Jeffrey Sayre Movies

Russ Meyer followed-up his delirious Beyond the Valley of the Dolls with this surprisingly straighforward drama, which offered little of Meyer's traditional tongue-in-cheek humor or remarkably proportioned women in favor of a serious message about the evils of censorship. A bookstore sells a copy of a notorious erotic novel, entitled The Seven Minutes, to a teenager who is later arrested for rape. A prosecutor on a crusade against pornography seizes upon this as an opportunity to have the book declared obscene, and the trial sparks a heated debate about the issue of pornography vs. free speech, as well as revealing a startling revelation about the novel's true author. Adapted from a novel by Irving Wallace, The Seven Minutes featured one of Meyer's more interesting casts, including veteran character actors John Carradine and Alexander D'Arcy, a post-Munsters Yvonne de Carlo, a pre-Magnum P.I. Tom Selleck, lounge comic Jackie Gayle, and Wolfman Jack as himself. ~ Mark Deming, All Movie Guide

Though several concessions to the censors and the box-office were made in adapting Irwin Shaw's bestseller The Young Lions to the screen, the end result is generally effective and satisfying. Set during World War 2, the film concentrates on three individuals, one German, two American. Marlon Brando plays an idealistic German whose early fascination with Nazism leads to doubt and disillusionment. American entertainer Dean Martin, on the verge of the Big Time, does his best to dodge the draft but ends up in uniform all the same. And American Jew Montgomery Clift, so sensitive that he's practically breakable, must come to grips with anti-Semitism, not only from the Germans but also from his fellow soldiers. Romance enters the picture in the form of Hope Lange as Clift's gentile girlfrind, Barbara Rush as the socialite who shames Martin into joining up, and May Britt as Brando's vis-a-vis. Screenwriter Edward Anhalt was obliged to shoehorn in a boot-camp sequence indicating that the Brass disapproved of the bigoted behavior of Clift's topkick Lee van Cleef (as if racism was a mere aberration during the 1940s), and to "slightly" alter the ending of the book, in which the embittered but still patriotic Brando character, shouting "Welcome to Germany!," machine-guns the Martin and Clift characters (in the film, it is Brando who bites the dust, symbolically dying for Hitler's sins). Maximillian Schell offers a starmaking turn as Brando's cynical comrade, while an uncredited John Banner, "Sergeant Schultz" on Hogan's Heroes, shows up as a pompous burgomeister who feigns ignorance of the hellish concentration camp in his community. ~ Hal Erickson, All Movie Guide

Crusading publisher Austin Spenser (Sidney Blackmer) wants to prove a point about the insufficiency of circumstantial evidence. Spencer talks his prospective son-in-law Tom Garrett (Dana Andrews) into participating in a hoax, the better to expose the alleged ineptitude of conviction-happy DA (Philip Bourneuf). Tom will plant clues indicating that he is the murderer of a nightclub dancer, then stand trial for murder; just as the jury reaches its inevitable guilty verdict, Spencer will step forth to reveal the set-up and humiliate the DA. Somewhat surprisingly, Tom eagerly agrees to this subterfuge. Unfortunately, an unforeseen event renders their perfectly formed scheme useless. Beyond a Reasonable Doubt was the last American film of director Fritz Lang. ~ Hal Erickson, All Movie Guide

Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, All Movie Guide

Though he had previously appeared in David Bradley's film adaptation of Julius Caesar, Dark City marked Charlton Heston's first role in a major Hollywood production. Danny (Heston) and his pals Augie (Jack Webb), Soldier (Henry Morgan), and Barney (Ed Begley Sr.) set up a poker game to take Arthur Winant (Don DeFore) for all his money, but after the fact they discover that the money he lost wasn't really his and, in desperation, Arthur killed himself. Arthur's brother Sidney (Mike Mazurki), a large man not known for his emotional stability, becomes enraged when he learns the facts about Arthur's death, and he vows to kill the men responsible. When his friends start dropping like flies, Danny hides out with his girlfriend, nightclub singer Fran Garland (Lizabeth Scott), and pays a visit to Arthur's widow Victoria (Viveca Lindfors) in hopes of finding out who the killer might be. Jack Webb and Henry Morgan later reformed after their first appearance together as criminals when they co-starred in the TV show Dragnet. ~ Mark Deming, All Movie Guide

The Dore Schary regime at MGM brought a much-needed dose of stark realism to the venerable studio. Van Johnson sheds his boy-next-door image to play L.A. plainclothes lieutenant Mike Conovan. Determined to bring a cop killer to justice, Conovan will let no man stand in his way -- not even his level-headed superiors. The detective's single-purposed pursuit causes a rift in his marriage to wife Gloria (Arlene Dahl). The film comes very close to the Dragnet school of unadorned, unglamorized police procedure: it adheres to standard MGM formula only in the final reconciliation scene. Officially a Harry Rapf production, Scene of the Crime was completed by another producer when Rapf died during filming. ~ Hal Erickson, All Movie Guide

