Roy Scheider Movies
One of the most unique and distinguished of all Hollywood actors, Roy Scheider first hit his career peak in the 1970s, and will forever be associated with the "American film renaissance" of that decade thanks to his prominent billing in four vital motion pictures from the period: The French Connection (1971), Klute (1971), Jaws (1975), and All That Jazz (1979). As this list demonstrates, Scheider exhibited versatility in choice of material. He also, however, established a trademark persona that carried him from project to project: that of a slightly sardonic, wizened everyman who nonetheless evinced an unmistakable degree of sensitivity and emotional fragility beneath a tough exterior. Born November 10, 1932, in Rutgers, New Jersey, Scheider attended Rutgers University, as well as Franklin and Marshall College, where he studied history; meanwhile, an early boxing injury (in the New Jersey Diamond Gloves Competition) left Scheider with a broken nose that would soon become one of his trademarks. He subsequently joined the United States Air Force and served three years, ascending to the rank of first lieutenant, then returned to Franklin and Marshall for drama work, beginning with a much-acclaimed performance in Shakespeare's Richard III.Scheider inaugurated his professional career as a thespian by cutting his chops on the New York stage, as Mercutio in the New York Shakespeare Festival's 1961 production of Romeo and Juliet, and appeared in a couple of shoestring-budget cheapies (such as the 1963 Curse of the Living Corpse). Additional movie roles followed, but the actor really only made his breakthrough in 1971, with two of the said parts -- in Klute (as the pimp of hooker Bree Daniels) and in William Friedkin's groundbreaking cop thriller The French Connection (as Buddy Russo, the somewhat low-key and subdued partner of Gene Hackman's manic Popeye Doyle). An additional cop role, in The Seven-Ups (1973), followed, but by this point, Scheider had reportedly grown concerned that he would be pegged and typecast as a policeman and decided to branch out with an offbeat turn in the romantic comedy Sheila Levine Is Dead and Living in New York (1975). When that picture unequivocally flopped, Steven Spielberg helped rescue Scheider (and in many ways put the actor on the proverbial map) by casting him as the lead, Police Chief Martin Brody, in the blockbuster shocker Jaws (1975). After this, roles proliferated; Scheider evoked a death-wish-laden Bob Fosse in the gonzo musical drama All That Jazz (1979, a part he inherited from Jaws co-star Richard Dreyfuss), and also chalked up a series of leads in Hitchcockian thrillers including Jonathan Demme's The Last Embrace (1979) and Robert Benton's Still of the Night (1982).
Scheider remained equally active through the 1980s and '90s, though his choice of projects waxed slightly more uneven, ranging from the inspired (1986's 52 Pick-Up, 1990's The Russia House) to the abysmal (1986's The Men's Club). The actor retained a firm hold on his craft, however, and delivered some of the finest work of his career late in the game, with prominent roles in David Cronenberg's 1991 Naked Lunch (as a wiseacre physician) and Bart Freundlich's family-themed psychodrama The Myth of Fingerprints (1997, as a seriously deranged father with a seedy and twisted past). The 1990s also found Scheider embarking on a television career for the first time, with a regular role as Captain Nathan Hale Bridger in Steven Spielberg's sci-fi adventure series seaQuest DSV (1993-1996). Scheider would return to television a decade later, with a recurring portrayal of Fyodor Chevchenko on the prime-time drama Third Watch; in the mean time, the actor continued to tackle roles in additional features and even direct-to-video movies, including Time Lapse (2001), Red Serpent (2002), Wes Craven Presents Dracula II: Ascension (2003), and The Poet (2007). By the mid-2000s, Scheider contracted multiple myeloma and began to suffer from related health problems; he died in February 2008 of complications from a staph infection. The actor was 75. ~ Nathan Southern, Rovi
- 1963
