John Savident Movies
Portly, balding British character actor, onscreen from 1968; he often plays self-important types. ~ All Movie Guide
- 1973
- PG
Alec Guinness plays against stereotype, imbuing his Adolf Hitler with an introverted solemnity in Ennio De Concini's Hitler: The Last Ten Days. Set almost entirely inside Hitler's Berlin bunker, the film chronicles the dying days of the Third Reich as the Allied armies close in on Berlin. Guinness's Hitler is an enclosed depressive who sinks slowly into madness, depression, and ultimately suicide as his 1,000-Year Reich collapses around him. ~ Paul Brenner, All Movie Guide
- Starring:
- Alec Guinness, Simon Ward, (more)
- 1973
- PG
James Coburn stars as Robert Eliot, an opportunistic entrepreneur destined to become a key Presidential advisor -- if his murky past isn't brought to light first. ~ Jason Ankeny, All Movie Guide
- 1971
Malcom McDowell, who went on to play a chillingly heartless young man in A Clockwork Orange, here plays Bruce, a cheerful young athlete and aspiring writer whose injuries get the better of him on the evening of his colorless brother's wedding. He loses the use of his legs and is sent to a home for the handicapped. As a result of his disability, his attitude undergoes a profound change, and he becomes a surly, resentful and difficult young man. At the home, he meets a young woman (Nanette Newman) whose disability has lasted much longer than his, and they fall in love. They become engaged, but she dies before they can get married. While this sounds relentlessly melancholy, the heart of the movie is the way in which each of the two has enriched the life of the other, and the movie is a good deal more upbeat than it sounds. ~ Clarke Fountain, All Movie Guide
- Starring:
- Malcolm McDowell, Nanette Newman, (more)
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Malcolm McDowell, Patrick Magee, (more)
- 1970
This lavishly costumed historical epic had an estimated $100 million price tag. Spectacularly photographed battle action contrasts with often plodding individual scenes that bog down the plot. Fearing his growing power, European monarchs force Napoleon Bonaparte (Rod Steiger) to abdicate as Emperor and retire to Elba, and the French are concerned they will be outnumbered by a force of combined armies from many countries in Europe. Napoleon no sooner says goodbye to his loyalist troops than he begins to rally his men and prepare for another takeover. King Louis XVIII (Orson Welles) sends Marshal Michel Ney (Dan O'Herlihy) and his men to counter Bonaparte, but upon seeing his old commander (and ally), Ney thrusts his sword to the ground and takes up arms with the deposed emperor. They all return to Paris by popular demand, defying the orders of Louis (who flees from the palace) and running the monarchy tout seul. Soon England, Austria, Prussia and Russia unite to try and stop the dictator. Wellington (Christopher Plummer) readies his troops near Waterloo, refuses to retreat anymore, and waits for Prussian Marshall Blucher (Sergei Zakhariadze) and his army to join up with the British as the only hope to stop the French juggernaut. Jack Hawkins and Michael Wilding portray key military commanders Picton and Ponosby, respectively. Napoleon and his troops cut into the Prussian and British forces dramatically, weakening their power, but three problems arise. First, Ney refuses to lead his segment of the troops onward; and second, Bonaparte's men are plagued by the wet weather, which causes
the cannon brigade to become immobilized in mud (when Wellington strategically gives Bonaparte's troops the lower ground) rendering it ineffective until late in the day. And even more calamitously, Bonaparte - growing increasingly ill -- insists on leading his men from the rear, which causes the information to become outdated as soon as it gets to him. The Russian version of this film was nearly four hours long, while western audiences saw an edited version slightly over two hours long. Unfortunately, Waterloo bombed at the box office. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rod Steiger, Christopher Plummer, (more)
- 1969
- PG
In this bitter drama that takes place in the immediate aftermath of World War II, British Major Giles Burnside (David Niven) is assigned to a Austrian refugee camp, his orders to send the masses of displaced civilians to either the Russian or the American zone. Burnside is a by-the-books commander but has trouble making himself understood in the gaggle of different languages. But one of the refugees, Janovic, (Topol), is energetic and can speak many languages and Burnside hires him as his interpreter. Janovic quickly conveys Burnsides's directives and gets the way station running efficiently. Janovic even has time to romance a lovely innkeeper, Maria (Anna Karina). But Janovic's love for Maria hits a brick wall when he finds that she is carrying on an illicit affair with Burnside. As the remaining refugees are being dispatched to the different zones of occupation, Janovic is found to be a Russian deserter who must be returned to the Russian mainland to be executed. Burnside offers to help him escape, but Janovic can't decide whether to trust Burnside or not. ~ Paul Brenner, All Movie Guide
- Starring:
- David Niven, Topol, (more)
- 1969
Several board members of the Acme Precision Corporation are murdered, and Steed is on hand to witness each killing. The culprit appears to be a sleepwalker, but that's only part of the story. Investigating, Steed and Tara trace the clues to a demented psychologist -- who, in yet another twist, may not be the principal villain. Written by Philip Levene, "My Wildest Dream" first aired in America on January 6, 1969, and was subsequently seen in England on April 9 of that year. ~ Hal Erickson, All Movie Guide
- 1969
- PG
Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tom Courtenay, Romy Schneider, (more)
- 1968
Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide
- Starring:
- Nicol Williamson, Eleanor Fazan, (more)
