Richard B. Shull Movies

In this children's drama, a con artist's dog leads two children to his former master's secret cache of loot. The children's lives change dramatically after that. ~ Sandra Brennan, All Movie Guide

Adapted from the once-notorious trilogy of novels by James T. Farrell, the three-part miniseres Studs Lonigan isn't quite as earthy and explicit as its source, but is lot more faithful to the original than the 1960 film version. Set in Chicago and covering the years from 1916 to 1931, this is the story of a brawling, braggadocio young Irish-American lad named Studs Lonigan (played as a child by Dan Shor, and as an adult by Harry Hamlin in his first major TV role). Despite his rough veneer, Studs is sensitive and concerned about his future, though he doesn't want to follow the values set forth by his tradition-bound parents (Charles Durning, Colleen Dewhurst). Hanging around with his childhood buddies, Studs gets into all sorts of scrapes and becomes involved with a number of women, notably the decent, demure Catherine (Diana Scarwid) and the lusty, libidinous Lucy (Lisa Pelikan). Though he grows in age and size, Studs has trouble maturing emotionally, surrounded by the pressures of a rough, prejudice-ridden neighborhood and the increasing hooliganism of his cronies. As the Depression crashes heavily upon the scene, Studs finds himself "trapped" in the very sort of middle-class quagmire that he'd always hoped to avoid. Earning an Emmy Award for art/set direction, the 6-hour Studs Lonigan originally aired March 7, 14 and 21, 1979, as part of NBC's Novels for Television anthology. ~ Hal Erickson, All Movie Guide

The Big Bus is set aboard a nonstop, nuclear-powered luxury bus commandeered by Joseph Bologna. Naturally, Bologna is a tortured hero with a deep dark secret (he keeps insisting he didn't eat all those passengers on his last disastrous drive). Stockard Channing and Harold Gould play the designers of the big bus, and of course they have a few skeletons in their closet. In fact, there isn't a passenger on the all-star manifest that isn't hiding something. The supporting cast features contributions by René Auberjonois (parodying his M*A*S*H role), Ned Beatty, José Ferrer, Ruth Gordon (doing a devastating send-up of Airport's Helen Hayes), Sally Kellerman, Richard Mulligan, and many others; Murphy Dunne contributes a memorable bit as a smarmy cocktail pianist. Unfortunately, The Big Bus was dumped onto the summer 1976 release schedule without fanfare by Paramount, and it sank without a trace. ~ Hal Erickson, All Movie Guide

The Black Bird is a satirical sequel to The Maltese Falcon. George Segal plays Sam Spade Jr., who has inherited his dad's detective agency in a seedy section of San Francisco. The ubiquitous, priceless Maltese Falcon, which eluded Bogart and company in the 1941 film, surfaces once again. This time, Spade's friends and foes include femme fatales Anna and "Decoy Girl" (Stéphane Audran and Connie Kreski), sixtysomething historian Dr. Crippen (Signe Hasso, who looks terrific), and midget villain Litvak (Felix Silla, who played Cousin Itt on the TV series The Addams Family). Gags abound, including a climactic steal from Jaws. Two of the surviving stars of The Maltese Falcon, Lee Patrick and Elisha Cook Jr., recreate their roles in The Black Bird . ~ Hal Erickson, All Movie Guide

The "Militant Midget" is at it again. Outraged about his family's substandard living conditions, 11-year-old Michael Evans (Ralph Carter) writes a letter of protest to the newspapers. As a result, a smug housing-authority official (Richard B. Schull) prepares to visit the Evanses to refute the charges -- and is in for quite a rude awakening when he finds his way to the projects. ~ Hal Erickson, All Movie Guide

B. S., I Love You is appropriately titled, as the story concerns a young adman (Peter Kastner), who not only loves his job, but enjoys success in his job due to his success in lovemaking. Especially helpful is his liaison with his boss (Joanna Barnes), but he also manages to further his career with the romantic assistance of the boss's daughter (Joanna Cameron). With enviable energy, he somehow keeps his career going, along with relationships with the boss-ladies and his regular girlfriend (Louise Sorel), while traveling between New York, Los Angeles and San Francisco. ~ Clarke Fountain, All Movie Guide

