Adrian Scott Movies
Screenwriter/producer Adrian Scott was among the first ten Hollywood people to be called before the House Un-American Activities Committee in the early '50s. His name was provided to the committee by director/producer Edward Dmytryk, with whom Scott had worked for many years. After refusing to testify, Scott was sentenced to a year in prison. Following his release, Scott was blacklisted and never worked in films again. ~ Sandra Brennan, All Movie Guide- 1971
In this comedy-drama, President Lincoln temporarily abandons his inaugural tour to visit a little girl who wrote him a letter asking him to grow a beard. ~ Sandra Brennan, All Movie Guide
This drama was one of the first major-studio efforts to confront anti-Semitism (beating the Oscar-winning Gentleman's Agreement by several months), and it features a standout performance from Robert Ryan as a bigoted soldier on the run. Monty Montogomery (Ryan) is a violent and unstable soldier who, while out on a pass, goes on a drinking spree with three buddies, Floyd (Steve Brodie), Arthur (George A. Cooper), and Leroy (William Phipps). While boozing it up in a tavern, the four men meet Joseph Samuels (Sam Levene) and strumpet Ginny (Gloria Grahame), who invite the soldiers back to their apartment for a party. Monty, however, has a fierce hatred of Jews, and he later goes into a drunken rage in which he beats Joseph to death. Monty's friends can barely remember the incident through their liquor-shrouded memories, but they recall just enough to make themselves scarce when police detective Capt. Finlay (Robert Young) begins making the rounds looking for information on Joseph's murder. Sgt. Kelly (Robert Mitchum), a soldier who knows the four men, begins to suspect that something is up, and he works with his wife and Finlay to help ferret out the killer in his ranks, while Monty kills Floyd when he becomes convinced that he's going to talk to the authorities. While director Edward Dmytryk showed real bravery in bringing this story to the screen, it had greater repercussions than he might have expected; the film's controversial themes led to Dmytryk's denunciation by the House Un-American Activities Committee during the McCarthy-era investigations of the 1950s. Luckily, unlike other filmmakers who suffered similar accusations by HUAC, Dmytryk continued to work steadily through the '50s and '60s. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Young, Robert Mitchum, (more)
- 1947
So Well Remembered was the first of a proposed series of Anglo-American co-productions underwritten by Hollywood's RKO Radio Pictures and England's J. Arthur Rank. In one of his better postwar roles, John Mills stars as George Boswell, the editor of the newspaper in the small English mining town of Bowdley. Tirelessly fighting for fairer treatment and better working conditions for the miners, Boswell is sidetracked by his covetous, ambitious wife Olivia (Martha Scott), who hopes to maneuver her husband into Parliament. Eventually, Boswell gets his priorities in order, neglecting his campaign to help local doctor Whiteside (Trevor Howard) combat a diphtheria epidemic. When he loses his own child to the disease, a tragedy caused in part by his wife's selfishness, Boswell withdraws completely from his campaign -- and from life. Years pass before Boswell can find some purpose in his existence again, this time by preventing the still-unregenerate Olivia from destroying the happiness of her son (Richard Carlson), from a second marriage, and the son's sweetheart Julie (Patricia Roc), Dr. Whiteside's daughter. John Mills' 5-year-old daughter Juliet and infant daughter Hayley appear in bit parts. Though director Edward Dmytryk received plaudits from most critics for his work on So Well Remembered, there were those who insisted upon reading Dmytryk's perceived "pro-Red" sentiments in the screenplay -- which was actually adapted by John Paxton from a novel by James Hilton (who also narrates the picture). ~ Hal Erickson, All Movie Guide
- Starring:
- John Mills, Martha Scott, (more)
- 1946
Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Paul Lukas, (more)
- 1945
Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Sonny Tufts, (more)
- 1945
- NR
Canadian WW II pilot Gerard (Dick Powell) intends to track down and kill collaborationist Marcel Jarne, the man responsible for the wartime death of Gerard's French wife. The trouble is, Jarne has never been effectively identified by the authorities -- and in fact could be just about anyone whom Gerard meets. Following the trail of evidence to Buenos Aires, Gerard's strongarm methods run afoul not only of the Argentine authorities, but also of a pro-French underground movement which also wants to bring the villain to justice. Weaselly Incza (Walter Slezak) plays all sides down the middle until he too is ruthlessly rubbed out by the bad guy. From start to finish, Cornered is a superb thriller, directed with graphic ingenuity and economy -- and with a dash of endearingly naïve left-leaning politicizing. (With Edward Dmytryk as director, how could it be otherwise?) Avoid at all costs the computer-colored version of this beautifully photographed black-and-white film. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Walter Slezak, (more)
