Diana Scarwid Movies

An ex-priest helps exorcise the demons that have taken over the residents of an exclusive girls' school in this made-for-TV supernatural thriller. ~ Sandra Brennan, All Movie Guide

Battered concentrates upon three female victims of spousal abuse. Chip Fields is the new wife of struggling young Levar Burton. Joan Blondell is the alcoholic middle-aged spouse of the equally bibilous Howard Duff. And Karen Grassle (who cowrote the screenplay) is married to Ivy leaguer Mike Farrell. While a bit too cut-and-dried, Battered handles the issues at hand with intelligence and an avoidance of sensationalism. Made for television, the film debuted September 26, 1978. ~ Hal Erickson, All Movie Guide

Adapted from the once-notorious trilogy of novels by James T. Farrell, the three-part miniseres Studs Lonigan isn't quite as earthy and explicit as its source, but is lot more faithful to the original than the 1960 film version. Set in Chicago and covering the years from 1916 to 1931, this is the story of a brawling, braggadocio young Irish-American lad named Studs Lonigan (played as a child by Dan Shor, and as an adult by Harry Hamlin in his first major TV role). Despite his rough veneer, Studs is sensitive and concerned about his future, though he doesn't want to follow the values set forth by his tradition-bound parents (Charles Durning, Colleen Dewhurst). Hanging around with his childhood buddies, Studs gets into all sorts of scrapes and becomes involved with a number of women, notably the decent, demure Catherine (Diana Scarwid) and the lusty, libidinous Lucy (Lisa Pelikan). Though he grows in age and size, Studs has trouble maturing emotionally, surrounded by the pressures of a rough, prejudice-ridden neighborhood and the increasing hooliganism of his cronies. As the Depression crashes heavily upon the scene, Studs finds himself "trapped" in the very sort of middle-class quagmire that he'd always hoped to avoid. Earning an Emmy Award for art/set direction, the 6-hour Studs Lonigan originally aired March 7, 14 and 21, 1979, as part of NBC's Novels for Television anthology. ~ Hal Erickson, All Movie Guide

After displaying his easygoing charm in a number of television appearances and a showy supporting role in The Electric Horseman, Willie Nelson scored his first leading role in this romantic comedy-drama in which he (appropriately enough) plays a musician. Buck Bonham (Nelson) is a country singer/songwriter with a loyal following in his native Texas and the neighboring Western states. However, Buck hasn't yet had the hit record that would make him a star nationwide; in the meantime, Buck and his band keep up a busy tour schedule, much to the annoyance of his wife, Viv (Dyan Cannon), and son, Jamie (Joey Floyd), who would like to see Buck at home every once in a while. As Buck wonders if he should press on with his musical career or call it quits, his close friend and longtime guitarist Garland Ramsey (Slim Pickens) announces he's retiring, and suggests a good replacement -- his daughter, Lily (Amy Irving). Lily had a crush on Buck as a child, and now as a full-grown and very beautiful woman, her infatuation has only increased with time. Consequently, Buck must choose between Viv and Lily as well as his home and his career. Honeysuckle Rose was written specifically for Nelson, and his character bears more than a passing similarity to Willie and his life before the album Red Headed Stranger made him a star; the film also earned Nelson an Academy Award nomination for the film's theme song, "On the Road Again." ~ Mark Deming, All Movie Guide

When her adoptive mother Joan Crawford died in 1977, erstwhile actress/author Christina Crawford and her brother Christopher were left out of Joan Crawford's will, "for reasons which are well known to them." Industryites have suggested that it may have been this posthumous act of rejection rather than an alleged lifetime of parental abuse that inspired Christina Crawford to pen her scathing autobiography Mommie Dearest. The 1981 film version of this tome was evidently meant to be taken seriously, but the operatic direction by Frank Perry and the over-the-top portrayal of Joan Crawford by Faye Dunaway (whose makeup is remarkable) has always seemed to inspire loud laughter whenever and where-ever the film is shown. According to the film (and the book that preceded it), Joan Crawford was a licentious, child-beating behemoth, who stalked and postured through life as though it was one of her own pictures-more Strait-jacket than Mildred Pierce. This is the film with the notorious "wire coat hanger" scene, just in case you need a reminder. Surprisingly, one emerges from Mommie Dearest with more sympathy for the monstrous but intensely vulnerable Crawford than for her whining daughter (played as an adult by Diana Scarwid, and as a child by Mara Hobel). Our favorite scene: Joan Crawford dazedly replacing her ailing daughter in the cast of a daytime TV soap opera. ~ Hal Erickson, All Movie Guide

In this drama, an attorney tries to prove that his incarcerated client is indeed innocent of murder. ~ Sandra Brennan, All Movie Guide

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, All Movie Guide

A Bunny's Tale is a TV-movie adaptation of Gloria Steinem's experiences as a Playboy bunny. Engaged by a magazine to write an investigative article on publisher Hugh Hefner's nightclub chain, Ms. Steinem (Kirstie Alley) poses as a young girl named "Marie" and enters the Bunny training program at the New York Playboy club. Outfitted with phony ears, fuzzy tail and revealing costume, Gloria learns the proper method of serving drinks (the "bunny dip") and how to fend off customers who ignore Hefner's "look but don't touch" policy. She also concludes that being a sex object, even a chaste one, is depressingly demeaning -- an "awakening" which, according to this film, leads to Steinem's feminist activism of the 1960s and 1970s. By the time it made its February 25, 1985 debut, it was beating a dead rabbit: the glory days of the Playboy Philosophy had long passed, and most of the once-thriving "bunny clubs" had gone out of business. ~ Hal Erickson, All Movie Guide

Brook Shields plays the comic-strip journalist, Brenda Starr, who travels to a South American jungle on an assignment. It is there that she covers the story about a mad scientist who plans to blow up the planet with his newly developed rocket fuel. Also appearing are Timothy Dalton and Charles Durning, among others, who don Bob Mackie-designed costumes. ~ Kristie Hassen, All Movie Guide

For his third outing as disturbed innkeeper Norman Bates, Anthony Perkins directed as well as starred in the thriller Psycho III. This time out, Norman is still manning the desk at the Bates Motel, where he now has an assistant, Duane (Jeff Fahey), and a new long-term tenant, Maureen Coyle (Diana Scarwid). Maureen has been seeing Duane and has some issues to resolve in her life; she gave up her vows as a nun not long ago, and she isn't sure just how she feels about either spiritual or earthly matters. Norman takes an interest in Maureen, which may not be good for her long-term health -- after all, the last woman with the initials "M.C." who stayed in that room (and used the shower) met with a rather nasty fate. Perkins played Norman Bates one more time, in the made-for-cable Psycho IV: The Beginning; a short-lived TV series followed, Bates Motel, in which Perkins did not participate. ~ Mark Deming, All Movie Guide

Mark Harmon plays an itinerant Depression-era carpenter in the made-for-TV After the Promise. When his wife dies, Harmon is declared an unsuitable parent purely on the basis of his financial situation, and his four children are made wards of the Court. Fighting against the seemingly invulnerable legal system of the era, Harmon struggles to regain custody of his children-a struggle that drags on for eight years. Robert W. Lenski's teleplay was inspired by a true story. Because of the time-span of the plotline, Harmon's four children are portrayed by 13 different juvenile actors. After the Promise debuted October 11, 1987. ~ Hal Erickson, All Movie Guide

Originally aired as a two-part miniseries, this biography looks at the early years of America's most dashing president from his early childhood through his nomination for Congress. It's based on Nigel Hamilton's best-selling biography. ~ Sandra Brennan, All Movie Guide