Raymond De Felitta directs this warm, colorful tale about a blue collar dreamer who gets more than he bargained for after buying a two-family house. Set during the 1950s in Staten Island, the film charts the financial failures of Buddy (Michael Rispoli), a nice-guy entrepreneur who has perpetual bad luck. While he was in the army, he sang songs on stage to bolster troop morale. During one performance, he received a warm reception from none other than Arthur Godfrey, who invited him to audition when he got back to the U.S. After the war, Buddy's crushingly pragmatic wife Estelle (Katherine Narducci,) along with her very traditional parents, dissuade him from a life in showbiz. After a decade of living with Estelle's parents and failing repeatedly at one get-rich-quick scheme after another, Buddy buys a rundown house with the idea of refurbishing the second floor for living quarters and the first for a pizzeria where he can sing. Estelle grudgingly goes along with it, secretly hoping that this plan will fail so disastrously that he will stop dreaming and lead a "normal" life. Not until he finalizes the purchase does Buddy realize that the house has a pair of squatters: Jim (Kevin Conway), a drunken Irish immigrant, and his much younger, very pregnant girlfriend Mary (Kelly Macdonald). Buddy tries to evict the recalcitrant drunkard, but he refuses to leave. Just as matters are about to come to fisticuffs, Mary goes into labor. To the surprise of everyone, the child is of mixed raced -- the product of a brief tryst that Mary had with an African-American man a while back. Disgusted and disappointed, Jim shuffles off never to be seen. Buddy hasn't quite the heart to evict a young single mother, nor the strength to resist his wife's perpetual nagging, so he quietly pays for a room in a neighborhood boarding house. Though Mary is initially very mistrustful of Buddy's intentions, the two slowly realize that they are in fact soul mates. This film was highly praised at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

Sand, surf, sun, and sex alternate in this bikini-clad movie about student lemmings heading to the sea at Ft. Lauderdale, Florida, the moment the last test is taken (and sometimes before). This time, Nelson (David Knell) and his three friends get into various types of innocent trouble while Nelson tries to evade his overbearing stepfather. Wet T-shirt contests vie for attention with bikini and He-shirt contests and a Playboy centerfold, but other than a fairly standard venting of pent-up energy, there is not much else to remember about this Spring Break. ~ Eleanor Mannikka, All Movie Guide

Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide

Three brothers who are inept criminals butcher one last attempt to pull off a big heist in this caper comedy. Bill Firpo (Nicolas Cage) is sick of thievery and has retired from crime to run an upscale restaurant in New York. But when his two brothers, Alvin (Dana Carvey) and Dave (Jon Lovitz), get out of prison, Bill is sucked back into their world of crime. The three end up on the run and hide out in the small town of Paradise, PA. The friendly townspeople include a bank president (Clifford Moffat) whose trust in people has left his bank an easy target. The brothers can't resist lifting $275,000 from the vault. Unfortunately, Alvin drives their getaway car in circles and they end up back in town and get in an accident. ~ Michael Betzold, All Movie Guide

This bittersweet comedy is, among many other things, a tour de force for the marvelous Anne Bancroft. The star is cast as Estelle Rolfe, an unconventional divorcee who resides in New York, in close proximity to her grown son Gilbert (Ron Silver) and his wife Lisa (Carrie Fisher). Though his wife yearns to move back to her home state of California, Gilbert cannot quite cut the silver cord that binds him to his mother. Upon learning that Estelle is dying, her dutiful son offers to honor her last request to meet the reclusive actress Greta Garbo. The rest of the film plays wonderful variations on this theme, involving such peripheral characters as a gay Garbo fan (Harvey Fierstein), an elderly Shakespearean actress (Hermione Gingold), a "female Joe Papp" director (Denny Dillon), and an ageing papparazzi (Howard Da Silva). Without giving away the ending, it is worth noting that the divine Garbo shows up in the person of playwright/lyricist/ performer Betty Comden. ~ Hal Erickson, All Movie Guide

In this romantic comedy from director Frank Oz, Steve Martin plays Boston architect Newton Davis, an impulsive dreamer who builds a bucolic dream home for his girlfriend (Dana Delany) as a means of proposing to her -- only she turns him down. Three months later, the depressed Davis meets a waitress who calls herself Gwen (Goldie Hawn), though pretending to be Hungarian proves to be only the first of her many deceptions. Davis has a one-night stand with Gwen during which he tells her the sad story of the house, which remains unoccupied just outside the city in his hometown of Dobbs Mills, because he can't bear to sell it. Following what seems to be a familiar path for this con artist, Gwen locates the house, figuring she can take up residence without anyone noticing. During a trip to the local grocery, she ends up telling the proprietor she's Davis' wife while trying to charge her purchases to his account. When she offers the same story to a local furniture dealer (Donald Moffat), unaware he's Davis' father, it triggers a string of fabrications in which the shocked Davis unwittingly becomes a co-conspirator. Seeing an opportunity of his own, Davis allows Gwen to stay in the house and agrees to go along with her story in hopes of winning back his jealous ex. Of course, this also necessitates outlandish lie upon outlandish lie, leaving the whole enterprise forever on the verge of collapse. ~ Derek Armstrong, All Movie Guide