Kristin Scott Thomas

Adapted from author Philippa Gregory's historical novel of the same name, director Justin Chadwick's atmospheric period drama follows the fierce competition between sisters Mary (Scarlett Johansson) and Anne Boleyn (Natalie Portman) to win the affections of Tudor king Henry VIII (Eric Bana). Anne and Mary Boleyn are under pressure from their father and uncle to help maintain the family's rich legacy and ensure their further prosperity by winning the affections of none other than the king of England (Eric Bana). But life in the royal court is far different than it was in the countryside where these two sisters were raised, and before long their bid to earn the love of the king has transformed two once-happy sisters into bitter rivals. At first, it appears that Mary has triumphed in winning the king's favor by becoming his mistress and bearing him an illegitimate child. Despite her early success, however, Mary has underestimated just how clever and cunning her sibling can truly be. Not only does the relentless Anne manage to edge aside her sister in the eyes of King Henry, but she also succeeds in averting his gaze from his wife, Queen Catherine of Aragon, as well. Mary is driven by genuine affection for King Henry, while her sister Anne has only kept up the charade in a desperate bid to become the queen of England. Now, the growing chasm between two sisters is mirrored on a larger scale as England becomes divided more than ever before. As the consequences of their actions threaten to alter the course of an entire nation, these two sisters will ultimately discover that the only place they will find true strength and loyalty is in family, and that no matter what the consequences they will forever be bound by blood. ~ Jason Buchanan, All Movie Guide

A young girl embarks on a perilous journey to rescue her best friend and fight the forces of darkness in director Chris Weitz's adaptation of the first installment of author Philip Pullman's best-selling fantasy trilogy. Screen newcomer Dakota Blue Richards stars as young heroine Lyra Belacqua, Casino Royale star Daniel Craig appears as Lyra's ruthless adventurer uncle, Lord Asriel, and Nicole Kidman assumes the glamorous guise of the villainous Mrs. Coulter. ~ Jason Buchanan, All Movie Guide

Their relationship fractured when older sister Juliette is sentenced to 15 years in prison, two siblings wage an emotional battle to rebuild their relationship, overcome the secrets that keep them apart, and finally express the thoughts that have lain dormant for well over a decade. The moment Juliette was convicted, her parents declared that they wanted nothing to do with her. Now, after 15 years behind bars, Juliette is a free woman and in desperate need of a human connection. When Juliette's younger sister, Léa, is approached by a prison social worker and asked if she would be willing to provide her recently paroled sibling with a place to live, she doesn't hesitate to open her doors and share her home. But Léa is happily married with two adopted daughters, and her husband, Luc, is uneasy with the arrangement. Still, the house is large, the couple is used to having company, and the two young girls are thrilled to have a new aunt. As Juliette gets settled, Léa does her best to make her feel welcome. Likewise, Léa's colleague Michel and emigrant couple Samir and Kaïsha also offer to help Juliette readjust to life on the outside. Along the way, Juliette slowly begins to emerge from her shell and Léa realizes just how much she missed her sister. Perhaps if she can put aside her feelings of guilt long enough to truly understand her sister's plight, these two strangers can finally remember what it means to be family. ~ Jason Buchanan, All Movie Guide

An innocent man is on the run after he's accused of murder and his spouse seemingly returns from the grave in this thriller from France. Alex Beck (François Cluzet) is a doctor who has slowly been putting his life back together after his wife Margot was murdered by a serial killer. Eight years on, Alex is doing well enough until he finds himself implicated in the murder of two people, with plenty of evidence pointing to him as the killer even though he knows nothing of the crimes. The same day, Alex receives an e-mail that appears to be from Margot (Marie-Josée Croze), which includes a link to a video clip that seems to be recent and features his late wife looking alive and well. Margot's message warns Alex that they are both being watched, and he struggles to stay one step ahead of the law as a gang of strong-arm men intimidate Alex's friends into telling whatever they might know about him. Alex's sister Anne (Marina Hands) persuades her well-to-do lover Helene (Kristin Scott Thomas) to hire a well respected attorney, Elisabeth Feldman (Nathalie Baye), to handle Alex's case. While Elisabeth tries to keep Alex out of jail, she learns that her client has a warrant out for his arrest, and Alex goes on the lam while he and his lawyer struggle to find out the truth about the murder as well as Margot's reappearance. Tell No One (aka Ne Le Dis a Personne) was based on the international best-selling novel by Harlan Coben. ~ Mark Deming, All Movie Guide

Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early '30s. Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation. Among the honored guests are Constance (Maggie Smith), Lady Sylvia's matronly aunt; Ivor Novello (Jeremy Northam), William's cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings (Alan Bates); footmen George (Richard E. Grant) and Arthur (Jeremy Swift); Probert (Derek Jacobi), a valet to Sir William; housekeeper Mrs. Wilson (Helen Mirren); Mrs. Croft (Eileen Atkins), who oversees the kitchen; and Elsie (Emily Watson), a maid. Also on hand are the guests' personal servants, including Mary (Kelly Macdonald), Constance's maid; Henry (Ryan Phillippe), Weissman's valet; and Parks (Clive Owens), a butler. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs. And it turns out that there's plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing. Gosford Park also features Charles Dance, Tom Hollander, Natasha Wightman, and Ron Webster; the screenplay was written by Julian Fellowes, based on a story by Altman and co-star Bob Balaban. ~ Mark Deming, All Movie Guide

