John Savident Movies
Portly, balding British character actor, onscreen from 1968; he often plays self-important types. ~ All Movie Guide- 1968
Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide
- Starring:
- Nicol Williamson, Eleanor Fazan, (more)
- 1969
- PG
In this bitter drama that takes place in the immediate aftermath of World War II, British Major Giles Burnside (David Niven) is assigned to a Austrian refugee camp, his orders to send the masses of displaced civilians to either the Russian or the American zone. Burnside is a by-the-books commander but has trouble making himself understood in the gaggle of different languages. But one of the refugees, Janovic, (Topol), is energetic and can speak many languages and Burnside hires him as his interpreter. Janovic quickly conveys Burnsides's directives and gets the way station running efficiently. Janovic even has time to romance a lovely innkeeper, Maria (Anna Karina). But Janovic's love for Maria hits a brick wall when he finds that she is carrying on an illicit affair with Burnside. As the remaining refugees are being dispatched to the different zones of occupation, Janovic is found to be a Russian deserter who must be returned to the Russian mainland to be executed. Burnside offers to help him escape, but Janovic can't decide whether to trust Burnside or not. ~ Paul Brenner, All Movie Guide
- Starring:
- David Niven, Topol, (more)
- 1969
Several board members of the Acme Precision Corporation are murdered, and Steed is on hand to witness each killing. The culprit appears to be a sleepwalker, but that's only part of the story. Investigating, Steed and Tara trace the clues to a demented psychologist -- who, in yet another twist, may not be the principal villain. Written by Philip Levene, "My Wildest Dream" first aired in America on January 6, 1969, and was subsequently seen in England on April 9 of that year. ~ Hal Erickson, All Movie Guide
- 1969
- PG
Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tom Courtenay, Romy Schneider, (more)
- 1970
This lavishly costumed historical epic had an estimated $100 million price tag. Spectacularly photographed battle action contrasts with often plodding individual scenes that bog down the plot. Fearing his growing power, European monarchs force Napoleon Bonaparte (Rod Steiger) to abdicate as Emperor and retire to Elba, and the French are concerned they will be outnumbered by a force of combined armies from many countries in Europe. Napoleon no sooner says goodbye to his loyalist troops than he begins to rally his men and prepare for another takeover. King Louis XVIII (Orson Welles) sends Marshal Michel Ney (Dan O'Herlihy) and his men to counter Bonaparte, but upon seeing his old commander (and ally), Ney thrusts his sword to the ground and takes up arms with the deposed emperor. They all return to Paris by popular demand, defying the orders of Louis (who flees from the palace) and running the monarchy tout seul. Soon England, Austria, Prussia and Russia unite to try and stop the dictator. Wellington (Christopher Plummer) readies his troops near Waterloo, refuses to retreat anymore, and waits for Prussian Marshall Blucher (Sergei Zakhariadze) and his army to join up with the British as the only hope to stop the French juggernaut. Jack Hawkins and Michael Wilding portray key military commanders Picton and Ponosby, respectively. Napoleon and his troops cut into the Prussian and British forces dramatically, weakening their power, but three problems arise. First, Ney refuses to lead his segment of the troops onward; and second, Bonaparte's men are plagued by the wet weather, which causes
the cannon brigade to become immobilized in mud (when Wellington strategically gives Bonaparte's troops the lower ground) rendering it ineffective until late in the day. And even more calamitously, Bonaparte - growing increasingly ill -- insists on leading his men from the rear, which causes the information to become outdated as soon as it gets to him. The Russian version of this film was nearly four hours long, while western audiences saw an edited version slightly over two hours long. Unfortunately, Waterloo bombed at the box office. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rod Steiger, Christopher Plummer, (more)
- 1971
Malcom McDowell, who went on to play a chillingly heartless young man in A Clockwork Orange, here plays Bruce, a cheerful young athlete and aspiring writer whose injuries get the better of him on the evening of his colorless brother's wedding. He loses the use of his legs and is sent to a home for the handicapped. As a result of his disability, his attitude undergoes a profound change, and he becomes a surly, resentful and difficult young man. At the home, he meets a young woman (Nanette Newman) whose disability has lasted much longer than his, and they fall in love. They become engaged, but she dies before they can get married. While this sounds relentlessly melancholy, the heart of the movie is the way in which each of the two has enriched the life of the other, and the movie is a good deal more upbeat than it sounds. ~ Clarke Fountain, All Movie Guide