Future Jaws star Roy Scheider makes his big screen debut in this forgotten frightener about a deceased New England millionaire who returns from beyond the grave to torment his greedy heirs. Rufus Sinclair suffers from seizures that make it appear as if he has died, and as a result he is terrified that he will one day be buried alive. When Rufus does eventually pass away, his family gathers at the Sinclair estate for the reading of the will. Within that document dwells an ominous clause stating that should his relatives fail to follow his strict demands precisely as stated, Rufus will return from the dead to murder them in the manner which they fear most. Later, when his relatives casually brush off the macabre warning, Rufus returns to prove that he is indeed a man of his word. In addition to serving as Scheider's first feature film venture, Curse of the Living Corpse also marks the only documented film appearance of actress Candice Hilligoss with exception to her starring role in the atmospheric cult classic Carnival of Souls. ~ Jason Buchanan, Rovi
Paper Lion is taken from the actual experiences of journalist George Plimpton. George (Alan Alda) dons helmet and pads to play quarterback against the Detroit Lions. His experience is less-than-successful as he is mercilessly tackled by the Lion's defense, including Alex Karras. Roger Aaron Brown tackles George and carries the ball and the player over the line for a touchdown. Flashbacks include the reporter's three-round bout with "Sugar Ray" Robinson. Football legends Frank Gifford and coach Vince Lombardi also appear. The final scene is the actual pre-season game against the St. Louis Cardinals football team. After his retirement from the Lions, Alex Karras made a successful transition into acting in films and on television, joining Jim Brown who preceded and Bubba Smith and others who followed. ~ Dan Pavlides, Rovi
- Starring:
- Alan Alda, Lauren Hutton, (more)
Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, Rovi
- Starring:
- Julie Andrews, Richard Crenna, (more)
- 1969
- R
Cesare (Alex Cord) is the foreign car dealer who caters to the jet set. A previous favor by a mobster who saved his life has him indebted to the mafia to repay the kindness. With a stiletto, he kills three enemies of the organization, but is hung out to dry when the gang refuse to acknowledge his actions or even admit they know him. As the police close in on the auto dealer, he is caught between the law and the mob with no protection from either side. Britt Eklund and Barbara McNair are the main female leads. Roy Scheider has a small part in this violent and erotic crime drama. ~ Dan Pavlides, Rovi
- Starring:
- Alex Cord, Britt Ekland, (more)
Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, Rovi
- Starring:
- George Segal, Eva Marie Saint, (more)
- 1970
- R
The debut of writer and director Jerry Schatzberg, this cinema verite drama won accolades for the Golden Globe-nominated performance of lead actress Faye Dunaway. Dunaway stars as Lou Andreas Sand, a former fashion model who has retreated to her seaside cottage and is being interviewed by Aaron Reinhardt (Barry Primus), a photographer and filmmaker who helped make her famous and with whom she was once involved. Aaron wants to make a movie about Lou's rise from rags to riches but as Lou recalls it, her seemingly glamorous existence was anything but a Horatio Alger tale. In an addled fog, Lou struggles to recite a shocking litany of casual sex and rape, drug and alcohol abuse, and the anger of her lesbian mentor Paula Galba (Viveca Lindfors) when her romance with wealthy boyfriend Mark (Roy Scheider) nearly led to marriage. Her career deteriorating, Lou even attempted suicide. A former fashion photographer himself, Schatzberg was an apt choice for director of this melodramatic portrait of the industry's ugly underbelly. ~ Karl Williams, Rovi
- Starring:
- Faye Dunaway, Barry Primus, (more)
This gritty, fast-paced, and innovative police drama earned five Academy Awards, including Best Picture, Best Adapted Screenplay (written by Ernest Tidyman), and Best Actor (Gene Hackman). Jimmy "Popeye" Doyle (Hackman) and his partner, Buddy Russo (Roy Scheider), are New York City police detectives on narcotics detail, trying to track down the source of heroin from Europe into the United States. Suave Alain Charnier (Fernando Rey) is the French drug kingpin who provides a large percentage of New York City's dope, and Pierre Nicoli (Marcel Bozzuffi) is a hired killer and Charnier's right-hand man. Acting on a hunch, Popeye and Buddy start tailing Sal Boca (Tony Lo Bianco) and his wife, Angie (Arlene Faber), who live pretty high for a couple whose corner store brings in about 7,000 dollars a year. It turns out Popeye's suspicions are right -- Sal and Angie are the New York agents