Alexei Sayle Movies

In this made-for-TV retelling of the classic tale A Thousand and One Nights, a woman discovers the ability to spin a good yarn is literally a matter of life and death. Schahriar (Dougray Scott), a powerful sultan who rules Bagdad, has developed a bitterness and distrust of women ever since he discovered his first wife was unfaithful to him. He no longer trusts the fair sex and has vowed to never marry again, but circumstances force him to wed Scheherezade (Mili Avital), a beautiful girl he's known since he was a child. Schahriar decides that if he must marry Scheherezade, he will murder her after their wedding night. Scheherezade, however, is understandably unenthusiastic about this idea, and to postpone her execution, begins regaling Schahriar with a long series of fascinating stories; by keeping him intrigued with her fables of adventure and honor, she hopes his heart will soften and she will be allowed to live. Scheherezade's stories include the tales of Ali Baba (Rufus Sewell), BacBac the Hunchback (Alexei Sayle), Aladdin (Jason Scott-Lee), the Genie of the Lamp (John Leguizamo), and many more. Arabian Nights was originally shown as a two-part miniseries, with the first episode airing on ABC on April 30, 2000. ~ Mark Deming, All Movie Guide

In the conclusion of the Doctor Who adventure "Revelation of the Daleks," the Doctor discovers that Tranquil Repose, a colony of cryogenics on the planet Necros, houses the supposedly dormant body of Davros (Terry Malloy), creator of the Doctor's perennial adversaries, the Daleks. It is thus up to the hero to "neutralize" Davros before he can foment a full-scale Dalek resurrection. Complicating matters are the entrepreneurial Kara (Eleanor Bron), who uses the bodies of cryogenically frozen people as fuel for her protein factory, and a mercenary bounty hunter named Orcini (William Gaunt). Written by Eric Saward, the two-part "Revelation of the Daleks" was originally telecast on March 23 and 30, 1985. This final adventure of Doctor Who's 22nd season was later re-edited as a four-chapter cliffhanger for American TV. ~ Hal Erickson, All Movie Guide

The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup -- Indiana Jones' father, Dr. Henry Jones (Sean Connery) -- who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release. ~ Tracie Cooper, All Movie Guide

Following up his debut, Young Einstein (1988), Yahoo Serious wrote, directed and starred in this broad comedy as the titular hero, a modern-day, fictional descendant of a real-life Australian Robin Hood, Ned Kelly. Carrying on the family tradition of stealing from the rich and giving to the poor, Ned crosses the wealthy Sir John (Hugo Weaving), who arranges the sale of Kelly's coastal property to a Japanese buyer. Forbidden by the Kelly family code of honor from stealing to profit himself, the motorcycle-riding Ned decides to raise the money needed to save his lands by going to America. Stateside, his bank robbery scheme falls through, but he finds stardom as the lead in a Hollywood motion picture that might give him the money to foil Sir John's greedy plans. Ned also encounters romance with a teller, the appropriately named Robin Banks (Melora Hardin). ~ Karl Williams, All Movie Guide

The title of this British-French production refers to the dream of the film's hero -- aka The Young Man (Glenn Fitzgerald) -- to hunt an African rhino. After a failed suicide, The Young Man treks across Europe in an effort to track the girlfriend who walked out on him. In Paris, he attempts to deliver a traveling child, but the boy's dad never arrives. Instead, the situation leads him to The Teen (Karine Adrover). In a New Age nod, The Young Man and The Teen make love in a chair with giant angel wings, but before their relationship can ripen, he gets a clue regarding his former girlfriend's whereabouts and takes off for Belgrade and more merry misadventures. Shown at the 1997 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A futuristic dystopia is the setting for this tale about good versus evil and a magical space-sphere out to reestablish a civilized society. An orphanage in a bleak and deserted landscape imprisons a large group of youngsters who have divided into good and bad groups. One day, while competing at roller-skate ball, the teams come across a bowling-ball-sized sphere named Bodhi (a Sanskrit word equivalent to "enlightened compassion"). Bodhi communicates with the good kids, but the bad ones cannot understand the sphere's electronic burbles. The nasty Darstar (Adrian Pasdar) steals Bodhi and heads out into the forbidden world beyond the orphanage. ~ Eleanor Mannikka, All Movie Guide

