Mathieu Schiffman Movies

An entire household is caught in traffic thanks to the opening of a new super-highway in this satiric comedy drama from Swiss filmmaker Ursula Meier. Marthe (Isabelle Huppert) and her husband (Olivier Gourmet) live in a small home in rural France with their three children. The family values their peace and quiet, except for oldest daughter Judith (Adélaïde Leroux), who has a fondness for cranking heavy metal music as she relaxes in her lawn chair. While construction on a highway near the house began years ago, the progress has been so slow that Marthe and her family have all but forgotten about it. But once the road is opened, they're suddenly subjected to a nonstop barrage of noise, exhaust, and all the stress that comes with it, and the relative calm of the household decays into chaos as Marthe is driven to a nervous breakdown. Home was screened as part of the Critics' Week program at the 2008 Cannes Film Festival. ~ Mark Deming, Rovi

Jacques Rivette's epic-scale meditation on art, politics and relationships is an eight-part, 740 minute drama that begins as an examination of two Parisian theater companies. Lili (Michele Moretti) is a member of an experimental troupe preparing a radical new interpretation of Aeschylus's Seven Against Thebes, while Thomas (Michel Lonsdale) is in charge of a state-funded group who are rehearsing another work by the same ancient Greek playwright, Prometheus Unbound. Drifting in and out of the orbit of these two groups are Sarah (Bernadette Lafont), an author and longtime friend of Thomas; Colin (Jean-Pierre Léaud), a deaf street musician; Frederique (Juliet Berto), a sexy confidence woman, and the bohemian owner of a knick-knack shop who often changes her name (Bulle Ogier), among many others. Colin tries to search out the meaning of a strange note handed to him by a mysterious stranger, while Frederique becomes party to a similar message. As it happens, both learn of the possible existence of a secret society of thirteen powerful individuals who are the true rulers of Paris, but neither is sure if the group exists in history or the present day, and they have very different notions of what to do with this information. Jacques Rivette originally screened Out 1 as a work in progress (titled Out 1: Noli Me Tangere) at a pair of screenings in Paris in the fall of 1971; it was originally conceived as a project for television, but became a theatrical film after it was rejected by French broadcasters. While a four-hour version, Out 1: Spectre, began making the rounds of film festivals in 1974, the film didn't appear in its full twelve-hours-plus version until 1989, when a new cut of Out 1 appeared at the Rotterdam Film Festival. The final cut of Out 1 appeared with English subtitles in London in 2006, and has subsequently been screened in Vancouver, New York City and Chicago. ~ Mark Deming, Rovi

Two ten-year-old boys from the inner city decide that nobody needs a vacation quite as much as they do, and head for the beach. Having no real money is hardly a concern for kids as resourceful as these two: from flirting with middle-aged women to camping out in the woods, they have every intention of making the most of their time in the sun. ~ Cammila Collar, Rovi

A young woman looks for the true meaning of love and learns the truth of the old saw, "You don't know what you've got until it's gone," in this fourth installment in Eric Rohmer's Comedies and Proverbs series. The story opens with the proverb, "He who has two women loses his soul. He who has two houses loses his mind," and centers on Louise (Pascale Ogier) and her live-in lover, Remi (Tchéky Karyo), a Paris architect and noted tennis player. Their relationship hits an important juncture when Remi decides he wants to get married, while Louise wants to continue living the life of a party girl. Eventually, Louise decides to escape her lover's oppression and become intimate with loneliness, so she moves to Paris where she makes complex plans to have her cake and eat it too. Unfortunately, things don't go exactly as planned as she finds herself the object of an amiable writer's affections. ~ Matthew Tobey, Rovi

This is a minimalist interrogation drama about a wealthy, influential attorney (Michel Serrault) in a small French town falls under suspicion in a double rape/murder case. The police bring the lawyer in for questioning; at first politely, and then less so, the interrogation team (Lino Venture, Guy Marchand) chips away at the suspect's alibi. An expertly wrought surprise ending makes up for the clumsiness of the English-language dubbing. This French film was based on the British novel Brainwash, by John Wainwright. ~ Hal Erickson, Rovi

Marie (Annie Girardot) teaches high school and has a 16-year-old daughter in her class. Divorced some years previously, she has some vague egalitarian notions about friendship with her students and leaves her door open to them. One of her protégés is found beaten up just outside her door, and an emergency physician comes by to treat her. When her daughter starts seeing someone she doesn't much like, and she begins having a brief affair (her first since the divorce) with the ER doctor, she begins to reconsider her policy. ~ Clarke Fountain, Rovi

Based on a real-life case study, recorded in Jean-Marc Gaspard Itard's 1806 volume Memoire et Rapport sur Victor de L'Aveyron, The Wild Child is spiritually in line with François Truffaut's other films about the pains of adolescence. Truffaut himself plays Dr. Jean Itard, a doctor working at Paris' Institute for the Deaf and Dumb. Itard takes on the challenge of Victor (Jean-Pierre Cargol), a nonverbal "wild boy" found abandoned in the woods. Realizing that the Institute's rather cruel methods may drive Victor further into himself, Dr. Itard brings the boy to his own home, hoping to establish a communication base with kindness and compassion. Once he has taught Victor how to listen and respond, Itard takes it upon himself to imbue the boy with a sense of morality. Adopting an austere cinematic technique (at times reminiscent of silent films), Truffaut unfolds his story with directness and simplicity. ~ Hal Erickson, Rovi