Roy Scheider Movies
One of the most unique and distinguished of all Hollywood actors, Roy Scheider first hit his career peak in the 1970s, and will forever be associated with the "American film renaissance" of that decade thanks to his prominent billing in four vital motion pictures from the period: The French Connection (1971), Klute (1971), Jaws (1975), and All That Jazz (1979). As this list demonstrates, Scheider exhibited versatility in choice of material. He also, however, established a trademark persona that carried him from project to project: that of a slightly sardonic, wizened everyman who nonetheless evinced an unmistakable degree of sensitivity and emotional fragility beneath a tough exterior. Born November 10, 1932, in Rutgers, New Jersey, Scheider attended Rutgers University, as well as Franklin and Marshall College, where he studied history; meanwhile, an early boxing injury (in the New Jersey Diamond Gloves Competition) left Scheider with a broken nose that would soon become one of his trademarks. He subsequently joined the United States Air Force and served three years, ascending to the rank of first lieutenant, then returned to Franklin and Marshall for drama work, beginning with a much-acclaimed performance in Shakespeare's Richard III.Scheider inaugurated his professional career as a thespian by cutting his chops on the New York stage, as Mercutio in the New York Shakespeare Festival's 1961 production of Romeo and Juliet, and appeared in a couple of shoestring-budget cheapies (such as the 1963 Curse of the Living Corpse). Additional movie roles followed, but the actor really only made his breakthrough in 1971, with two of the said parts -- in Klute (as the pimp of hooker Bree Daniels) and in William Friedkin's groundbreaking cop thriller The French Connection (as Buddy Russo, the somewhat low-key and subdued partner of Gene Hackman's manic Popeye Doyle). An additional cop role, in The Seven-Ups (1973), followed, but by this point, Scheider had reportedly grown concerned that he would be pegged and typecast as a policeman and decided to branch out with an offbeat turn in the romantic comedy Sheila Levine Is Dead and Living in New York (1975). When that picture unequivocally flopped, Steven Spielberg helped rescue Scheider (and in many ways put the actor on the proverbial map) by casting him as the lead, Police Chief Martin Brody, in the blockbuster shocker Jaws (1975). After this, roles proliferated; Scheider evoked a death-wish-laden Bob Fosse in the gonzo musical drama All That Jazz (1979, a part he inherited from Jaws co-star Richard Dreyfuss), and also chalked up a series of leads in Hitchcockian thrillers including Jonathan Demme's The Last Embrace (1979) and Robert Benton's Still of the Night (1982).
Scheider remained equally active through the 1980s and '90s, though his choice of projects waxed slightly more uneven, ranging from the inspired (1986's 52 Pick-Up, 1990's The Russia House) to the abysmal (1986's The Men's Club). The actor retained a firm hold on his craft, however, and delivered some of the finest work of his career late in the game, with prominent roles in David Cronenberg's 1991 Naked Lunch (as a wiseacre physician) and Bart Freundlich's family-themed psychodrama The Myth of Fingerprints (1997, as a seriously deranged father with a seedy and twisted past). The 1990s also found Scheider embarking on a television career for the first time, with a regular role as Captain Nathan Hale Bridger in Steven Spielberg's sci-fi adventure series seaQuest DSV (1993-1996). Scheider would return to television a decade later, with a recurring portrayal of Fyodor Chevchenko on the prime-time drama Third Watch; in the mean time, the actor continued to tackle roles in additional features and even direct-to-video movies, including Time Lapse (2001), Red Serpent (2002), Wes Craven Presents Dracula II: Ascension (2003), and The Poet (2007). By the mid-2000s, Scheider contracted multiple myeloma and began to suffer from related health problems; he died in February 2008 of complications from a staph infection. The actor was 75. ~ Nathan Southern, All Movie Guide
This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Peter Weller, Judy Davis, (more)
"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Sean Connery, Michelle Pfeiffer, (more)
- 1990
- R
The Fourth War finds director John Frankenheimer delving into the same Cold-war territory he'd previously cultivated in films like The Manchurian Candidate. Col. Jack Knowles (Roy Scheider), serving at a faraway post on the German-Czech border, carries on a personal war with his Soviet counterpart, Colonel Valachev (Jurgen Prochnow). Both have been hardened by past combat experiences, and both have been embittered by the exigencies of red tape, bureaucracy, and diplomatic deal-making. Their friendly rivalry snowballs (literally so!) into a guerilla-like combat situation, culminating in a one-on-one showdown. It's essentially a shaggy dog story, but a compelling one. Based on a novel by Stephen Peters, The Fourth War was given surprisingly short shrift by Cannon Films' distribution channels. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Jürgen Prochnow, (more)
