Sid Saylor Movies

Framed for setting fire to a warehouse containing the famous Nathan Claver art collection, Claude Demay (Robert H. Harris) is released from prison after six years. With vengenace on his mind, Claude plans to use a forgery of a "lost" Panamaker tapestry to prove that Leonard Voss (John Holland) is the real culprit, and that the Claver collection, allegedly destroyed in the fire, still exists. Unfortunately, Voss is murdered, and it looks like Claude is going to be railroaded back behind bars for keeps unless Perry Mason (Raymond Burr) can prove him innocent. Veteran movie leading man Conrad Nagel appears as a dapper art connoisseur, who may know more than he is letting on. ~ Hal Erickson, Rovi

Wayde Preston took a break from his starring duties on the Warner Bros. western series Colt. 45 for a guest stint in this episode of Maverick. Preston is cast as Waco Williams, a trigger-happy gent who manages to get into trouble even when he goes out of the way to avoid it. Riding into Bent City with Waco at his side, Bret (James Garner) soon finds himself in the middle of a range war between cattlemen and homesteaders. Though Bret tries to broker a peace between the two warring factions, his efforts are scuttled by the troublesome Waco, who in addition to his other shortcomings happens to be an outlaw with a price on his head. Future Academy Award winner Louise Fletcher does an ingenue turn in this episode, which earned Maverick its highest-ever ratings. ~ Hal Erickson, Rovi

In one of Maverick's all-time greatest episodes, Bret (James Garner) is cheated out of $15,000 by "respectable" banker John Bates (John Dehner). Since Bret is unable to reclaim the money through legal means, his brother Bart (Jack Kelly) devises an elaborate sting operation to beat Bates at his own game. Participants in this grand-scale swindle include an honor roll of the series' most popular (and sneakiest) recurring characters: Gentleman Jack Darby (Richard Long), Dandy Jim Buckley (Efrem Zimbalist Jr.), Samantha Crawford (Diane Brewster), Cindy Lou Brown (Arlene Howell) and Big Mike McComb (Leo Gordon). And what about Bret? Well, he spends virtually the entire episode sitting on a hotel porch, calmly whittling away at a block of wood...and when anybody asks what he's doing about his problem, he replies casually that he's "workin' on it." ~ Hal Erickson, Rovi

Bart (Jack Kelly) is one of several stagecoach passengers who are attacked by the Apaches. With their coach destroyed, the hapless passengers are left stranding in the desert, under a blazing sun. The others insists that Bart strike out on his own and seek out help--an assignment that borders on the suicidal. The supporting cast includes Whitney Blake, the mother of actress Meredith Baxter and later the cocreator (with husband Alan Manings) of the popular CBS sitcom One Day at a Time. ~ Hal Erickson, Rovi

A bizarre western that at times veers dangerously close to outright burlesque, Shoot-Out at Medicine Bend concluded Randolph Scott's long-term contract with Warner Bros. and sat on the shelf for nearly two years before being dumped on the double-bill market in 1957. Scott and two fellow cavalry officers (Gordon Jones and a very young James Garner) have their clothes stolen while skinny-dipping. Offered new apparel by a group of Quakers (or are they Mormons? It is never made quite clear), the threesome go on to prevent James Craig from supplying the territory with faulty guns and ammo. Dani Crayne (the wife of actor David Janssen at the time) seductively warbles "Kiss Me Quick" and a young Angie Dickinson lends further femininity to the proceedings. Much of this is strangely watchable, but as a western Shoot-Out at Medicine Bend can never make up its mind whether to play it straight or for comedy. Not too surprisingly, director Richard L. Bare had gotten his start helming the studio's "Joe McDoakes" comedy shorts in the 1940s. A final paradox: There is nary a shoot-out in the entire film. ~ Hans J. Wollstein, Rovi

Three Hours to Kill is a "message" Western that manages to entertain without preaching. Jim Guthrie (Dana Andrews), unjustly accused of murder, is forced out of town by an angry mob. After several tough years living off the land, Guthrie returns to clear his name. Fearing that Guthrie is out for blood, the townsfolk arrange a "necktie party." The one person who might show some compassion is ex-fiancée Laurie Mastin (Donna Reed), who'd been left pregnant by Guthrie and had married another man on the rebound. But Laurie's brother was the murder victim, so she's just as determined to rid the world of Guthrie as everyone else. With the help of sympathetic Chris Plumber (Dianne Foster), Guthrie traps the real murderer. The mentality of mob rule is exposed for all its ugliness in Three Hours to Kill, ironic in that real-life Hollywood had been governed by mob pressure to enforce the Blacklist during the same period. ~ Hal Erickson, Rovi