- Starring:
- Malcolm McDowell, Nanette Newman, (more)
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Malcolm McDowell, Patrick Magee, (more)
- 1973
- PG
Alec Guinness plays against stereotype, imbuing his Adolf Hitler with an introverted solemnity in Ennio De Concini's Hitler: The Last Ten Days. Set almost entirely inside Hitler's Berlin bunker, the film chronicles the dying days of the Third Reich as the Allied armies close in on Berlin. Guinness's Hitler is an enclosed depressive who sinks slowly into madness, depression, and ultimately suicide as his 1,000-Year Reich collapses around him. ~ Paul Brenner, All Movie Guide
- Starring:
- Alec Guinness, Simon Ward, (more)
- 1973
- PG
James Coburn stars as Robert Eliot, an opportunistic entrepreneur destined to become a key Presidential advisor -- if his murky past isn't brought to light first. ~ Jason Ankeny, All Movie Guide
The American Film Theatre has made movies of a number of significant theatrical performances, including Laurence Olivier's Othello. Another of these filmed theatricals is Simon Gray's Butley, which was brought to the screen by playwright Harold Pinter, and which features an astonishing performance by Alan Bates. The story focuses on one very bad day in the life of Butley (Bates), a feisty, sharp-tongued, lazy and pathetic professor of English. His professional ascendancy is challenged by a slick, accomplished woman many years his junior; his ex-wife gives him conniptions when she announces her remarriage to someone he cannot bear; and his male lover of several years chooses this time to announce that he is leaving him for a sweeter-tempered but very ordinary man of the sort Butley despises. Bleak though this sounds, Butley's unconquerable wit and biting repartee transform this otherwise tragic tale into something of a celebration of survival. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Bates, Jessica Tandy, (more)
- 1976
A former policeman investigates a series of murders by centering on an organization which re-creates medieval battles. ~ John Bush, All Movie Guide
- 1979
Hoping to cover up her own misdeeds, Servalan (Jacqueline Pearce) betrays her confederate, Travis (Brian Croucher), putting him on trial for his life. Meanwhile, Blake (Gareth Thomas), consumed with guilt over the death of the Gans, has exiled himself on a supposedly dead planet. The climax finds Avon (Paul Darrow) mounting a rescue attempt that will profoundly affect both Blake and Travis. "Trial" was first broadcast on February 13, 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Gareth Thomas, Sally Knyvette, (more)
- 1979
This 3-hour TV adaptation of Shakespeare's Romeo and Juliet features Patrick Ryecart and Rebecca Saire in the title roles. Though these names may not be familiar to the casual viewer, the same cannot be said of the supporting cast. Celia Johnson appears as the Nurse, Michael Hordern is Lord Capulet, Laurence Naismith is Prince Escalus, and Alec Guinness is the Chorus. Also appearing are stars-to-be Anthony Andrews as Mercutio (his "Queen Mab" speech is a singular highlight) and Alan Rickman as Tybalt. Originally presented as part of PBS' "Shakespeare Plays" series, Romeo and Juliet was first aired March 14, 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Rebecca Saire
- 1981
Avon (Paul Darrow) agrees to trade the ship's computer, Orac, for a new, highly destructive long-range weapon, the tachyon funnel. Unfortunately, the inventor of the weapon, a megalomaniac recluse named Egrorian (John Savident) double-crosses Avon and sabotages the Scorpio crew's space shuttle. The lives of the space travelers are dependent upon Vila (Michael Keating), who may have to jettison himself into space to allow his comrades to escape their latest predicament. "Orbit" was first telecast on December 7, 1981. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Keating, Paul Darrow, (more)
- 1982
The four-part adventure "The Visitation" begins as the Doctor (Peter Davison) attempts to take Tegan (Janet Fielding) back to contemporary London. Unfortunately, the TARDIS materializes in the London of 1666 at the height of the Great Plague. As if this wasn't enough to worry about, the Doctor discovers that an alien spacecraft may have landed in the disease-ridden city. Written by Eric Saward, Doctor Who: The Visitation, Episode 1 first aired on February 15, 1982. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Davison, Matthew Waterhouse, (more)
It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, All Movie Guide
- Starring:
- Ben Kingsley, Candice Bergen, (more)
- 1982
Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions. ~ Andrea LeVasseur, All Movie Guide