- 1990
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Based on Doug Magee's novel Slow Coming Dark, the made-for-cable Somebody Has to Shoot the Picture is about a photojournalist (Roy Scheider) who is hired by a man (Arliss Howard) convicted of killing a policeman to photograph his execution. As the execution grows nearer, the photographer uncovers evidence that suggests the convicted man is actually innocent, and he tries to save him before it's too late. ~ Stephen Thomas Erlewine, All Movie Guide
- 1989
- R
Night Game is a sweetly irreverent, low-key comedy which is also an engaging crime thriller. Mike Seaver (Roy Scheider), an ex-ballplayer who's now a homicide detective with the Galveston police, has to solve some vicious grappling-hook murders, somehow linked to hometown-wins by the Houston Astros baseball team. Engaged to cute, young, blonde concession-owner Roxy (Karen Young), Steve must juggle his romance with Roxy while at the same time watching out for her. Roxy is just the type of woman who the murderer stalks, brutally murdering them and leaving their bodies by the boardwalk where Roxy manages her concession with her mother Alma (Carlin Glynn). While the premise of the plot is somewhat hard to believe, the entire cast turns in solid performances as colorful, offbeat characters. The script, by Spencer Eastman and Anthony Palmer is well-written and highly amusing with a level of gallows wit uncommon in a crime thriller. The climax, although obvious to all but the most unsophisticated movie-goer, doesn't spoil the fun of this unusual film which is stylishly staged and sufficiently gripping. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Roy Scheider, Karen Young, (more)
- 1989
- PG13
A college debate team heads to Washington to argue the abortion issue in front of the Supreme Court. ~ Jason Ankeny, All Movie Guide
- Starring:
- Kirk Cameron, Jami Gertz, (more)
- 1988
Harold Clurman: A Life of Theatre profiles the career of celebrated director/producer Harold Clurman. A man known for his passionate commitment to working with actors, Clurman devoted his life to the theatrical arts, serving not only as a director and producer, but as a respected critic as well. The program features footage of Clurman on the job delivering thought-provoking lectures and helping actors construct roles. Meryl Streep narrates. Stella Adler, Karl Malden, and Julie Harris are interviewed. ~ Betsy Boyd, All Movie Guide
- 1988
- R
Travis (Harley Cross) is a nine-year-old boy who lives in Oklahoma with his federally protected parents. After the mob kills his parents for ratting on them, the gangleader demands that Travis be brought to Houston. Cohen (Roy Scheider) is the veteran hitman who signs on for one last job. Much to Cohen's dismay, he is paired with the psychopath Tate (Adam Baldwin). When Cohen does nothing to hide his dislike for his new partner, young Travis begins to play one thug against the other in a psychological mind game in hopes their confrontation will lead to his freedom. ~ Dan Pavlides, All Movie Guide
- Starring:
- Roy Scheider, Adam Baldwin, (more)
- 1986
- R
Based on a 1981 book by Leonard Michaels, focuses on a lawyer (Richard Jordan) who brings together a singularly dysfunctional group of men in a kind of venting, loquacious therapy session. All that talk brings out the worst in everyone. Cavanaugh (Roy Scheider) is a retired baseball star whose wife wants to leave him, Harold (Frank Langella) is an uptight lawyer, Terry (Treat Williams) is a self-centered doctor, Phillip (David Dukes) is the stereotypical, irritating college professor, and Solly (Harvey Keitel) is a blue-collar worker with a warm heart, the closest to normal among the lot. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Roy Scheider, Frank Langella, (more)
Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Ann-Margret, (more)
- 1985
This 1985 episode of Saturday Night Live is hosted by Roy Scheider and features musical guest Billy Ocean. ~ Skyler Miller, All Movie Guide
- Starring:
- Roy Scheider, Billy Ocean, (more)
- 1985
- R
