Hans Schumm Movies

Filmed in Germany with an American production crew, The Bashful Elephant isn't really about the title character. Most of the screen time is taken up with the elephant's trainer (Helumut Schmid), who is in the midst of an unpleasant divorce. Producer/directors Dorrell and Stuart McGowan had just come off several years of TV's Death Valley Days, and were hoping to crack the family-movie market with The Bashful Elephant. Unfortunately, this middling project never got any farther than bottom-of-bill bookings and occasional engagements in church basements. The brothers had better luck with their next project, the Canadian-based TV adventure weekly The Littlest Hobo--which starred a dog rather than a pachyderm. ~ Hal Erickson, All Movie Guide

The career of rocket scientist Wernher von Braun (Curt Jurgens) is the focus of this film. Supposedly bullied by the Nazis into working for the Third Reich, the end of the war leaves the rocket man with a decision to take his talents to either Russia or the United States. He chooses the U. S., but controversy follows the gifted scientist wherever he goes. Some resent his collaborations with the Nazis, while others in the government are more than willing to turn their heads in deference to his genius. ~ Dan Pavlides, All Movie Guide

Marise Aubert (Greer Garson) has begun seeing a psychiatrist to treat her overwhelming guilt. It seems that Marise was married to Paul (Robert Mitchum), who was sent overseas in World War II. She loved Paul deeply and remained faithful to him. She then receives tragic news that Paul died in action, and months later is visited by Jean Renaud (Richard Hart), one of Paul's friends from the Army. Jean tells Marise that he and Paul were captured by enemy troops, and Paul died in the midst of a heroic attempt to escape. Marise senses that Jean is as lonely and heartbroken as she is, and she allows him to stay at her house. They fall in love, but the situation becomes complicated when a letter arrives from Paul. Jean hides it from Marise, hoping that she will not discover that her husband is still alive. He tries to convince her to sell her home and move away from her troubling memories, but before the sale can go through, Paul appears at the doorstep. While Paul can forgive Marise for betraying him, she is unable to forgive herself. Desire Me was released without a director's credit; the bulk of the principal photography was supervised by George Cukor, but by all accounts it was a troubled shoot, and eventually Mervyn LeRoy] and Jack Conway both worked to finish the picture. Garson nearly drowned while filming one scene, and Mitchum claimed that Cukor put Garson through 125 takes of another scene before she could say the word "No" to his satisfaction. ~ Mark Deming, All Movie Guide

Inspired by actual events, Cloak and Dagger was first major "atomic power" melodrama of the postwar era. Gary Cooper stars as bookish physics professor Alvah Jesper, a character obviously based on A-bomb codeveloper J. Robert Oppenheimer. Pressed into service by the OSS in the last months of WW2, Jasper is sent to Europe in search of Dr. Polda (Vladimir Sokoloff), an atomic scientist held captive by the Nazis. In Switzerland, Jesper quickly runs afoul of enemy spies who murder the only person to know Polda's whereabouts. Moving on to Italy, he links up with the partisans, falling in love with gorgeous resistance fighter Gina (Lilli Palmer). Adopting a disguise, Jesper finally locates Polda and spends the last few reels in a desperate dash to freedom. Screenwriters Albert Maltz and Ring Lardner Jr. had originally intended Cloak and Dagger as a warning to a complacent America. Director Fritz Lang recalled in later years that, as conceived and filmed, the ending was to have occured after Jesper and a group of Allied soldiers stumbled upon the ruins of a secret Nazi A-bomb factory, as well as evidence that the German scientists had fled to parts unknown with their atomic secrets intact. "It's day one of the Atomic Age", Jesper was to have noted ruefully, "And God help us if we think we can keep it a secret much longer." This lengthy coda was removed from the final release print, transforming a thought-provoking drama into a mere romantic thriller. ~ Hal Erickson, All Movie Guide

Escape in the Desert is a thinly disguised remake of The Petrified Forest (1936), updated with a WW II angle. Cynical Dutch pilot Philip Artveld (Philip Dorn) pays a visit to the American desert before being shipped off to the Front. He wanders into a lonely inn, where he befriends starry-eyed watiress Jane (Jean Sullivan). Before long, Philip, Jane, and several other innocent bystanders find themselves being held captive by a group of escaped German POWS, led by Captain Becker (Helmut Dantine). The existentialist philosophy of the original Robert E. Sherwood play is replaced with a great deal of Nazified prattle and All-American flagwaving, with misplaced moments of comedy relief from Alan Hale and Irene Manning. While Petrified Forest is regarded as a classic, Escape in the Desert is generally dismissed as a contrived propaganda piece. ~ Hal Erickson, All Movie Guide

Uncertain Glory finds Errol Flynn atypically cast as French criminal Jean Picard, a craven coward whose many misdeeds have earned him a date with the guillotine. Detective Marcel Bonet (Paul Lukas) intends to see that Picard keeps his appointment with the executioner, despite the fact that there's a war on. When the Nazis capture 100 French hostages to force a resistance saboteur to surrender himself, Picard offers to pose as the saboteur and thereby save the lives of the innocent villagers. In truth, he plans to escape once he's turned himself over to the Nazis, leaving the villagers in the lurch, but at the last moment his latent patriotism overcomes his sense of self-preservation. Errol Flynn's character is almost as inconsistent as the script, but war films invariably made money in 1944. ~ Hal Erickson, All Movie Guide