- 1982
Written by series star Rowan Atkinson and Richard Curtis, the pilot episode of the satirical British comedy series The Black Adder (aka Blackadder is substantially the same as the latter episode "Born to Be King," with the scurrilous Prince Edmund (Rowan Atkinson) being charged with the responsibility of arranging a birthday party for the Queen of England (Elspeth Gray) -- all the while planning the assassination of fraudulent Scottish war hero McAngus (Alex Norton) and casting doubts on the legitimacy of his brother (and heir to the throne) Prince Harry. All in all, Edmund lives up to his family motto "Veni Vidi Castratavi Illegitimos" ("I Came, I Saw, I Castrated the Bastards!") Major differences include the presence of Philip Fox in the role of Baldrick rather than Tony Robinson, John Savident instead of Brian Blessed as King Richard IV, and Robert Bathurst instead of Robert East as Prince Harry. This pilot episode was never aired, though it has been released to home video. ~ Hal Erickson, All Movie Guide
- Starring:
- Rowan Atkinson, Tim McInnerny, (more)
- 1983
Faye Dunaway stars in Michael Winner's labored re-make of the 1945 swashbuckler, which was co-scripted by Leslie Arliss, the original director of the 1945 film. Dunaway is Lady Barbara Skelton, a lady of the royal class, who becomes a highway robber, taking up with Captain Jerry Jackson (Alan Bates), a highwayman and her lover. Because of a notorious whiping scene in which Lady Barbara and Jackson's girlfriend (Marina Sirtis) take horsewhips to one another, tearing their clothing to strategically-placed ribbons, the film was held back from release because Winner refused to cut the salacious footage. After corralling author Kingsley Amis, and directors John Schlesinger, Karel Reisz, and Lindsay Anderson to attest to the redeeming social value of the scene, the scene stayed in the film. ~ Paul Brenner, All Movie Guide
- Starring:
- Faye Dunaway, Alan Bates, (more)
- 1988
Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide
- Starring:
- Alec Guinness, Derek Jacobi, (more)
- 1988
- PG13
Megan (Imogen Stubbs) is a pretty country girl who falls in love with urban attorney Ashton (James Wilby) in this romantic social drama. Ashton remains in Devon when he injures his ankle and elects to stay longer because of his crush on Megan. Promising to return for her, Ashton leaves Megan and visits an old school friend in Torquay. The procrastinating barrister falls for his friend's sister Stella (Sophie Ward) and forgets about his promise to Megan. When she travels to Torquay to locate the man she loves, the spineless Ashton cowers behind closed shutters instead of facing the brokenhearted Megan. ~ Dan Pavlides, All Movie Guide
- Starring:
- Imogen Stubbs, James Wilby, (more)
- 1990
Although the story of 19th century Irish statesman and patriot Charles Steward Parnell resulted in a disastrous movie vehicle for Clark Gable in 1937, the results were more satisfying when the same story was adapted as a four-episode British TV miniseries in 1990. Trevor Eve headed the cast as Parnell, prime advocate for Irish home rule at a time when such a position was tantamount to treason. For all his good works, Parnell was doomed to infamy as the result of his clandestine romance with Katharine O'Shea (Francesca Annis), the wife of a British Member of Parliament. Parnell and the Englishwoman was written for television by celebrated Irish playwright Hugh Leonard. ~ Hal Erickson, All Movie Guide
- Starring:
- Trevor Eve, Francesca Annis, (more)
Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, All Movie Guide
- Starring:
- Judy Davis, Hugh Grant, (more)
Director Bob Rafelson fulfilled a lifelong dream when he finally received backing to complete Mountains of the Moon. The film recreates the exploratory adventures of 19th century visionaries Sir Richard Burton (Patrick Bergin) and John Henning Speke (Iain Glen). The heart of the film is the effort by Burton and Speke to discover the true source of the Nile river. This occurs well into the film, after several torturous scenes involving the injuries sustained by the protagonists during other expeditions and their growing friendship (which, the film intimates, goes far beyond friendship). Rafaelson's fascination with this story, and his insistence upon painstaking historical accuracy, unfortunately compromises his ability to make an interesting film. There are so many starts and stops during the first half that we sincerely hope Burton and Speke will chuck it all and set up a pub in Bristol or something. What saves Mountains of the Moon is the rapport between its stars and the brilliant, epic-like cinematography of Roger Deakins. ~ Hal Erickson, All Movie Guide
- Starring:
- Patrick Bergin, Iain Glen, (more)
Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide
- Starring:
- Bruce Willis, Danny Aiello, (more)