for Charnier, who will be smuggling 32 million dollars' worth of heroin into the city in a car shipped over from France. The French Connection broke plenty of new ground for screen thrillers; Popeye Doyle was a highly unusual "hero," an often violent, racist, and mean-spirited cop whose dedication to his job fell just short of dangerous obsession. The film's high point, a high-speed car chase with Popeye tailing an elevated train, was one of the most viscerally exciting screen moments of its day and set the stage for dozens of action sequences to follow. And the film's grimy realism (and downbeat ending) was a big change from the buff-and-shine gloss and good-guys-always-win heroics of most police dramas that preceded it. The French Connection was inspired by a true story, and Eddie Egan and Sonny Grosso, Popeye and Buddy's real life counterparts, both have small roles in the film. A sequel followed four years later. ~ Mark Deming, Rovi
- Starring:
- Gene Hackman, Fernando Rey, (more)
The first part of his "paranoia trilogy," Alan J. Pakula's 1971 thriller details the troubled life of a Manhattan prostitute stalked by one of her tricks. Investigating the disappearance of his friend Tom Gruneman (Robert Milli), rural Pennsylvania private eye John Klute (Donald Sutherland) follows a lead provided by Gruneman's associate Peter Cable (Charles Cioffi) to seek out a call girl who Gruneman knew in New York City. The call girl is Bree Daniels (Jane Fonda), an aspiring actress who turns tricks for the cash and to be free of emotional bondage. Klute follows Bree's every move, observing the city's decadence and her isolation, eventually contacting her about Gruneman. Bree claims not to know Gruneman, but she does reveal that she has received threats from a john. As Bree becomes involved in Klute's search and realizes that she is in danger, she reluctantly falls in love with Klute, despite her wish to remain unattached to any man. When she finally comes face to face with the killer, however, she is forced to reconsider her detached urban life. ~ Lucia Bozzola, Rovi
- Starring:
- Jane Fonda, Donald Sutherland, (more)
- 1972
L'Attentat is a political thriller based largely on a true story (the Ben Barka affair), which recounts how the French government and the American CIA connived to have a socialist in exile murdered before he could return to his homeland and start a revolution. Darien, a French journalist (Jean-Louis Tritignant), lures his friend Sadiel (Gian Maria Volonte) from his safe refuge in Geneva to appear on an American-made TV show. In doing so he is, perhaps unwittingly, setting him up for murder. Captured at the border by the French police, Sadiel is given over to a mysterious general from another country who tortures him to try to find out who his supporters are. ~ Clarke Fountain, Rovi
- Starring:
- Michel Piccoli, Jean-Louis Trintignant, (more)
- 1972
Scenes of the real Munich are interspersed with shots of studio mockups in Assignment: Munich. Roy Scheider stars as an American expatriate running a saloon in Munich (shades of Casablanca). He agrees to help the US government locate a cache of gold, appropriated by the Nazis during the war. This TV pilot was a long time in getting a network commitment--so long, in fact, that star Roy Scheider took another job in the interim. By the time the series premiered in the fall of 1972, the role played by Scheider had been rewritten several times for several actors; Robert Conrad, who was then "between jobs", ended up playing the part. The city of Munich was also "replaced", and the series was retitled Assignment: Vienna. ~ Hal Erickson, Rovi
This was the only directorial effort of Philip D'Antoni, producer of the action classic Bullitt (1968). Roy Scheider stars as Buddy Manucci, a New York City Police Department investigator running a task force charged with taking down criminals guilty of offenses that would get them a minimum sentence of seven years in prison upon conviction. Manucci's best street informant is Vito Lucia (Tony Lo Bianco), who double-crosses Manucci by using the lawman's secret list of Mob loan sharks to kidnap the crooks on the list and hold them for ransom. When the scheme results in the death of Ansel (Ken Kercheval), one of Manucci's men, the tough cop and his team, including Barilli (Victor Arnold) and Mingo (Jerry Leon), wage war on the city's underworld. As they bend the law in whatever violent shape they see fit in order to track Lucia down, grisly deaths and a heart-stopping highway car chase along the Hudson River ensue. ~ Karl Williams, Rovi