In the sixth and final Thin Man whodunit, Nick (William Powell) and Nora Charles (Myrna Loy) look into the mysterious killing of bandleader Tommy Drake (Phillip Reed). The police quickly hone in on the owner of a gambling ship, Phil Brant (Bruce Cowling), who was about to lose Drake's band to a competitor. Also among the many and varied suspects are: Phil's new wife, socialite Janet Thayar (Jayne Meadows); the band's voluptuous vocalist, Fran Page (Gloria Grahame); and the troubled clarinetist, Buddy Hollis (Don Taylor). With the assistance of jive-talking "Clinker" Krause (Keenan Wynn) and the clever terrier Asta, Nick and Nora are soon able to gather all the suspects at the reopening of the floating gaming establishment. In between the skullduggery and the usual wisecracks, Gloria Grahame performs a sultry version of Herb Magidson and Ben Oakland's "You're Not So Easy to Forget." ~ Hans J. Wollstein, All Movie Guide

In this war movie, set during WW II, a pilot must crash land in the Pacific after he is shot down. As he floats upon the waves, he begins remembering the mythical island of Barbaree that his grandfather used to tell him about. To keep his wounded companion alive, he begins telling his life story. Via flashback, his youth, his love affairs, and his naval enlistment are chronicled. It is one of his lovers that talks her father into organizing a search party to find him. Meanwhile his companion dies. The pilot too, is half-dead by the time they find him. ~ Sandra Brennan, All Movie Guide

James M. Cain's novel received its first authorized screen treatment in this MGM production. Drifter Frank Chambers (John Garfield) takes a job at a roadhouse run by slovenly but likeable Nick Smith (Cecil Kellaway). Nick's sexy young wife Cora (Lana Turner) takes an immediate liking to Frank, but he senses that she's trouble and he keeps his distance--for a while, anyway. Inevitably succumbing to Cora's tawdry charms, Frank enters into her scheme to murder Nick and claim the old boy's insurance money. Not long after committing the foul deed, Frank and Cora are arrested. Thanks to the conniving of slimy attorney Arthur Keats (Hume Cronyn), the illicit lovers are able to beat the murder rap--but, as the film's title symbolically indicates, they eventually pay for their misdeeds in an unexpected manner. Fans of the James M. Cain original--not to mention Cain himself--were aghast at the changes made in the novel by screenwriters Harry Ruskin and Niven Busch; many of the alterations were made to conform with censorship standards of the era, while others simply existed to massage the egos of the stars. Even so, the 1946 version of The Postman Always Rings Twice is infinitely more satisfying than the no-holds-barred 1981 remake, directed by Bob Rafelson with Jack Nicholson and Jessica Lange. ~ Hal Erickson, All Movie Guide

Director William "One Take" Beaudine puts his all-character-actor cast through their paces in Men of San Quentin. J. Anthony Hughes plays a prison guard who tries to put new reforms into effect when he becomes a warden. Naturally, Hughes' efforts are undercut by a handful of hardbitten cons and jealous fellow guards. His efforts pay off when Hughes is able to quell a prison riot. Men of San Quentin was produced and cowritten by Martin Mooney, a former newspaperman who'd actually "done time" behind bars; its opening theme music was performed by the San Quentin orchestra! ~ Hal Erickson, All Movie Guide

'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide

James Cagney stars in the humorous Western The Oklahoma Kid, set during the land rush of 1893. John Kincaid (Hugh Sothern) and his son, Ned (Harvey Stephens), try to settle on a plot of land, but they are met by the villainous Whip McCord (Humphrey Bogart) and his band of miscreants. McCord runs a saloon and ends up turning the town of Tulsa into a haven of gambling and drinking. Wanting to clean up the town, John runs for mayor and Ned runs for sheriff. McCord doesn't want to lose his power, so he has John framed, jailed, and eventually lynched. Soon, Jim Kincaid (James Cagney) shows up in town and joins his brother Ned in seeking revenge for his father's murder. They stage a big shoot-out in McCord's saloon in order to bring him to justice. Also starring Rosemary Lane as Ned's girlfriend Jane, the daughter of the good Judge Hardwick (Donald Crisp). This movie features James Cagney singing the tunes "Rockabye Baby" and "I Don't Want to Play in Your Yard." ~ Andrea LeVasseur, All Movie Guide

In this, the premiere entry in the "Brass" Bancroft series (starring the man who would-be President, Ronald Reagan), Brass is seen as an ex-Army pilot who works as a commercial airline pilot. One day he quits his well-paying, safe job to become an agent for the Secret Service. His first assignment is to look into a gang of smugglers who are suspected of sneaking illegal aliens into the US via airplanes. This gang is really bad, and whenever they fear that they will be caught, they simply open their hatches and drop the hapless aliens like so many bombs. Bancroft is enraged at their inhumanity, and in the end, he and the ring leader battle it out in a plane spinning out of control. ~ Sandra Brennan, All Movie Guide