrot to North Africa in the late '40s with the hopes of re-sparking their love and adding some zest to their lackluster lives. Along for the ride is the pair's friend George Tunner (Campbell Scott), who soon begins having an affair with Kit. As they struggle through the numbing heat of Africa amidst the sudden love triangle, each of the trio sees his and her beliefs and lives challenged. The Sheltering Sky earned a Best Director nomination for Bertolucci at the 1991 Golden Globe Awards. ~ Matthew Tobey, All Movie Guide

Perhaps one of the most well-known and yet least known families in America, the Kennedy dynasty is shown here in all the triumph and tragedy that seems to follow them. An emigrant family that rose to the Presidency, the Kennedys have lost as much as they have gained, as this brief history shows. ~ Tana Hobart, All Movie Guide