- Starring:
- Roy Scheider, Victor Arnold, (more)
- 1973
This French-produced thriller was shot entirely in English. Jean-Louis Tritignant stars as Lucien, a hit man who goes to Los Angeles to end the life of an important local mobster. The mobster's heirs, who hired Lucien, had already hired yet another hit man (Roy Scheider) to kill him. He speaks very little English, and the lifestyles and customs of Los Angelenos puzzle him completely. One of the films highlights is its use of many unusual decayed and shabby sites in the Los Angeles area, such as Venice Beach. ~ Clarke Fountain, Rovi
- Starring:
- Jean-Louis Trintignant, Ann-Margret, (more)
- 1975
- PG
Sheila (Jeannie Berlin) is not one of life's golden people: she's not especially good-looking, charming, charismatic, or smart. As a result, she has to struggle constantly. For some reason, she decides to move from the suburbs to New York City. Now she has a roommate (Rebecca Dianna Smith), a job with a record company, and a self-imposed obligation to try to meet some men. One night she goes out to a singles bar and meets Sam (Roy Scheider), a nice-looking doctor. They have what is for him a one-night stand, but Sheila is smitten. She hasn't had all that much luck with men, and this one she would like to keep. Embarrassed, Sam tries as gently as he can to ignore her. This becomes much more difficult when he starts dating Sheila's personable roommate. The screenplay for this gentle comedy was adapted by Gail Parent from her best-selling book of the same name. ~ Clarke Fountain, Rovi
- Starring:
- Jeannie Berlin, Roy Scheider, (more)
Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White--especially since the price is right. The three ride off on Quint's boat "The Orca," soon coming face to teeth with the enemy. ~ Lucia Bozzola, Rovi
- Starring:
- Roy Scheider, Robert Shaw, (more)
Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Laurence Olivier, (more)
The plot of William Friedkin's suspense thriller originated with the same Georges Arnaud novel that inspired Henri-Georges Clouzot's French suspense classic The Wages of Fear (1953). Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou play four men who, for various reasons, cannot return to their own countries. They end up in a dismal South American town where an American oil company is seeking out courageous drivers willing to haul nitroglycerin over 200 miles of treacherous terrain. The four stateless men have nothing to lose -- and, besides, they'll be paid 10,000 dollars apiece, and be granted legal citizenship, if they survive. The suspense is almost unbearable at times, even outdistancing the tension level of The Wages of Fear in certain scenes. Sorcerer had all the earmarks of a moneymaker, but this picture bombed for a rather odd and silly reason: its glaringly inappropriate title. Fans of Friedkin's The Exorcist may have gone home disappointed that not one sorcerer ever rears its ugly head. ~ Hal Erickson, Rovi
- Starring:
- Roy Scheider, Bruno Cremer, (more)
Despite being a less well-regarded virtual remake of the original film, Jaws 2 earned a tidy sum at the box office by combining its predecessor's winning formula with the popular teen horror craze, helping to spawn the era of blockbuster sequels. Roy Scheider returns as Sheriff Martin Brody, whose small resort town of Amity is poised to bounce back from the economic hardship it encountered after becoming widely known as the site of vicious shark attacks. But at the same time that Mayor Vaughn (Murray Hamilton) is welcoming a real estate developer to Amity, two divers disappear and a party of waterskiers is consumed by a shark. The incidents are explained away as accidents, but Brody knows better, tipping his bullets with cyanide and forbidding his sons Mike (Mark Gruner) and Sean (Marc Gilpin) to participate in a teen sailing regatta. Everyone foolishly chalks up Brody's fears to trauma-induced paranoia, and the regatta goes forward, with a hungry great white trailing the youthful contestants and hungrily picking them off one by one. Director Jeannot Szwarc would later helm another sequel, Supergirl (1984). ~ Karl Williams, Rovi
- Starring:
- Roy Scheider, Lorraine Gary, (more)
"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, Rovi
- Starring:
- Roy Scheider, Jessica Lange, (more)
- 1979
- R
In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, Rovi