One-time movie crooner Dick Powell literally turned his career around in the 1944 film noir Murder My Sweet. Powell stars as Phillip Marlowe, the hard-boiled private detective antihero created by novelist Raymond Chandler. Hired by hulking, psychotic Moose Malloy (Mike Mazurki) to locate Moose's old girl friend, Marlowe is pitched headlong into a morass of intrigue and deception. The participants include duplicitous glamour-girl Claire Trevor, sodden slattern Esther Howard, suave blackmailer Otto Kruger and dyspeptic doctor Ralf Harolde. At one point, Marlowe is railroaded into a lunatic asylum, where under the influence of drugs he experiences a surrealistic nightmare the like of which would not be seen on screen again until Hitchcock's Vertigo (1958). So fascinating are the "bad" characters in Murder My Sweet that the two 100% "good" characters, heroine Anne Shirley and detective Don Douglas, seem wishy-washy wimps by comparison. After years of insipid golly-gee roles, Dick Powell startled his fans with his cynical, world-weary portrayal of Philip Marlowe. The part put him back on top of the box-office tallies and enabled him to extend his acting career into the 1950s, which led to an even more lucrative "third life" as a powerful TV-studio executive. Murder My Sweet was based on Chandler's Farewell My Lovely, previously filmed in 1942 as The Falcon Takes Over; a remake, Farewell, My Lovely, was produced in 1975, with Robert Mitchum as Marlowe. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Claire Trevor, (more)
- 1944
In this adventure the young lively daughter of wealthy Virginia parents bridles under the stern tutelage of her new English nanny who insists she forego her tomboy ways and act like a perfectly lady. This nanny runs the household with an iron hand and the little girl is terribly unhappy until she finds a lost German shepherd. While following the wanderer, the girl tumbles into a well. The dog gets help. The girl names him "Wolf" and is delighted to have a new best friend. Naturally, the nanny is terribly upset because the dog is terribly disruptive. One day, the nanny finds out that Wolf is an AWOL Army dog and sees that he is returned. Brokenhearted, the girl runs away to Washington, DC to have a private audience with the secretary of war. Tearfully she tells how her parents neglect her and how lonely she is without wolf. The secretary is moved but explains that Wolf has a more patriotic role to play. The girl understands and returns home filled with pride for Wolf. Things get better at home when her relieved parents fire the hated nanny and start spending more time with her. As an added bonus, the secretary sends the girl a brand new puppy that looks just like wolf. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sharyn Moffett, Jill Esmond, (more)
- 1943
- NR
One of Cary Grant's most financially successful 1940s vehicles, Mr. Lucky finds Grant atypically cast as a shifty, out-for-number-one gambler. Having dodged the draft by adopting the identity of a dead man, Grant sets his sights on purchasing a fancy gambling ship. To raise the necessary funds, he pretends to be working hand in glove with the American War Relief society. Once he meets Laraine Day, however, Grant is seized by an uncontrollable bout of honesty. It takes him awhile, but he finally does the right thing. The film is framed in flashback, as old seaman Charles Bickford explains why a tearful Laraine Day waits at the dock each evening for a certain ship to come in. Also in the cast is Paul Stewart as a cold-eyed but nonetheless semi-comic hoodlum, and Kay Johnson and Gladys Cooper as elegant but gullible society women. The best aspect of this breezy comedy-drama is Grant's cockney propensity for "rhyming slang," a running gag better heard than described. Mr. Lucky was later adapted into a TV series in 1959, with John Vivyan in the Cary Grant part and with Blake Edwards at the production controls. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Laraine Day, (more)
- 1941
First filmed in 1916, Peter B. Kyne's novel Parson of Panamint provided an excellent showcase for Charles Ruggles in this 1941 remake. As he looks over the dusty, deserted remains of the western "boom town" of Panamint, grizzled old prospector Chuckawalla Bill Redfield (Ruggles) recalls the town's glory days. Looming large in Chuckawalla's reminiscences is the day that young and apparently mild-mannerd minister Philip Pharo (Phillip Terry) rode into town. In his own gentle but forceful fashion, Pharo managed to bring the town's lawless element into line, mollify the local bluenoses, and win the heart of likeable dance-hall girl Mary Mallory (Ellen Drew). The highlight of a film is a tense murder trial, brought about by the killing of gambling boss and all-around villain Bob Deming (Joseph Schildkraut). Almost as easy-going as its protagonist, Parson of Panamint is a most unusual western; if it doesn't completely come off, at least it deserves an E for Effort. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlie Ruggles, Ellen Drew, (more)
- 1941
In addition to his supporting-player duties at MGM, Frank Morgan could always be counted upon to star in the studio's B-picture product. In Keeping Company, Morgan plays real estate broker Harry C. Thomas, blessed (or saddled) with three growing daughters. Mary (Ann Rutherford), oldest of the Thomas girls, leaves the nest to marry handsome Ted Foster (John Shelton). Thanks to the well-meaning parental interference of Thomas and his wife (Irene Rich), the young couple ends up on the verge of divorce. Leave it to tomboyish kid sister Harriet (Virginia Weidler) to patch things up by fadeout time. Intended as the first entry in a series that never materialized, Keeping Company was based on a story by Herman J. Mankiewicz, who obviously didn't take this assignment as seriously as he did Citizen Kane. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Morgan, Ann Rutherford, (more)
- 1941
This 20th Century-Fox programmer revolves around the misadventures of two not-overly-bright motorcycle patrolmen. Waitress Rose Coughlin (Lynn Bari) causes a rift between cycle cops Bob Brandon (Alan Curtis) and Herman Huff (Don Defore) when she falls in love with both. Rose then jilts the two of them, preferring the company of oriental business mogul Nabob (Gerald Mohr). Brandon and Huff come to the rescue when Nabob turns out to be a criminal. The film's best bit occurs early in the proceedings, when a speeding motorist (Tom Dugan) gives his name as "John Doe"; Brandon and Huff refuse to buy this obvious alias, whereupon the dimwit mollifies them by saying "Okay...Jonathan Doremus." ~ Hal Erickson, All Movie Guide
- Starring:
- Lynn Bari, Alan Curtis, (more)