A woman left alone by the death of her husband finds her love life has become suddenly and dangerously complicated in this drama. Mary Panton (Kristin Scott Thomas) is a British woman living in Italy in 1938 who has been financially ruined by the death of her husband. Edgar (James Fox), an aging diplomat, asks Mary for her hand in marriage, and while she doesn't love him, she longs for the security of a husband and asks for a few days to consider the proposal. The next evening, Mary is invited to a party by an American socialite known as the Princess (Anne Bancroft); there, Mary meets Rowley Flint (Sean Penn), a rough-hewn and cocky American who is intrigued by her. Mary also feels drawn to Rowley, but their personalities clash, and they end the evening in an argument. Mary impulsively spends the night with Karl (Jeremy Davies), a young musician who played at the party. In the cold light of day, Mary decides that her fling with Karl is best left as a one-night stand, but Karl insists that he's fallen in love with her, and he melodramatically kills himself. Mary, desperate, calls upon Rowley to help her hide the body; he agrees, and soon they are both being questioned by local fascist leader Leopardi (Massimo Ghini) about Karl's disappearance. Up at the Villa was adapted from a novella by W. Somerset Maugham. ~ Mark Deming, All Movie Guide

Music video director Michael Shamberg debuts with this experimental drama about a woman who comes to terms with painful childhood memories. Orlando (Stanton D. Miranda) is an expatriate American sports journalist living in Paris. She is also slowly recovering from childhood sexual abuse from her father and an incestuous relationship with her late brother. As she wanders the streets on a rainy evening, she sullenly ruminates over her memories. Both Kristin Scott Thomas and Christina Ricci play small parts in this film, while legendary filmmaker Chris Marker provides computer graphics. Souvenir was screened at the 1999 Mill Valley Film Festival. ~ Jonathan Crow, All Movie Guide

Robert Redford directed himself for the first time in this romantic drama adapted from the 1995 best-seller by Nicholas Evans. Fourteen-year-old Grace MacLean (Scarlett Johansson of Manny & Lo) and her friend Judith go horseback riding in upstate New York on a winter morning, but their horses lose their footing on ice and slide onto a road, where Judith and her horse are killed by a jackknifing truck. Grace and her horse are also seriously injured -- doctors must amputate Grace's right leg -- and the frightening incident leaves a lasting trauma not only on Grace but also on her horse, Pilgrim. Grace's mother -- magazine editor Annie MacLean (Kristin Scott Thomas) -- seeking Grace's recovery, feels there's a link between her crippled, embittered daughter and Pilgrim's behavior. Learning about a horse trainer with a special gift, she takes Grace and Pilgrim to Montana where horse whisperer Tom Booker (Robert Redford) lives on a ranch with his younger brother Frank (Chris Cooper), Frank's wife Diane (Dianne Wiest) and their children. Tom's work with the horse also has a rejuvenating effect on the guilt-ridden Grace. Annie loses her magazine job, and the low-key romantic involvement between Annie and Tom develops during the summer, stifled by the unexpected arrival of Annie's husband, Robert MacLean (Sam Neill). Screenplay by Eric Roth and Richard LaGravenese (who adapted The Bridges of Madison County). Filmed in Montana and Saratoga Springs, New York. ~ Bhob Stewart, All Movie Guide

The debate between gender roles and the nature of masculinity and femininity in the '90s provides the basis of this romantic comedy. Dan is divorced and designs ladies lingerie for a living. Sarah is a powerful business executive. She and Dan spend one night making passionate love and then lose track of each other. This is unfortunate, for each is interested in knowing the other better. Sensitive Dan spends much of the film discussing his plight to macho married-man Simon while career-oriented Sarah shares her thoughts with Michelle, a young beauty who allows herself to be abused by her married lover. As the four converse, they offer insight into the plight of modern men and women in a modern society. In the end, a pleasant twist of fate reunites the lonely Dan and Sarah. ~ Sandra Brennan, All Movie Guide

After he is framed for the death of several colleagues and falsely branded a traitor, a secret agent embarks on a daring scheme to clear his name in this spy adventure. Though it drew its name from the familiar television series, director Brian DePalma's big-budget adaptation shares little more with the original show than the occasional self-destructing message and the name of team leader Jim Phelps (Jon Voight). The film focuses not on Phelps but his protégé, Ethan Hunt (a reserved Tom Cruise), who becomes a fugitive after taking the blame for a botched operation. He responds by banding together with a group of fellow renegades, and he is soon maneuvering his way through a twisted series of double crosses that mainly serve as excuses for spectacular high-tech action sequences. Much of the activity revolves around a missing computer disk, with the film's most famous scene depicting Hunt's delicate efforts to retrieve the disk from a secure, well-alarmed room in CIA headquarters. ~ Judd Blaise, All Movie Guide