Richard Schiff Movies

It's not a good idea to kill the children of important mobsters, whether by accident or on purpose. So when Nick Harding (Jerome Lepage) accidentally shots Joey Mannucci (Ron Sanborn) while working out a drug deal with him, he has reason to fear that his father, Mo Mannucci, will send one or more hit men after him. Nick goes to ground at his uncle's farm with his girlfriend Grandee (Anne Lilly), and (mistakenly) believes he has killed the mobster's CPA son. Fortunately for Nick, he has a cousin (Richard Schiff) who knows what's what, The cousin, Pat, arranges a meeting between Joey and Nick so that they can patch over the difficulties arising from their earlier meeting. Unfortunately for Nick, he is too clever for his own good, and the meeting does not go smoothly. ~ Clarke Fountain, All Movie Guide

In this better-than-average kick-boxer foray, Brandon Lee (son of famed martial-arts film star, Bruce Lee) stars as a young art student who happens to witness a drug murder and is placed in protective custody by federal agents. It's not too long before he realizes that the only real protection he can count on is his own martial-arts training. This film is rated R for violence, sex and profanity. ~ All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

Howard Franklin wrote and directed this film noir character study based on the famed New York Daily News photographer Weegee. Joe Pesci plays a character named Bernstein, a freelance photographer for the New York City tabloids of the 1940s. His life is dedicated to his work; with a police radio under the dashboard of his car and a darkroom in his trunk, he quickly and efficiently races to the scene of crimes, accidents and murders to snap photographs of gangsters, politicians, cops, and prostitutes, which he promptly delivers to the newspapers. His knack for arriving at a crime scene before the police earns him the nickname the Great Bernzini. The trouble begins for Bernstein when he agrees to look up a gangster for Kay (Barbara Hershey), the sexy owner of a fancy Manhattan nightclub. After making inquiries, Bernstein traces the man Kay is looking for, but he turns up dead. When he informs the police, he becomes a suspect in the murder; it also turns out that the FBI is interested the case. Bernstein then uncovers an elaborate conspiracy concerning gas rationing, the mob, and the government. ~ Paul Brenner, All Movie Guide

Lawrence Kasdan originally wrote his script for The Bodyguard in the late 1960s as a vehicle for Steve McQueen; by the time it reached the screen, Kasdan's star was another movie hearthrob, Kevin Costner. When imperious musical superstar Whitney Houston begins receiving death threats, she is compelled to hire a bodyguard. Enter Costner, who immediately incurs the wrath of Houston and her entourage by imposing prison-like security measures. An ex-Secret Service agent, Costner still hasn't purged himself of his guilt feelings over his inability to protect President Reagan from would-be assassin John Hinckley (in the original concept, the agent had been guarding JFK in Dallas, but Costner was too young to make this credible; besides, he and Oliver Stone had been there before). Gradually, and inevitably, Costner and Houston fall in love. Ralph Waite is cast as Costner's father, while Robert Wuhl and Debbie Reynolds please the crowd in their cameo roles. The Bodyguard was a huge box-office success, helped along in no small part by Whitney Houston's bestselling rendition of the old Dolly Parton hit "I Will Always Love You." ~ Hal Erickson, All Movie Guide

A Texas housewife plots hire a hit man to kill the girl who beat out her daughter for a place on the cheerleading squad in this made-for-cable satire based on a true story. Holly Hunter stars as Wanda Holloway, a twice-married Baptist mother of two who becomes obsessed when her daughter, Shanna (Frankie Ingrassia), gets disqualified from the election for the eighth-grade cheerleading squad because of overly manipulative campaign tactics (i.e. handing out free rulers imprinted with her name). Looking down her nose at neighbor Verna Heath (Elizabeth Ruscio), whose daughter, Amber (Megan Berwick), made the squad, Wanda becomes convinced that there's a conspiracy afoot and decides to do something about it. Getting in touch with her ex-husband's brother, Terry Harper (Beau Bridges) -- a lowlife with a liquor and drug habit and a wife (Swoosie Kurtz) who sees imaginary creatures on the floor -- Wanda all but orders him to find her an assassin on the cheap. Terry chickens out, contacts the police, and helps get the goods on his former sister-in-law before she can do any actual damage. A media circus soon engulfs the participants' small Texas town as Wanda heads to court and tries to prove she was the victim of a setup. Set against the backdrop of the Gulf War and the fall of communism, The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom was filmed for HBO by Bad News Bears and Smile director Michael Ritchie. In adapting the Wanda Holloway story for the small screen, the film followed Willing to Kill: The Texas Cheerleader Story, a 1992 ABC TV movie starring Lesley Ann Warren. ~ Brian J. Dillard, All Movie Guide

