Danny Schiller Movies

Simon Moore's directorial debut (his also wrote the screenplay) is a brooding thriller that takes place in the melancholy British resort town of Brighton in the 1950s. Liam Neeson stars as Tony Aaron, a disreputable ex-cop who now makes a living as a sleazy private eye. With his wife Hazel (Maggie O'Neill) as bait, he arranges compromising photographs of errant husbands whose wives require proof of marital infidelities in order to obtain divorces. But one day, Aaron bursts into a hotel room to find Hazel and her client, a famed American painter, murdered; the painter's body has been mutilated, and his thumb, with which he signed his paintings, is cut off and missing. With an old crony of Aaron's, Frank (Kenneth Cranham), leading the investigation, two lead suspects are brought to the fore --Selina (Alphonsia Emmanuel), the painter's widow; and Angeline (Laura San Giacomo), the painter's mistress. And it is with Angeline, the person most likely to have killed the painter, that Aaron falls in love. But soon the tables are turned. When the victims were found to have been killed with Aaron's gunm and a neighbor leaves a suicide note claiming that Aaron is the killer, Aaron is arrested and found guilty of the killings. But right before Aaron's execution, a surprising piece of new evidence is discovered that changes everything. ~ Paul Brenner, All Movie Guide

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

Curse of the Pink Panther was released just after Trail of the Pink Panther with a script that has someone looking for the inept Inspector Clousseau and the fabulous stolen Pink Panther diamond at the same time. In Curse, Clifton Sleigh (Ted Wass) is a New York retread of the bumbling Inspector, chosen to look for him by Clousseau's former boss because Sleigh most certainly will never find him. Although peppered with a few inventive stunts, Curse still falls short of the Sellers classics. In a bizarre side note, David Niven was himself terminally ill at the time of his appearance in Trail of the Pink Panther and unable to speak adequately. His voice was dubbed in by impressionist Rich Little. ~ Eleanor Mannikka, All Movie Guide

This 3-hour TV adaptation of Shakespeare's Romeo and Juliet features Patrick Ryecart and Rebecca Saire in the title roles. Though these names may not be familiar to the casual viewer, the same cannot be said of the supporting cast. Celia Johnson appears as the Nurse, Michael Hordern is Lord Capulet, Laurence Naismith is Prince Escalus, and Alec Guinness is the Chorus. Also appearing are stars-to-be Anthony Andrews as Mercutio (his "Queen Mab" speech is a singular highlight) and Alan Rickman as Tybalt. Originally presented as part of PBS' "Shakespeare Plays" series, Romeo and Juliet was first aired March 14, 1979. ~ Hal Erickson, All Movie Guide

Third-billed Lee Marvin dominates the proceedings in A Life in the Balance. Marvin plays a psycho killer, whose trail is dogged by inquistive young Jose Perez. Jose's father, musician Ricardo Montalban, has been accused of a series of murders. The boy is convinced (correctly, it turns out) that Marvin is the guilty party, and trails the man in hopes of bringing him to justice. No dummy he, Perez leaves a trail for the authorities to follow--a series of smashed-up police call boxes (a similar plot device was deployed for comic purposes by Harold Lloyd in Professor Beware). A Life in the Balance was filmed on location in Mexico City, with a great deal of screen time devoted to a colorful carnival. ~ Hal Erickson, All Movie Guide