Maria Schell Movies

Eighteen years after his acclaimed 1984 documentary on Marlene Dietrich, actor/director Maximilian Schell has created another moving portrait of a German-speaking actress, this time his own sister. Meine Schwester Maria documents the rapid rise and decline of Maria Schell, the briefly beloved star of such films as Die Ratten and The Brothers Karamosov. Using excerpts of her feature films along with home movie footage, Schell explores the high points his sister's career throughout the 1950s, as well as the personal problems that cast her into obscurity only a decade later. The film offers quite a few emotional peaks, especially when an elderly Maria Schell goes before her brother's camera to speak candidly about her life, and a suicide attempt which she refers to as her "first death." ~ Connor McMadden, All Movie Guide

This lavish retelling of the story of the Hebrew strong man and history's most famous lady barber was based in part on the Old Testament, in part on Eric Linkletter's book Husband of Delilah, and in great part on the same-named 1949 Cecil B. DeMille movie epic. Newcomer Anthony Hamilton stars as Samson, who uses his awesome strength--not to mention the jawbone of an ass--to safeguard his fellow Hebrews from the persecution of the Philistines in the 11th Century BC. Fascinated by Samson, Philistine harlot Delilah (Belinda Bauer) pretends to fall in love with him so that she may learn the source of his muscle power. Upon discovering that his mightiness stems from his flowing mane of hair, Delilah drugs Samson's wine and pulls out the shears. Bald and blinded, Samson is transformed from the savior of his people into an enslaved object of Philistine ridicule. But redemption is at hand, and by film's end practically the entire cast has been entombed in the rubble wrought by Samson's final, desperate feat of strength. Victor Mature, who of course played Samson in the 1949 film, was coaxed out of retirment to portray Samson's father, while Max Von Sydow, who Biblical-movie credits include the part of Jesus in The Greatest Story Ever Told, delivers an impressively subtle performance as the Philistine governor. Filmed in Mexico, Samson and Delilah originally aired April 1, 1984, on ABC. ~ Hal Erickson, All Movie Guide

A man's tragic past leads him to take justice into his own hands in this troubling look at life in Europe after WWII. Max Baumstein (Michel Piccoli) is a well-known human rights activist and avowed pacifist who, to the shock and puzzlement of many, murders a politician from South America. As Baumstein goes to trial, it is revealed that his victim was in fact a Nazi war criminal who ordered the deaths of thousands of people -- including Baumstein's parents. In flashback, Max recalls the horrors of the Nazi occupation of France, and he remembers Elsa Weiner (Romy Schneider), a woman who helped save his life and struggled to free her husband Michel (Helmut Griem) from a concentration camp after he was condemned for publishing anti-fascist literature. La Passante Du Sans-Souci marked the final screen appearance of actress Romy Schneider, who played both Elsa and Baumstein's wife Lina; Schneider died of heart failure shortly after it was released. ~ Mark Deming, All Movie Guide

The intertwined lives of people of both Polish and German extraction who live on the pre-World War II border between the two countries are explored in this drama. Valeska is the Polish/German matriarch of a family living on the German side of the border. Her son is involved with the Hitler youth, but nonetheless keeps secret the presence on family land of a Jew who is hiding from the authorities. When the son inadvertently kills a soldier to prevent his sister from being raped, he runs away after borrowing money from the Jewish man. When soldiers come to the family's door looking for the missing soldier who had been billeted there, the Jewish man commits suicide. In another episode, one of the family's daughters marries a German soldier in a ceremony presided over by a Polish priest. ~ Clarke Fountain, All Movie Guide

Maria Schell guest stars as a East European nun who arrives in New York accompanied by a countryman named Toza (Herb Edelman). In truth, the "nun" is a Yugoslavian princess named Viva Dushan, and Toza is her faithful general factotum. The two emigres are determined to recover a fortune in jewels stolen from the Princess during WW2, and they are convinced that the gems are in the possession of big-time mobster Vitto Colletti (Harry Goz). Inevitably, Kojak (Telly Savalas) must see to it that justice is done through the proper channels--and that the Princess survives the intrigue. ~ Hal Erickson, All Movie Guide

An eccentric family in need of money turns their crumbling chateau into a hotel in order to renovate the old place. Repairs are made to the aging structure, but they only have one guest and too many empty rooms. The young granddaughter, with the help of her mechanic boyfriend, manages to make sure all the cars that stop at his garage are in need of overnight repairs. The hotel business soon improves as tourists are stranded and forced to seek lodging at the chateau. Cesar (Yves Montand) leads a trio of bank robbers to the hotel. Posing as aristocratic nobles, the crooks hide out in the splendor of the old house, charming the ladies and winning at poker games to pass the time. The mother of the family offers herself as a lure to draw more guests, who often take advantage of her adulterous yearnings. The hotel business does very well as the family saves their ancestral home after a dubious start in this romantic comedy. ~ Dan Pavlides, All Movie Guide

This light comedy concerns psychiatrist Lilli Koenig (Maria Schell). Her practice revolves around idle, wealthy women with too much time on their hands who imagine they are suffering from a bevy of complexes. She catches the eye of fashion-photographer Martin Bohlen (Paul Hubschmidt), who longs to zoom in on her with more than just his camera lens. In the darkroom of his lovestruck mind, he develops a scheme to get near the doctor by pretending to suffer from a variety of ailments. ~ Dan Pavlides, All Movie Guide

Guy Green's social drama stars Stuart Whitman as the title character, a man whose unhealthy childhood has left him bewildered by sex. After an affair with a woman his own age ends badly, Mark finds himself increasingly drawn to young girls, who he feels do not pose the same threat of emasculation that adult women do. When he is charged with kidnapping a ten-year-old girl in order to molest her, his conviction results in a three-year prison sentence. With the help of Dr. Edmund McNally (Rod Steiger), a prison psychiatrist, Mark comes to terms with his urges and is released from prison a changed man. Soon after, he gets engaged to Ruth Leighton (Maria Schell), a widow with a ten-year-old daughter of her own. After Mark is seen in the vicinity of a recent molestation incident, a journalist digs into his background and his past is brought to light, destroying not only his relationship with Ruth but his fledgling career as well. ~ Jason Ankeny, All Movie Guide

The Oklahoma land rush of 1889 provides the starting point for this western drama, based on a novel by Edna Ferber. Yancey Cravat (Glenn Ford) is an impulsive, short-fused cowboy who has married an immigrant woman, Sabra (Maria Schell). Together, Yancey and Sabra claim a homestead, and Yancey starts a newspaper. While he doesn't have much of a head for business, Sabra does, and when she takes greater control of the paper, it grows into a profitable and influential journal. Eventually, Yancey becomes a well-recognized figure, and it's suggested that he run for public office. However, Yancey finds himself unable to support legislation that would steal more land and mineral rights away from the Native Americans who first settled the land. Cimarron was previously filmed in 1931; this version reduced the role of stereotyped black characters and has Native American actors playing the "Indians," including Eddie and Dawn Little Sky. ~ Mark Deming, All Movie Guide