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children's toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger's office, the company president Waring Hudsucker (Charles Durning) is on his way down -- through the window of the forty-fourth floor boardroom! Hudsucker's death sets off a panic that Mussberger sees as an opportunity for taking over the company -- by installing a total incompetent in Hudsucker's place and devaluing the stock. When Barnes stumbles into Mussberger's office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president. ~ Paul Brenner, All Movie Guide

After 18 years of psychotherapy, Frank (Joe Regalbuto) is thrown for a loss when his analyst Dr. Larkin (Debra Mooney) declares that he is "cured." Feeling cast adrift, Frank turns to Murphy (Candice Bergen) for moral support. It would appear that Frank couldn't have picked a better time, what with Murphy finally hiring what she regards as the "perfect secretary." This last-mentioned character is played by none other than Marcia Wallace, reprising her role as Carol from the old Bob Newhart Show--and speaking of Bob (everybody take a drink!), the episode's writers haven't forgotten him either. ~ Hal Erickson, All Movie Guide

Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981). ~ Robert Firsching, All Movie Guide

Having missed a bone tumor on a child's x-ray, Ross (George Clooney) is none too anxious to tell the patient's grandfather (Bill Cobbs) about the mistake -- especially since four months have elapsed and the tumor has gotten worse. Meanwhile, Chloe (Kathleen Wilhoite) sweeps back into Lewis' (Sherry Stringfield) life, insisting upon full custody of little Suzy. Carter (Noah Wyle) worries himself into a stomach ache over his much-anticipated residency at County General. And Greene (Anthony Edwards), newly shed of his marital status, radically changes his image. ~ Hal Erickson, All Movie Guide

Illeana Douglas delivers a superb performance as Denise Waverly, a fictional singer and songwriter whose life bears more than a passing resemblance to that of real-life pop star Carole King. Edna Buxton, the daughter of a Philadelphia steel tycoon, aspires to a career as a singer, and when against her mother's bidding she sings a sultry version of "Hey There (You With the Stars in Your Eyes)" (instead of Mom's choice, "You'll Never Walk Alone") at a talent contest, she wins a recording contact and moves to New York City. She cuts a record and gains a new stage name, Denise Waverly; however, she soon finds that girl singers are a dime a dozen in the Big Apple and her career as a vocalist goes nowhere. But she has a knack for writing songs, and eccentric producer Joel Milner (John Turturro) asks her to pen some songs for his upcoming projects. Teamed with Howard Caszatt (Eric Stoltz), a hipster songwriter who wants to express his political and social ideals through pop tunes, she finds both a successful collaborator and husband. While her work with Howard gains Denise writing credits on a string of hit records and respect within the industry, their marriage falls apart, and she becomes involved with Jay Phillips (Matt Dillon), the gifted but unstable leader of a popular West Coast surf music combo. Students of pop music history will have a ball with the various characters modeled after real-life rock legends, and the 1960s-style song score includes numbers written by Joni Mitchell and J. Mascis (of the band Dinosaur Jr.), as well as one-time King collaborator Gerry Goffin; a collaboration between Elvis Costello and Burt Bacharach, "God Give Me Strength," led to a full album written by the two great tunesmiths. ~ Mark Deming, All Movie Guide

There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, All Movie Guide

This made-for-TV movie is staged in the form of an ongoing news report, unfolding in "real time." The year is 2014, and the men and women of the Global News Network are covering the final two hours of the first manned space mission to Mars. Suddenly, before an audience of billions, things begin to go horribly awry: Eugene Slader (Keith Carradine), captain of the spaceship "Destiny", falls ill and the ship's computer malfunctions. But what seems to be an unavoidable tragedy is revealed to be a massive corporate conspiracy when a group of protesters "hijacks" the telecast with the intention of exposing the whole truth. In the tradition of the similar Special Bulletin, the film is capped by a surprise ending that is both shocking and eminently logical. Unfortunately, NBC chose to premiere Special Report: Journey to Mars on March 25, 1996, directly opposite ABC's Academy Awards telecast--meaning that probably the only people who saw it were the Martians (unless, they too, wanted to find out if Bravehart would beat out Apollo 13 for the Best Picture Oscar). ~ Hal Erickson, All Movie Guide