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, All Movie Guide

Dillon is a very buttoned-down bookkeeper and appears to be just about as prim as it's possible to be. Perhaps that's because he is an illegitimate child raised by his unconventional grandmother after his parents died. Though he has become a rather conservative fellow, when a pair of aging ne'er-do-wells recount stories of his father and the band he played in (The Pink Frogs), he is thrilled. However, he's not sure what to make of the excitement in his grandmother's life these days: the man who loved her and left her forty years ago has come back into her life and is asking to marry her. On top of that, Dillon has a girlfriend who is something of a free spirit herself and is prone to ask him searching questions at the most awkward times. ~ Clarke Fountain, All Movie Guide

In this romantic comedy that wobbles along on a shaky plot -- the first full-length feature of a Brit TV show -- Dennis (Adrian Edmondson) is on vacation with his mother when he invents a tall tale of his involvement with a drug cartel in order to impress a woman he likes. Sure enough, his story accidentally tallies with what the police already know, and before he can cry "wolf," Dennis is sent off to the coast with two undercover cops. One cop is a woman (Jennifer Saunders) and the other her former boyfriend (Harvey Duncan) -- but the woman has to pretend to be Dennis' lover. Then along comes a string of several unique policemen and a few real drug smugglers, one in drag, adding their eccentricity to the growing group of comic characters. ~ Eleanor Mannikka, All Movie Guide

This highly influential British "alternative comedy" series took an anarchistic, almost Brecht-ian approach to its material. The setting was a rundown, messy apartment, occupied by four eccentric and fiercely anti-establishment college students. The quartet consisted of Rick (played by series co-creator Rik Mayall), a staunch disciple of British pop singer Cliff Richard and an inveterate womanizer; Vyvyan (Ade Edmonson), whose obsessions bordered on the insane; Neill (Nigel Planer), a funky fellow with peculiar notions about cooking and cleaning; and Mike (Christopher Ryan), the "odd man out" (i.e., the most normal and least screwed-up of the four roomies). Comedian Alexei Sayle floated in and out of the proceedings, usually cast as zany landlord Jerzy Balowski, and sometimes as various other members of the Balowski family (shades of Sidney Fields on The Abbott and Costello Show). The plot lines were anything but linear or traditional, with the cast members talking directly to the audience, commenting on the fact that they were merely television performers, and changing story direction at the slightest provocation. The series was allegedly based on the real-life experiences of star Rik Mayall and his writing partner Ben Elton, though one seriously doubts that these two worthies entertained a different rock star each week, as do the four "heroes" of The Young Ones. Lasting 12 35-minute episodes, The Young Ones first aired from November 9 to December 14, 1982, returning for a second season from May 8 to June 19, 1984. ~ Hal Erickson, All Movie Guide

Originally produced in the U.K. for BBC1, where it first aired on October 9, 2002, the three-part miniseries Tipping the Velvet was adapted from Sarah Waters' best-selling debut novel of the same name. Set in the 1890s, the series focuses on the romance between Nan Astley (played by Rachel Stirling, daughter of actress Diana Rigg), a cook in the seaside restaurant owned by her father, and Kitty Butler (Keeley Hawes), a musical hall entertainer specializing in male impersonation. Given the strict (and somewhat hypocritical) moral restrictions of the Victorian era, the lesbian relationship between Nancy and Kitty must be kept a closely guarded secret, except in the hedonistic underground circles in which the actress and her libertine friends travel. Tipping the Velvet was brought to the US by way of the BBC America digital-cable service beginning May 23, 2003. ~ Hal Erickson, All Movie Guide

Imagine Monty Python's Flying Circus crossed with Dr. Strangelove, and you'll have a pretty good idea of what went on in the uproarious "black" British sitcom Whoops! Apocalypse. Three of the world's superpowers collide head-on in their efforts to replace the recently deposed Shah of Iran: U.S. President (and former silent movie star) Johnny Cyclops (Barry Morse), half-loony British Prime Minister Kevin Pork (Peter Jones), and senile Soviet premier Dubienkin (Richard Griffiths). The fly in the ointment is flamboyant international terrorist Lacrobat (John Cleese), who is determined to get his mitts on the all-powerful Quark bomb. If it is possible to invoke laughter from the prospect of wholesale nuclear annihilation, then this series succeeded beyond all expectations. Originally telecast in six half-hour episodes from March 14 to April 18, 1982, Whoops! Apocalypse was later pared down and released as a single "feature film" on home video, and was ultimately adapted as a genuine theatrical feature film in 1986. ~ Hal Erickson, All Movie Guide