Michael Schoeffling Movies

At the time of Longtime Companion's release in 1990, the devastating disease of AIDS was seen as a mysterious and deadly scourge, replete with rumors, lies, and panic. As the first narrative film to examine the AIDS epidemic, screenwriter Craig Lucas and director Norman René place the disease in an historical context, dramatizing the impact of the disease through time in a series of vignettes involving seven gay men. AIDS first made its presence felt surreptitiously, as an article in The New York Times reported on a rare cancer attacking gay men called Karposi's syndrome. Then the Village Voice began a series of in-depth articles concerning a "gay plague" which later became known as AIDS. The film follows the AIDS crisis through the lives of the seven main characters so that they are only aware of AIDS in the historical framework of each episode. The characters include former gay couple Willy (Campbell Scott) and John (Dermot Mulroney), first seen partying at a Fire Island club, who don't pay much attention to the mysterious article in The New York Times but become intimately effected by the disease. There is also Sean (Mark Lamos), a soap opera writer whose mind is slowly deteriorating because of the disease, and his supportive friend David (Bruce Davison). ~ Paul Brenner, Rovi

Based on the stories by Tama Janowitz, this film follows the relationships and problems of a group of artists struggling to survive in New York City. ~ Iotis Erlewine, Rovi

This inexpensive but effusively energetic film is set in Louisiana's Cajun country of the 19th century. Belizaire (Armand Assante), unofficial spokesman for his people, butts heads with local bigots who want to rid the area of Cajuns. Belizaire's former girlfriend (Gail Youngs) is now the common-law wife of the film's main antagonist (Will Patton), the son of a wealthy landowner. When Patton is murdered, the locals try to pin the blame on the rabble-rousing Belizaire. He confesses, but only to save his cousin, who'd previously been targeted for lynching. All plot pieces fall into place on the day of Belizaire's scheduled execution. Although an American film, Belizaire the Cajun was unable to get US distribution until it was showered with praise at the Cannes Film Festival. Visually, the film is a banquet, but the multi-dialect soundtrack can be very difficult to follow at times. ~ Hal Erickson, Rovi

Melissa Gilbert acquits herself well in this old-fashioned family drama about a gritty Texas orphan named Charlie (Gilbert), a substitute parent for her brothers, determined to succeed in life by converting an unmanageable rodeo horse into an equestrian champion. The transformation from equine dross to championship dressage is not an easy road, and helping Charlie is the often tipsy but tough Foster (Richard Farnsworth), as well as Matt, the man who captures her heart (Michael Schoeffling). After they succeed in training the actually talented horse, they head for the blue grass and bluer blood of Kentucky, where the equestrian and racing elite hold court over all, including newcomers from Texas. Now they have to coax the horse to make it through the formal dressage, cross-country, and jumping competitions -- and to do that in top form. ~ Eleanor Mannikka, Rovi