Juliette Binoche Movies

An international star of extraordinary, almost otherworldly beauty, French actress Juliette Binoche was born March 9, 1964, in Paris. The daughter of a sculptor/theater director and an actress, Binoche studied acting at the National School of Dramatic Art of Paris. After graduation, she followed in her mother's footsteps and became a stage actress, occasionally taking small parts in French feature films. Binoche first earned recognition in 1985 for playing a modernized, teenaged version of the Virgin Mary in Jean-Luc Godard's controversial Je Vous Salue, Marie (Hail Mary). The actress became a bona fide French star the same year with an acclaimed performance in André Téchiné's Rendez-Vous. Though she was the darling of the 1985 Cannes Film Festival, Binoche did not gain true international acclaim until she played Tereza in Philip Kaufman's The Unbearable Lightness of Being in 1988.

In the meantime, Binoche become involved with Leos Carax, a then-hot young filmmaker who cast her in a lead role in his chilling Mauvais Sang (Bad Blood). While involved with Carax, Binoche appeared in his Les Amants du Pont-Neuf (Lovers on the Bridge), a film they began in 1988 but did not finish until 1991 due to financial difficulties. She and Carax parted ways two years later after Binoche's great success starring opposite Jeremy Irons in Louis Malle's Damage (1992). The same year, the actress appeared with future English Patient co-star Ralph Fiennes in a new film version of Wuthering Heights, and followed that with the lead role in Krzysztof Kieslowski's Blue (1993). (She also appeared briefly in the trilogy's other installments, Red and White.)

Following her work in that acclaimed film, Binoche took time off to have a son and did not return to her career until 1995 with Le Hussard sur le Toit (The Horseman on the Roof). In 1996, Binoche earned further international recognition with a Best Supporting Actress Oscar (as well as a host of other awards) for her role in The English Patient. Returning to her native France amidst a golden haze of critical acclaim, Binoche appeared in the same year's Un Divan à New York (A Couch in New York), a romantic comedy in which she starred opposite William Hurt. In 1998, she again collaborated with director Téchiné, this time on the romantic drama Alice et Martin.

Revered as near royalty by the French press (who often simply refer to her as "La Binoche") and a beloved star worldwide, Binoche's remarkable second wind found her popularity soaring and her screen presence more powerful than ever. Binoche's daring and intense performance as 19th-century literary icon George Sand in the misguided drama The Children of the Century (1999) indeed impressed audiences and critics, though the film itself failed to live up to expectations. Of course, it wouldn't take long before Binoche was cast in a film whose quality would match her ample talent, and The Widow of Saint-Pierre (2000) would serve as just that cinematic endeavor. Not only did the redemption-themed drama perform smashingly at the international box office, but it also found its star honored with a César nomination for Best Actress.

A collaboration with notorious feel-bad filmmaker Michael Haneke resulted in the intersecting lives drama Code Unknown (2000), though that role was ultimately overshadowed by Binoche's captivating performance in that same year's arthouse hit Chocolat. Cast opposite Johnny Depp as the free-spirited owner of a chocolate shop located in a small French town, the dedicated actress actually prepared for the role by learning to make chocolate at a popular Paris sweetshop. The film was an international runaway hit, and the beloved starlet was nominated for best actress awards across the globe. Following a lighthearted performance opposite French icon Jean Reno in the romantic comedy Jet Lag (2002), Binoche appeared with American star Samuel L. Jackson in director John Boorman's politically oriented drama Country of My Skull in 2004. Binoche maintained her status as one of the most respected actresses in the world by appearing in the well-regarded thriller Cache. She also co-starred with Richard Gere in the drama Bee Season. In 2006 she would appear alongside other stars as Jude Law, Robin Wirght Penn, and Ray Winstone in Anthony Minghella's drama Breaking & Entering. ~ Sandra Brennan, All Movie Guide
1985  
R  
Je vous salue Marie is Jean-Luc Godard's first sustained examination of modern spiritual life. This complex episodic film parallels the story of a contemporary Joseph (Theirry Rode) and Mary (Myriem Roussel) with that of a science class studying the origins of life on earth. Joseph is a cab driver and Mary plays on a woman's basketball team. A thuggish angel (Philippe Lacoste) tells Mary that she is with child. When she tells Joseph that she is pregnant, he accuses Mary of having cheated on him. The professor of the science class (Johan Leysen), who is having an affair with one of his students (Anne Gauthier), presents the theory that life came to earth from somewhere else in the universe. Godard organizes scenes from these two narratives into an essay about the relationship between the spirit and the body, and how being is born from nothingness. The film is filled with images of light cascading over the Swiss countryside. Godard often has his cinematographers Jean-Bernard Menoud and Jacques Firmann shoot directly into the sun and capture ravishing shots of pure luminosity. Je vous salue Marie is introduced by a short film by Godard's frequent directing partner Anne-Marie Miéville entitled Le Livre de Maire (The Book Of Mary), the story of a young girl named Marie whose parents separate. Miéville's film continues the philosophical reflection on children that she and Godard started in Numéro deux(Number Two). ~ Louis Schwartz, All Movie Guide

