Hanna Schygulla Movies

Born in German-occupied Poland, Hanna Schygulla was raised in Munich, studying languages and literature at that city's university. Turning to acting in her early 20s, Ms. Schygulla worked extensively at the experimental Munich Action Theater, where she met the prolific and highly volatile actor/director/writer Rainer Werner Fassbinder. From 1968, Hannah starred in 20 Fassbinder film productions, retaining her professional ties to the director despite frequent and increasingly violent personal and professional disagreements. The Berlin Film Fest honored Schygulla with their best actress prize for her stunning work in the title role of Fassbinder's The Marriage of Maria Braun (1979). Hardly glamour-girl material, she can best be described as a character star, whose versatility transcends her peasant-stock appearance. During her years with Fassbinder, Schygulla was also well-served in films directed by Schlondorff, Godard, Wajda and Scola. Since Fassbinder's sudden death in 1982, Schygulla has more often than not settled for bread-and-butter roles in conformist projects. In the 1980s, she appeared with frequency on American television; she played Jennie Lynd in the TV biopic Barnum (1986), Catherine Skewonskaya in the multinational miniseries Peter the Great (1986), and the mother of the title character in the made-for-TV feature Casanova (1987) In recent films like Dead Again (1991) and 101 Nights (1995) Hanna Schygulla has chosen to hide her distinctive features in bizarre makeup and elaborate costumes, though her voice remains inimitably hers. ~ Hal Erickson, All Movie Guide
1972  
 
Add The Bitter Tears of Petra Von Kant to QueueAdd The Bitter Tears of Petra Von Kant to top of Queue
This tale of intermingled love and hate is directed by Rainer Werner Fassbinder, and is the 13th of the 33 films he made in his short life. It explores the universal dynamics present in close human relationships, even lesbian ones. Petra Von Kant (Margit Carstensen) is a fashion designer. Some time ago, she divorced the husband she no longer loved. Until recently, she has been in a fairly satisfactory S & M relationship with her assistant. When she develops an obsession with her fashion model, however, things become far more complicated. ~ Clarke Fountain, All Movie Guide

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1971  
 
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Der Händler der vier Jahreszeiten (The Merchant of Four Seasons) is about the deterioration of a man's soul. Fruit vendor Hans (Hans Hirschmüller) cannot please his family. His mother harps on his failures. His wife is openly discontent. He must peddle produce to his beloved ex-girlfriend, and he is mocked by his customers for being shorter and fatter than his wife. He is withdrawn, crushed, and humiliated. He turns to drinking and violence, but his rage causes his wife and daughter to leave him. While desperately begging for their return, Hans suffers a debilitating heart attack. His family comes back, but Hans is unable to work and must hire help for his fruit stand. Hans' first employee is his wife's ex-lover, whom he fires for embezzling. He then hires a friend and hero from his legionnaire days, Harry (Klaus Löwitsch), out of pity. Harry is hardworking, diligent, and clever. He turns Hans' business around and enlivens his home life. Harry's success also begins to displace Hans -- with his fruit stand, with his wife, and even with his child. Hans becomes useless, a nothing -- exactly what his mother, his wife, and those around him set him up to be. ~ Aubry Anne D'Arminio, All Movie Guide

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1971  
 
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German filmmaker Rainer Werner Fassbinder directs the made-for-TV melodrama Pioneers in Ingolstadt, based on the play by Marieluise Fleisser. The film opens as a parade of soldiers are marching through a town square singing patriotic songs. Alma (Irm Hermann) and Berta (Hanna Schygulla) are watching them and musing about their ideas on men and relationships. The soldiers (often referred to as pioneers) have been given the task of building a bridge in the town. Alma seems to understand that the soldiers only want her for short sexual encounters, so she's prepared to live her life accordingly. Meanwhile, romantic Berta falls in love with self-centered soldier Karl (Harry Baer), who all but tells her to get lost. The soldiers get drunk and beat up a random passerby. The women grow to hate Alma for her acceptance of life as a sex object. Naïve Berta is ultimately humiliated. ~ Andrea LeVasseur, All Movie Guide

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1971  
 
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In his 36-year life, director Rainer Werner Fassbinder made some 40 films. He is perhaps best known to American audiences for his 1978 period drama, The Marriage of Maria Braun. A theme he examined repeatedly in his films was the unreasonable meanness of people, which he shows in a stark, relentless fashion. This early film, Whity, is set in the American Old West, with overtones of the antebellum South. The main character, Whity (Günther Kaufmann), is a black servant who is sorely abused at every turn. Eventually, he has had all he can take; his manner of taking vengeance is what this film is about. ~ Clarke Fountain, All Movie Guide