In this downbeat drama based on a novel by John Steinbeck (which was also adapted for the stage), German troops invade Norway during WWII, and Nazi forces occupy a small town. Col. Lanser (Cedric Hardwicke), the officer in charge of the occupation, believes that reason and the illusion of cooperation will achieve more than open hostility against the townspeople, and he tries to persuade the city fathers to work with him. However, an anti-Nazi resistance force soon springs into action, and they begin sabotaging German installations and materiel and assassinating Axis officers. Mayor Orden (Henry Travers) gently but stubbornly refuses to assist Lanser in any way, as he tacitly aids the resistance movement. Eventually, Lanser is forced to respond to the continuing anti-Nazi actions with a series of arrests and executions, but the Norwegians bravely remain steadfast against the enemies to the end. One of the children in the village is played by Natalie Wood, who was a mere five years old at the time (it was her second film, following a small role in Happy Land). ~ Mark Deming, All Movie Guide

This curious bit of wartime wish-fulfillment stars Ludwig Donath as Franz Huber, a famed Austrian actor known for his impersonations of celebrities. Captured by the Gestapo, Huber is ordered to undergo plastic surgery. When he emerges from the gauze, Huber is the living image of Adolf Hitler! It's all part of a Gestapo plot to assassinate the troublesome Fuehrer and put the ostensibly more pliable Huber in his place. The anti-Nazi Huber is able to foil the Gestapo and strike a blow for Democracy, but he meets his Waterloo at the hands of his own wife (Gale Sondergaard), who has no way of knowing that he isn't Hitler. The labyrinthine screenplay was cowritten by Fritz Kortner, who also plays one of the villains. ~ Hal Erickson, All Movie Guide

One of the best serials ever made, Spy Smasher has managed to find favor even among non-serial aficionados. Like his fellow masked avenger, Batman, Spy Smasher possessed no super-human powers but was a mere mortal of flesh and blood. In brief, Spy Smasher, alias Alan Armstrong (Kane Richmond, and his twin brother Jack (also Richmond) pursue a nefarious German agent known only as The Mask (Hans Schumm). Witney and screenwriters Ronald Davidson, Norman S. Hall, Joseph Poland, William Lively and Joseph O'Donnell imbued their hero with a dark uniform very similar to the one he wore in the comics, but added a fancy belt decorated with a large "V" for "Victory" and the morse code symbol for the letter, three dots and a dash. The coup de grace, so to speak, was Mort Glickman's signature score adapted from Beethoven's Fifth Symphony. Leading man Richmond managed to make his identical twins a little less identical than the usual routine split-screen characterizations and the character of Jack Armstrong, the All-American boy, was actively mourned when killed off in chapter eleven, "Hero's Death," in perhaps the most unique chapter ending in the history of serialdom. Kane Richmond, who had been around Hollywood's action studios since 1930 and had even appeared as a Martian in Flash Gordon's Trip to Mars (1938), became a major genre icon on account of his stellar performance as the Spy Smasher. Borrowed from Columbia Pictures, flaxen-haired Howard Hughes discovery Marguerite Chapman proved one of the best purveyor's of serial pulchritude thus far as Jack Armstrong's imperiled fiancee Eve Corby, and Tristram Coffin, later a serial hero himself, was capital as Drake, The Mask's chief henchman who manage to insinuate himself as Jack's friend. The subsequent feature release Spy Smasher Returns constituted not a sequel but an edited-down version of this serial. ~ Hans J. Wollstein, All Movie Guide

Director William "One Take" Beaudine slapped together Foreign Agent in a week or so, enabling Monogram to ship the picture to theaters before its subject matter grew stale. Set in a Hollywood movie studio (sure looks like the cramped Monogram headquarters), the story concerns a gang of Nazi agents who want to get their filthy mitts on a searchlight filter developed by studio technician Jimmy (John Shelton). Unable to alert the authorities, Jimmy is forced to turn sleuth himself to rout out and round up the villains-all played by such overly obvious types as Hans Schumm and Ivan Lebedeff (a Lithuanian actor, here cast as a Japanese!). Heroine Gale Storm sings two songs, including the deathless "It's Taps for the Japs." Jack Mulhall, who used to star in films of this nature, plays a bit role as a studio film editor. ~ Hal Erickson, All Movie Guide

Long underappreciated by film buffs, The Lady Has Plans is a screwball comedy disguised as an espionage melodrama. The title character is not star Paulette Goddard, as one might assume, but Nazi agent Rita Lenox (Margaret Hayes), who sneaks into Lisbon with a secret message written on her bare back in invisible ink. Through a case of mistaken identity, perky Sidney Royce (Paulette Goddard), the assistant to globetrotting radio correspondent Kenneth Harper (Ray Milland) is presumed to be Rita Lenox. At the behest of British Intelligence chieftan Ronald Dean (Roland Young), who hopes to extract the vital information supposedly scribbled on Sidney's back, our nonplussed heroine is treated like royalty in a posh Lisbon hotel. Meanwhile, Rita, having summed up the situation, simultaneously poses as Sidney. Once he's figured out what's what, Harper manages to waylay Rita and intercept the message, but neither he nor Sidney are out of the woods yet-not if German spy chief Baron Von Kemp (Albert Dekker) has anything to say about it. ~ Hal Erickson, All Movie Guide

Spy Smasher Returns is a 100-minute abridgement of Republic's 12-chapter serial Spy Smasher. The original 1942 chapter play was based on the comic book character created in 1940 by C.C. Beck, Pete Costanza and Bill Parker. As in the comics, Spy Smasher's alter ego is playboy Alan Armstrong, here played by Kane Richmond. For the purposes of the serial's labyrinthine plotline, Alan is given a twin brother named Jack, who is killed off halfway through the action (thus providing a misleading chapter climax). Spy Smasher's assignment is to ascertain the identity of The Mask, the mysterious head of a Nazi spy ring operating in America. The Mask has in his possession a death ray and a "bat plane", both props borrowed from earlier Republic serials. The truncated Spy Smasher Returns was prepared for television in 1966. ~ Hal Erickson, All Movie Guide