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In Paul Schrader's unusual biopic, Ken Ogata stars as Yukio Mishima, perhaps the most celebrated Japanese novelist of the last five decades. The film begins with Mishima's youth, then moves forward in episodic fashion to his 1970 suicide, symbolically committed at a military site. Originally titled Mishima: A Life in Four Chapters, the film is neatly divided into a quartet of acts, and the screenplay does not flinch in its depiction of Mishima's hyperactive sex life. Among the many neat directorial touches is the decision to offer the narrative in black-and-white, while depicting scenes from Mishima's novels in vibrant color. Written off as self-indulgent by those impatient with Schrader's fragmentary technique, Mishima was produced in Japan by Francis Ford Coppola and George Lucas, an offshoot of Coppola's involvement with Japanese director Akira Kurosawa's Kagemusha. ~ Hal Erickson, All Movie Guide
- Starring:
- Ken Ogata, Masayuki Shionoya, (more)
This belated sequel to Stanley Kubrick's 2001: A Space Odyssey (1968) is directed by Peter Hyams. Roy Scheider plays the astronaut/skipper of a U.S.-Soviet space mission, sent to find out what happened to the missing Discovery flight that carried Keir Dullea into the beyond in the original 2001. Scheider's polyglot crew includes Americans John Lithgow and Bob Balaban (the latter a computer whiz, responsible for the notorious HAL 9000) and Russians Helen Mirren, Elya Baskin and Natasha Schneider. The reason for this international mixture is that the world is on the brink of nuclear war, and it is hoped that the space mission will assure east-west solidarity (in this respect, 2010 dates far more than 2001, given the collapse of the Iron Curtain). When the astronauts catch up with Dullea, still in orbit around Jupiter, producer/director/writer Hyams attempts to demystify the enigmatic climax of 2001. Arthur C. Clarke, author of the story upon which 2001 was based, appears in 2010 as a man on a park bench. Incidentally, the voice-over credited to Olga Mallsnerd is actually Candice Bergen. (The name Mallsnerd is a play on the name of one of the characters created by her ventriloquist father Edgar.) ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, John Lithgow, (more)
- 1984
This compilation documentary covers the massive anti-nuclear peace march held in New York City on June 12, 1982, including the preparations that led up to the march and interviews with concerned and knowledgeable people on the issue of peace, as well as Japanese survivors of the atomic bomb attacks on Nagasaki and Hiroshima in World War II (see No More Hibakusha). The producers, Robert Richter and Stan Warnow have smoothly spliced-together views of the protest march, its speakers and musicians, filmed by more than 40 separate individuals. Among the noted artists who either were there to lend their presence or contributed their talents in one way or another to the success of the protest (estimated at 1,000,000 people) are Pete Seeger, James Taylor, Carly Simon, Peter, Paul, and Mary, Jerry Stiller, Anne Meara, Roy Scheider, Orson Welles, Ellen Burstyn, Joan Baez, Judd Hirsch, Bianca Jagger, Susan Sarandon, Jill Clayburgh, and others. Meryl Streep and Anne Twomey did a moving voiceover of the testimony of the Japanese atomic bomb blast survivors. Among the non-artistic notables adding stature to the event were Dr. Benjamin Spock, and Helen Caldicott, representing Physicians for Social Responsibility. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Dr. Helen Caldicott, Benjamin Spock, (more)
- 1983
Originally telecast October 9, 1983, Tiger Town was the first feature film made specifically for the Disney Channel cable service. Roy Scheider stars as a veteran Detroit Tigers right fielder, whose chances of getting into at least one World Series before retirement diminishes with each Tigers loss. Scheider's biggest fan is preteener Justin Henry, so devoted to baseball that his mother wakes him up each morning by playing "The Star Spangled Banner." Recalling the words of his late father--"If you really believe deep in your heart, there's always hope and you can make it happen"--Henry closes his eyes and "wills" Scheider to hit a winning home runs. Wham! It works! Thereafter, Henry shows up at every game, convinced that the Tigers will lose if he doesn't "will" a few homers from the bleachers (indeed, whenever Henry is absent, the Tigers tank). A crisis develops when it appears as though Henry will not be on hand for the deciding pennant game between the Tigers and the Orioles. Beautifully acted and directed for the most part (the scene in which Henry learns of his father's death is particularly well-handled), Tiger Town falls apart about ten minutes before the ending, when it degenerates into a standard "Disney movie," complete with a destructive slapstick chase. Otherwise, Tiger Town, the maiden directorial effort of Alan Shapiro, is a first-rate baseball picture, one of the best of the genre. Watch for cameo appearances by ex- "Supreme" Mary Wilson, Tigers manager Sparky Anderson, and sportscasters Ernie Harwell, Ray Lane and Al Ackerman. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Justin Henry, (more)
Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there's the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Malcolm McDowell, (more)
- 1983
Though purportedly set in Argentina, Jacobo Timerman: Prisoner Without a Name, Call Without a Number was rather obviously filmed in and around New York. Roy Scheider stars as the real-life Timerman, a Jewish Argentinian journalist who speaks out against the repressive government. In response, the authorities imprison and torture Timerman, then place him under house arrest for 18 months. Liv Ullman costars as Timerman's wife, who gives him the courage to persevere. Veteran scenarist Budd Schulberg was so taken aback by the changes made in his script that he had his name removed from the credits, in favor of the alias "Oliver P. Drexell Jr." The viewer will be likewise put out; advertised as a sociological masterpiece in the tradition of The Life of Emile Zola, Jacobo Timerman looks more like a cheapjack, cardboard product from the Dark Ages of live television. ~ Hal Erickson, All Movie Guide
- 1982
- PG
In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Roy Scheider, Meryl Streep, (more)
- 1981
This tribute to the late Lorraine Hansberry is featured in this video. Learn of her experiences as a black artist in America, from her visit to the South and on to Harlem. ~ All Movie Guide
"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Roy Scheider, Jessica Lange, (more)
- 1979
- R
In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, All Movie Guide
- Starring:
- Roy Scheider, Janet Margolin, (more)
Despite being a less well-regarded virtual remake of the original film, Jaws 2 earned a tidy sum at the box office by combining its predecessor's winning formula with the popular teen horror craze, helping to spawn the era of blockbuster sequels. Roy Scheider returns as Sheriff Martin Brody, whose small resort town of Amity is poised to bounce back from the economic hardship it encountered after becoming widely known as the site of vicious shark attacks. But at the same time that Mayor Vaughn (Murray Hamilton) is welcoming a real estate developer to Amity, two divers disappear and a party of waterskiers is consumed by a shark. The incidents are explained away as accidents, but Brody knows better, tipping his bullets with cyanide and forbidding his sons Mike (Mark Gruner) and Sean (Marc Gilpin) to participate in a teen sailing regatta. Everyone foolishly chalks up Brody's fears to trauma-induced paranoia, and the regatta goes forward, with a hungry great white trailing the youthful contestants and hungrily picking them off one by one. Director Jeannot Szwarc would later helm another sequel, Supergirl (1984). ~ Karl Williams, All Movie Guide
- Starring:
- Roy Scheider, Lorraine Gary, (more)
The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic The Wages of Fear (1953). Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou play four men who, for various reasons, cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose -- and, besides, they'll be paid 10,000 dollars apiece, and be granted legal citizenship, if they survive. The suspense is almost unbearable at times, even outdistancing the tension level of The Wages of Fear in certain scenes. Sorcerer had all the earmarks of a moneymaker, but this picture bombed for a rather odd and silly reason: its glaringly inappropriate title. Fans of Friedkin's The Exorcist may have gone home disappointed that not one sorcerer ever rears its ugly head. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Bruno Cremer, (more)
Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, All Movie Guide
- Starring:
- Dustin Hoffman, Laurence Olivier, (more)
- 1975
- PG
Sheila (Jeannie Berlin) is not one of life's golden people: she's not especially good-looking, charming, charismatic, or smart. As a result, she has to struggle constantly. For some reason, she decides to move from the suburbs to New York City. Now she has a roommate (Rebecca Dianna Smith), a job with a record company, and a self-imposed obligation to try to meet some men. One night she goes out to a singles bar and meets Sam (Roy Scheider), a nice-looking doctor. They have what is for him a one-night stand, but Sheila is smitten. She hasn't had all that much luck with men, and this one she would like to keep. Embarrassed, Sam tries as gently as he can to ignore her. This becomes much more difficult when he starts dating Sheila's personable roommate. The screenplay for this gentle comedy was adapted by Gail Parent from her best-selling book of the same name. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jeannie Berlin, Roy Scheider, (more)