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Starring:
Günther KaufmannRon Randell, (more)
1971  
 
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Aimlessness and misplaced ambition take two friends in unexpected directions in this made-for-TV drama directed by Rainer Werner Fassbinder. Michel (Michael Konig) and Gunther (Gunther Kauffmann) are two friends who feel trapped in Germany and are trying to decide what to do with their lives; Gunther has recently gotten out of the Army and is looking for work, while Michel installs floor tiles. Michel and Gunther get hold of a map of the Rio das Mortes in Peru, and become obsessed with the idea of leaving everything behind and going to Peru in search of treasure. Hanna (Hanna Schygulla), who is engaged to marry Michel, doesn't think much of this idea and wishes her boyfriend would come to his senses, eventually threatening violence to prevent him from leaving her. ~ Mark Deming, All Movie Guide

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1970  
 
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Director Rainer Werner Fassbinder uses a 15th century legend as an allegory to the political situation in late-'60s Germany in The Niklashausen Journey. Combining medieval and contemporary imagery, the story follows Hans Boehm (Michael König), a shepherd who believes the Virgin Mary wants him to start a proletarian revolution. Fassbinder appears as the rebellious instigator the Black Monk. Also starring Hanna Schygulla. ~ Andrea LeVasseur, All Movie Guide

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1970  
 
1970  
 
Add Why Does Herr R. Run Amok? to QueueAdd Why Does Herr R. Run Amok? to top of Queue
A technical designer enjoys a comfortable life with his wife and child. He has the approval of his boss and is in good health except for smoking too much according to his doctor. His wife is visited by a girlfriend one Sunday afternoon. The man is bored watching television and grabs a chandelier and kills the conversing women and his child. In a chilling display of nonchalance, he contemplates his own death by hanging in this disturbing feature. This film was the fourth for director Rainer Werner Fassbinder. ~ Dan Pavlides, All Movie Guide

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Starring:
Kurt RaabLilith Ungerer, (more)
1969  
 
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Gods of the Plague (Gotter der Pest) is one of several German films directed by Rainer Werner Fassbinder under his pseudonym of Franz Walsch. That's Fassbinder, however, playing the small role of a buyer of pornography. The main story involves a pair of two-bit hoods who spend most of the film one-upping each other with a brace of scheming females. Their dreary life of crime comes to a spectacular head in a shoot-out at a supermarket. ~ Hal Erickson, All Movie Guide

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Starring:
Hanna SchygullaMargarethe von Trotta, (more)
1969  
 
Add Love Is Colder Than Death to QueueAdd Love Is Colder Than Death to top of Queue
An independent criminal's work is admired by organized crime. He is tortured after he refuses the invitation to join the gang but later relents and becomes a member. He continues to be a pimp and a murderer in this disturbing film that appeared at the Berlin Film Festival in 1969. This feature garnered international recognition for writer/director Rainer Werner Fassbinder who would go on to become one of Germany's most prolific directors of the post-World War II era. ~ Dan Pavlides, All Movie Guide

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Starring:
Ulli LommelHanna Schygulla, (more)
1969  
 
A German bisexual male suffers the indignities of prejudice in a small town. After taking up with the town floozie -- who tries to trap him into marriage and claims he has impregnated her -- the people of the town turn from teasing to cruelty, and the young man decides to leave. When he gives a local boy a ride on his bicycle, the act of kindness is misconstrued to be a sexual advance. The boy's mother is livid and fears her mentally challenged son may have been molested. The floozie continues to pressure the young man into marrying her, until the weight of it all becomes too much; he snaps and kills her. Soon the entire town conspires to hunt down the young man like an animal in this disturbing story of prejudice and intolerance. ~ Dan Pavlides, All Movie Guide

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Starring:
Martin SperrAngela Winkler, (more)
1969  
 
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Jorgos (Rainer Werner Fassbinder) is a Greek immigrant in Germany who encounters the intolerance of the locals against foreign workers. Open hostility turns to violence when he is beaten up by the authoritarian thugs after dating a German woman. Male and female nudity along with hetero and homosexual sex scenes are shown in this searing indictment against prejudice and fascism. This feature took the Prize of International Film Critics at the Mannheim Film Festival in 1969. ~ Dan Pavlides, All Movie Guide

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Starring:
Hanna SchygullaRudolf Waldemar Brem, (more)

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