John Savident Movies

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

Several board members of the Acme Precision Corporation are murdered, and Steed is on hand to witness each killing. The culprit appears to be a sleepwalker, but that's only part of the story. Investigating, Steed and Tara trace the clues to a demented psychologist -- who, in yet another twist, may not be the principal villain. Written by Philip Levene, "My Wildest Dream" first aired in America on January 6, 1969, and was subsequently seen in England on April 9 of that year. ~ Hal Erickson, All Movie Guide

Written by series star Rowan Atkinson and Richard Curtis, the pilot episode of the satirical British comedy series The Black Adder (aka Blackadder is substantially the same as the latter episode "Born to Be King," with the scurrilous Prince Edmund (Rowan Atkinson) being charged with the responsibility of arranging a birthday party for the Queen of England (Elspeth Gray) -- all the while planning the assassination of fraudulent Scottish war hero McAngus (Alex Norton) and casting doubts on the legitimacy of his brother (and heir to the throne) Prince Harry. All in all, Edmund lives up to his family motto "Veni Vidi Castratavi Illegitimos" ("I Came, I Saw, I Castrated the Bastards!") Major differences include the presence of Philip Fox in the role of Baldrick rather than Tony Robinson, John Savident instead of Brian Blessed as King Richard IV, and Robert Bathurst instead of Robert East as Prince Harry. This pilot episode was never aired, though it has been released to home video. ~ Hal Erickson, All Movie Guide

Hoping to cover up her own misdeeds, Servalan (Jacqueline Pearce) betrays her confederate, Travis (Brian Croucher), putting him on trial for his life. Meanwhile, Blake (Gareth Thomas), consumed with guilt over the death of the Gans, has exiled himself on a supposedly dead planet. The climax finds Avon (Paul Darrow) mounting a rescue attempt that will profoundly affect both Blake and Travis. "Trial" was first broadcast on February 13, 1979. ~ Hal Erickson, All Movie Guide

The American Film Theatre has made movies of a number of significant theatrical performances, including Laurence Olivier's Othello. Another of these filmed theatricals is Simon Gray's Butley, which was brought to the screen by playwright Harold Pinter, and which features an astonishing performance by Alan Bates. The story focuses on one very bad day in the life of Butley (Bates), a feisty, sharp-tongued, lazy and pathetic professor of English. His professional ascendancy is challenged by a slick, accomplished woman many years his junior; his ex-wife gives him conniptions when she announces her remarriage to someone he cannot bear; and his male lover of several years chooses this time to announce that he is leaving him for a sweeter-tempered but very ordinary man of the sort Butley despises. Bleak though this sounds, Butley's unconquerable wit and biting repartee transform this otherwise tragic tale into something of a celebration of survival. ~ Clarke Fountain, All Movie Guide

The made-for-TV Duel of Hearts is based on a novel by Barbara Cartland. It is difficult to believe that there's a Gothic-romance TV movie in existence that isn't based on a Cartland novel. Alison Doody plays gorgeous debutante Lady Caroline Faye, who falls for dashing nobleman Genuse Warlingham (Michael York). To be near the love of her life, Lady Caroline poses as a humble servant. The top-drawer British supporting cast includes Geraldine Chaplin, Billie Whitelaw, Virginia McKenna, Richard Johnson, Jeremy Kemp and Beryl Reed. Duel of Hearts made its American TV bow over the TNT Cable service on February 24, 1992. ~ Hal Erickson, All Movie Guide

Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, All Movie Guide

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide

Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide

A scientist finds himself walking a fine line between reason and fantasy in this family-oriented drama. Dr. Jonathan Dempsey (Ted Danson) is an American scientist who has devoted his career to searching out the truth behind contemporary legends and psudeo-scientific phenomena like Bigfoot, which has not gained him much credibility among his peers. Dempsey's superior, Dr. Mercer (Harris Yulin), has a new project that would seem to be right up his alley -- Mercer wants Dempsey to travel to Scotland to prove once and for all that there is no such thing as the Loch Ness Monster. Dempsey takes the assignment and settles into a small hotel near the Loch run by Laura MacFeteridge (Joely Richardson), a single mother with a young daughter, Isabel (Kirsty Graham). Isabel strikes up an immediate friendship with Dempsey while her mother soon takes a more mature interest in the American scientist, but most of the locals don't take kindly to the notion of an outsider flying in to prove that Nessie isn't real, especially the town's self-proclaimed monster expert the Water Bailiff (Ian Holm). What Dempsey does learn about Nessie surprises him a great deal -- and so does his decision about what to do with his findings. Jim Henson's Creature Shop pitched in for the special effects sequences with Nessie. Loch Ness was released theatrically in Europe, but had its American premiere as a network television presentation. ~ Mark Deming, All Movie Guide

Anthony Shaw directs his mother, Angela Lansbury of Murder She Wrote, in this lighthearted made-for-television adventure. Set in the 1950's, Lansbury stars as Mrs. Harris, a common British woman so intent on owning a Dior gown, that she slaves and scrimps for years. However, upon travelling to Paris to make the purchase, Mrs. Harris encounters a series of unexpected characters and events that stand between her and the coveted gown. Originally broadcast in 1992, the film also features supporting performances by Diana Rigg, Lothaire Bluteau, and Omar Sharif. ~ Matthew Tobey, All Movie Guide

This award-winning TV production tells the true story of a heroic woman's underground operation to spirit Allied soldiers out of Nazi-occupied France. Her name is Mary Lindell, a British-born Red Cross nurse living in France with her two teenage children, Maurice and Barbé, by Lindell's marriage to Count de Melville. The story begins in Paris in 1940 when a downed British flier, Maj. James Legatt (Sam Neill), stumbles to a table at a sidewalk cafe. Dressed in a shin-to-shoulder overcoat and dizzy with fatigue, he plops into a chair. At a table nearby, Lindell (Judy Davis) notices his boots -- British issue and a dead giveaway. When German soldiers approach the flier, Lindell walks to his table and slaps him smartly, pretending he is her drunken husband. The ruse works. Lindell then takes Legatt to her home in a taxi and nurses him to health. During their time together, they fall in love -- chastely, without overtly disclosing their affection for each other. Using her feminine wiles and forceful personality to bamboozle SS hounds, she effects his escape back to England, then dedicates herself to rescuing other allies. All goes well until a flier botches his escape. An investigation and trial send Lindell to prison for nine months, which she barely survives. After her release, her son and daughter hide her and restore her to health, and Lindell goes back to work smuggling Allies across the border -- this time with the aid of a priest (Denholm Elliot) and Maj. Legatt, who tracks her activities from his headquarters in England. She eventually ends up in the Ravensbrück concentration camp north of Berlin, and in the conclusion of the production, viewers learn the ultimate fate of Lindell and Legatt. ~ Mike Cummings, All Movie Guide