The title character of this western can only be one of two actresses: Maureen O'Hara or Rhonda Fleming. But Fleming apparently had something else to do, so O'Hara won the coin-toss. She plays a dance-hall gal who protects the identity of a cattle rustler--mainly because she's the same crooked business herself. Complications ensue when O'Hara falls in love with the very sheriff (Alex Nicol) who intends to bring the rustler to justice. Redhead from Wyoming was filmed in Technicolor; the producers would have been insane not to do so. ~ Hal Erickson, Rovi

They don't really go to Mars, they go to Venus, but first they go to New Orleans. While working at a missile base, Bud Abbott and Lou Costello inadvertently launch a rocket ship with themselves aboard. After a wild ride around New York City (the Statue of Liberty ducks when the rocket heads her way), Bud and Lou land in the outskirts of New Orleans. The boys are convinced that they've reached Mars, and their faith in this supposition is affirmed when they come across several strangely costumed "creatures" (actually revellers at the Mardi Gras). Meanwhile, bank robbers Jack Kruschen and Horace McMahon stow away on A&C's rocketship. When Bud and Lou return, the crooks force them to make a quick getaway into outer space. After several days of weightlessness, the four space travellers land on Venus, a planet populated by the gorgeous winners of the Miss Universe contest (including Anita Ekberg). Venusian queen Mari Blanchard falls in love with Costello, only to order him and his companions to return to earth when Lou proves to be unfaithful. Reportedly, this bizarre melange of sci-fi and slapstick was based on a story by Charles Beaumont, who received no screen credit (it's worth noting that Beaumont's later Queen of Outer Space boasts a remarkably similar plotline). Long considered the team's worst film, Abbott and Costello Go to Mars ("and about time!" quipped the New York Times' TV-movie reviewer) is rather likeable in its own incoherent way. ~ Hal Erickson, Rovi

Gene Autry goes undercover once again in this rather pedestrian western from Columbia Pictures. Suspecting jailed youth Dave Weldon (Dick Jones) of complicity in an army payroll heist, special investigator Autry has himself jailed. He quickly discovers that there is more to the case than meets the eye and helps Dave escape and rejoin his father's medicine show, which also includes Dave's sister Connie (Gail Davis) and the singing Cass Country Boys. Meanwhile, nasty Mike McClure (Henry Rowlands and his crew are also after the stolen money and to save young Dave's life, Gene convinces him to turn the loot over to Marshal Taplan (Gordon Jones). Among other selections, Autry and the Cass County Boys perform yet another version of Gene's signature tune, "Back in the Saddle Again". ~ Hans J. Wollstein, Rovi

By virtue of the popularity of his TV series The Range Rider, Jack (later Jock) Mahoney is afforded almost as much screen time in Hawk of the Wild River as the film's official star Charles Starrett. In fact, since Mahoney doubles for Starrett in certain sequences, it could be argued that his part is larger. This 53-minute "Durango Kid" western finds Starrett adopting his "Durango" disguise to find out who's behind a series of stagecoach holdups. The miscreant turns out to be "The Hawk" (Clayton Moore, the "Lone Ranger" himself!) Mahoney plays a deputy sheriff who helps the Durango Kid bring The Hawk to justice. ~ Hal Erickson, Rovi

Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story. ~ Stephen Thomas Erlewine, Rovi

Ma and Pa Kettle at the Fair was Number Four in Universal's immensely successful "B"-picture series. It is giving away nothing to reveal that Marjorie Main and Percy Kilbride once more assume the title roles. The plot is motivated by Ma's desire to send daughter Rosie (Lori Nelson) to college. To that end, she intends to win a big cash prize at the upcoming county fair. Meanwhile, Pa uses his half of the winnings (which no one, as yet, has really won!) to purchase a race horse. When Mafails to win the money, the Kettles are forced to rely on the horse to save the day during a sweepstakes race. Towards the end of Ma and Pa Kettle at the Fair, a close-up of the racing statistics sheet is shown, revealing that one of the owners is "Quinn Martin"--a cute inside joke, inasmuch as Mr. Martin was a prolific scriptwriter and a friend of Ma and Pa Kettle producer Leonard Goldstein. ~ Hal Erickson, Rovi