Richard B. Shull Movies

Frank Mansfield (Warren Oates) is a game cock trainer who has taken a vow of silence; he once bragged too loudly about his cockfighting prowess and ended up losing his best fowl in a drunken, late-night match before an important tournament. To regain his pride after such hubris, Frank refuses to utter a word until he wins the coveted "Cockfighter of the Year" medal. Cockfighter follows his ups and downs as he attempts to succeed in the shadowy, barely legal sport. Frank loses his truck, trailer, and a girlfriend after trying to rig a match with fellow cocksman Jack Burke (Harry Dean Stanton), and has to sell his house to raise funds for stock. Later, Frank wins ten roosters in a private backwoods match and trains them heavily with his partner, Omar Baradinsky (Richard B. Shull), working his way back to the top of his chosen craft. He also attempts to reestablish his relationship with an old girlfriend (Patricia Pearcy) who doesn't know much about cockfighting and is repulsed when she actually witnesses one in the flesh. There is plenty of brutal footage included in Cockfighter that will dismay many animal lovers, so those with qualms about the sport should steer clear. ~ Fred Beldin, All Movie Guide

In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn't tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad. ~ Hal Erickson, All Movie Guide

Any resemblance between the U.S. president in Hail and Richard M. Nixon was purely intentional. Faced with rebellious teenagers and college students, paranoid chief executive Dan Resin comes up with a brilliant idea: lock all the malcontents in concentration camps. Unfortunately, this leads to ramifications that turn the Good Ol' USA into an armed stockade. Amusing at first, the film's satirical content is compromised by repetition and predictability. Also known as Hail to the Chief and Washington BC, Hail was released in 1973 -- though, incredibly, it was completed before the Watergate incident. ~ Hal Erickson, All Movie Guide

Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide

B. S., I Love You is appropriately titled, as the story concerns a young adman (Peter Kastner), who not only loves his job, but enjoys success in his job due to his success in lovemaking. Especially helpful is his liaison with his boss (Joanna Barnes), but he also manages to further his career with the romantic assistance of the boss's daughter (Joanna Cameron). With enviable energy, he somehow keeps his career going, along with relationships with the boss-ladies and his regular girlfriend (Louise Sorel), while traveling between New York, Los Angeles and San Francisco. ~ Clarke Fountain, All Movie Guide

This black-and-white feature has some uncredited color shots. Pamela (Elaine Edwards) appears in various stages of undress in this three-camera production slated for nothing more than exploitation. Plagued by bad acting, the photography is the only redeeming quality feature -- though fans of this genre of films usually could care less about expert lensing as long as the nudity is in clear view. ~ Dan Pavlides, All Movie Guide