- Starring:
- Roy Scheider, Janet Margolin, (more)
- 1981
This tribute to the late Lorraine Hansberry is featured in this video. Learn of her experiences as a black artist in America, from her visit to the South and on to Harlem. ~ Rovi
- 1982
- PG
In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, Rovi
- Starring:
- Roy Scheider, Meryl Streep, (more)
- 1983
Originally telecast October 9, 1983, Tiger Town was the first feature film made specifically for the Disney Channel cable service. Roy Scheider stars as a veteran Detroit Tigers right fielder, whose chances of getting into at least one World Series before retirement diminishes with each Tigers loss. Scheider's biggest fan is preteener Justin Henry, so devoted to baseball that his mother wakes him up each morning by playing "The Star Spangled Banner." Recalling the words of his late father--"If you really believe deep in your heart, there's always hope and you can make it happen"--Henry closes his eyes and "wills" Scheider to hit a winning home runs. Wham! It works! Thereafter, Henry shows up at every game, convinced that the Tigers will lose if he doesn't "will" a few homers from the bleachers (indeed, whenever Henry is absent, the Tigers tank). A crisis develops when it appears as though Henry will not be on hand for the deciding pennant game between the Tigers and the Orioles. Beautifully acted and directed for the most part (the scene in which Henry learns of his father's death is particularly well-handled), Tiger Town falls apart about ten minutes before the ending, when it degenerates into a standard "Disney movie," complete with a destructive slapstick chase. Otherwise, Tiger Town, the maiden directorial effort of Alan Shapiro, is a first-rate baseball picture, one of the best of the genre. Watch for cameo appearances by ex- "Supreme" Mary Wilson, Tigers manager Sparky Anderson, and sportscasters Ernie Harwell, Ray Lane and Al Ackerman. ~ Hal Erickson, Rovi
- Starring:
- Roy Scheider, Justin Henry, (more)
Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there's the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series. ~ Hal Erickson, Rovi
- Starring:
- Roy Scheider, Malcolm McDowell, (more)
- 1983
Though purportedly set in Argentina, Jacobo Timerman: Prisoner Without a Name, Call Without a Number was rather obviously filmed in and around New York. Roy Scheider stars as the real-life Timerman, a Jewish Argentinian journalist who speaks out against the repressive government. In response, the authorities imprison and torture Timerman, then place him under house arrest for 18 months. Liv Ullman costars as Timerman's wife, who gives him the courage to persevere. Veteran scenarist Budd Schulberg was so taken aback by the changes made in his script that he had his name removed from the credits, in favor of the alias "Oliver P. Drexell Jr." The viewer will be likewise put out; advertised as a sociological masterpiece in the tradition of The Life of Emile Zola, Jacobo Timerman looks more like a cheapjack, cardboard product from the Dark Ages of live television. ~ Hal Erickson, Rovi
This belated sequel to Stanley Kubrick's 2001: A Space Odyssey (1968) is directed by Peter Hyams. Roy Scheider plays the astronaut/skipper of a U.S.-Soviet space mission, sent to find out what happened to the missing Discovery flight that carried Keir Dullea into the beyond in the original 2001. Scheider's polyglot crew includes Americans John Lithgow and Bob Balaban (the latter a computer whiz, responsible for the notorious HAL 9000) and Russians Helen Mirren, Elya Baskin and Natasha Schneider. The reason for this international mixture is that the world is on the brink of nuclear war, and it is hoped that the space mission will assure east-west solidarity (in this respect, 2010 dates far more than 2001, given the collapse of the Iron Curtain). When the astronauts catch up with Dullea, still in orbit around Jupiter, producer/director/writer Hyams attempts to demystify the enigmatic climax of 2001. Arthur C. Clarke, author of the story upon which 2001 was based, appears in 2010 as a man on a park bench. Incidentally, the voice-over credited to Olga Mallsnerd is actually Candice Bergen. (The name Mallsnerd is a play on the name of one of the characters created by her ventriloquist father Edgar.) ~ Hal Erickson, Rovi
- Starring:
- Roy Scheider, John Lithgow, (more)
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. 2013 Rovi Corporation.