John Schuck Movies

Missing for several days, 16-year-old Tani McCain (Amanda Seyfried is found bound and beaten in an abandoned building. When the girl claims that she was kidnapped and raped by three uniformed men, suspicious immediately falls on a group of college army cadets. But in the days that follow, Tami keeps changing her story, much to the confusion of the men and women of the SVU: Obviously, the girl was raped by someone, but who? With media rabble-rousers and an outraged public breathing down the SVU's neck, the detectives work overtime to track down the actual perpetrator--only to find that the solution to the case may be tragically close to Tandi's own home. ~ Hal Erickson, Rovi

Writer and director Woody Allen returns to the Manhattan of the past with this romantic comedy set in 1940, the era of fedora hats and gumshoe detectives. Allen stars as C.W. Briggs, an insurance investigator whose razor-sharp instincts have just led to the successful conclusion of another case, the recovery of a stolen Picasso. While he's a valued employee, Briggs is under fire from efficiency expert Betty Ann Fitzgerald (Helen Hunt) for his antiquated attitudes and refusal to accept modern crime-solving techniques such as fingerprinting. C.W. claims he puts himself directly into the criminal mind, a skill that will do him no good when he and Betty Ann are hypnotized at a Rainbow Room gathering one night by the magician Volton (David Ogden Stiers). As a parlor trick to entertain their co-workers, Volton makes C.W. and Betty Ann believe they're a couple that's deeply in love. But the performer secretly keeps up the ruse after the party's over, calling C.W. to whisper a magic code word and ordering the detective to rob wealthy homes with security systems that C.W. himself has designed. With no memory of his thieving activities, a frustrated C.W. can't solve the high-profile jewel burglaries, while he and Betty Ann struggle with their odd new attraction for each other, made more complicated by the fact that Betty Ann is romantically involved with their boss (Dan Aykroyd). ~ Karl Williams, Rovi

This made-for-television comedy picks up where the popular alien TV-series ALF left off. Captured by the military on his way back home, ALF is forced to undergo experiments at the hands of the unsympathetic Col. Gilbert Milfoil (Martin Sheen). Two military officers take pity on poor ALF and decide to free him from his captors. They escape and set out on a road trip that takes them on some bizarre adventures -- but ALF isn't out of the woods just yet. ~ Bernadette McCallion, Rovi

Sipowicz (Dennis Franz) and Medavoy (Gordon Clapp) pose as Hassidic Jews in hopes of nabbing a gang specializing in stealing Torahs. Though Lt. Fancy (James McDaniel) doesn't like the way Det. Morrissey (Conor O'Farrell) is handling a case involving several seemingly random stabbings, Fancy can't help but notice that Morrissey is getting positive results. And speaking of "positive," that's the same verdict reached in Sylvia's (Sharon Lawrence) pregnancy test. Meanwhile, Martinez (Nicholas Turturro) continues to recover from his gunshot wounds. ~ Hal Erickson, Rovi

In the first installment of this two-parter, Sisko learned of the existence of a Federation terrorist group whose activities threatened to start another war with the Cardassians. In part two, Sisko endeavors to prevent this by forming an uneasy alliance with Cardassian leader Gul Dukat (Marc Alaimo). Complicating matters is the fact that the Maquis is headed by Sisko's old friend Cal Hudson (Bernie Casey). Originally telecast April 30, 1994, part two of "The Maquis" was scripted by Ira Steven Behr from a story by Behr, Rick Berman, Michael Piller, Jeri Taylor and James Crocker. ~ Hal Erickson, Rovi

This first theatrical feature spun off from the television series Tales from the Crypt (which was in turn inspired by the infamous EC horror comics of the 1950s) concerns a mysterious man named Brayker (Bill Sadler), who arrives at a church-turned-rooming house in a small town in New Mexico. Hot on his trail is an equally mysterious and very menacing figure known as the Collector (Billy Zane), who arrives with policemen in tow; he claims that Brayker stole some keys from him, and he wants the cops to help him reclaim them. It turns out, however, that the "keys" are actually several amulets that contain drops of the blood of Christ; they can be used to ward off evil in the right hands, but they can lead the world to doom if used improperly. The Collector and his forces lay siege to the house with the other residents caught in the middle between Brayker and the Collector, including alcoholic Uncle Willy (Dick Miller), prostitute Cordelia (Brenda Bakke), sleazy Southerner Roach (Thomas Haden Church), postal employee Wally (Charles Fleischer), sensible Jeryline (Jada Pinkett), and landlady Irene (CCH Pounder). Bordello of Blood, the second Tales from the Crypt feature, hit theaters the following year. ~ Mark Deming, Rovi

The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, Rovi

An average housewife (Susan Blakely) is transformed into a werewolf after being seduced by a stranger (John Saxon). Only her daughter and friend can save her from remaining an animal forever. ~ John Bush, Rovi

Precocious Pippi Longstocking (Tami Erin) falls off her father's pirate ship and washes up in a small coastal town in Florida. She causes social worker Miss Bannister (Eileen Brennan) no end of trouble and influences two neighbor kids with her mischief-making and infectious attitude. Pippi uses her magic powers to beguile the locals but also to help save some orphans from a burning building. ~ Dan Pavlides, Rovi

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, Rovi

In this slapstick chase-adventure, some unlikely heroes try to outwit each other for possession of a huge stash of cash hidden on the train they are all riding together. The comedy is a little uneven here or at least not to everyone's taste, and the pace is fast-forward frantic. Josef (Ed Lauter) and Georgiana (Pamela Stephenson) manage to break into her father's estate and swipe $5 million in cash from the safe, with plans to spirit the money across country on a train. Meanwhile, Michael (Michael O'Keefe) is a con man being chased by irate women on a roller derby team who have reason to be angry with him. He zips into a second-hand clothing store and dons the disguise of an army uniform, hoping to board a train for New York unnoticed. But when an officer gets suspicious at the station, Michael retorts that he is escorting a nearby coffin -- a coffin that actually contains the stolen $5 mil. The thieves are also nearby, but for reasons of their own, they go along with Michael's charade. Along for the ride are a neurotic woman (Beverly D'Angelo), an eccentric train conductor (David Wayne), a stowaway Vietnam defector, a blond woman of the underworld, a nymphomaniac, and briefly, a crafty con man (Louis Gosset Jr.). From that point onward, episodic vignettes are tossed here and there as the train moves ever closer to New York, and the protagonists try to outmaneuver each other for the money. Viewers may note that along for his fourth cinematic ride is Jim Carrey in a bit part. ~ Eleanor Mannikka, Rovi

In this sci-fi film, a spaceship crash lands in the Midwest and strands an alien family. A gentle innkeeper takes in the marooned group. Except for their green chimpanzee that eats light bulbs, the aliens look like normal humans. Unfortunately, the family is pursued by a government agent determined to see that the aliens don't intermingle with the humans. ~ Sandra Brennan, Rovi