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Starring:
Myriem RousselThierry Rode, (more)
1985  
 
This suavely-fashioned film with an all-female cast focuses primarily on three women and the man who goes in and out of their lives. One member of this trio is a saleswoman (Marie-France Pisier) with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress (Clementine Celarie). Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts, this drama is still unusual for its all-distaff cast. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Marie-France PisierDominique Lavanant, (more)
1985  
R  
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Juliette Binoche teams with Lambert Wilson in this erotic drama. Binoche plays Nina, the young lady friend of timid Paulot (Wadeck Stanczak). Though she intends to be true to Paulot, Nina falls hard for his roommate, Quentin (Wilson), a thoroughly self-centered actor who performs in live sex shows. After a torrid affair with Nina, Quentin dies under questionable circumstances. Nina's search for answers to Quentin's sudden death leads her to Scrutzler (Jean-Louis Trintignant), the theater director who'd once cast Quentin in Romeo and Juliet. Scrutzler has likewise suffered a terrible loss in his life: his Juliet was also his wife, who also died unexpectedly. Apparently, it was the wife's death that led to Quentin's demise. On impulse, Scrutzler casts the inexperienced Nina as Juliet -- and before long, both unhappy souls find a common emotional ground. ~ Hal Erickson, All Movie Guide

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Starring:
Juliette BinocheLambert Wilson, (more)
1985  
 
This is an affecting story about a father's attempts to mend the breaches in the relationship between himself and his 10-year-old daughter. Emmanuel (Sami Frey) is the father of Elise (Mara Goyet) by his first marriage, and the stepfather of an older daughter by his second marriage. He tries to make the best of both family relationships by taking off to visit his young daughter on the weekends, but that only makes his new family a little jealous -- especially his stepdaughter. She herself is confused about her own relationship with him. After a particularly emotional send-off one weekend, Emmanuel and Elise take a trip from the south of France into Spain, working on a film project. Through a series of round-about conversations, Emmanuel manages to open up a few channels of communication with Elise -- channels that expand even wider when he uses the technique of talking into her video camera to express thoughts and feelings that otherwise would have remained hidden. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Sami FreyMara Goyet, (more)
1986  
 
This parody of the detective-story genre merrily detours into spoofing French foibles as well, making it more of an exercise in verbal gymnastics than a narrative with a mission. Esther (Juliette Binoche) is a veterinarian who is certain that her sister has been murdered by her brother-in-law. She convinces two members of the Academie Francaise, the prestigious institution that protects the virginity of the French language, to investigate. Both men (Michel Serrault and Michel Piccoli) are enamored of the woman and are quite willing to enter into competition for her favors. As might be expected from academicians of any ilk, they are inept at digging into a murder mystery and bumble their way through one incident after another. Corpses continue to pile up (not in front of the camera, however) while the two men are sidetracked by their interest in language. Given their positions, they do not want that murdered either. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Michel SerraultMichel Piccoli, (more)
1986  
 
This critically acclaimed French drama blends film noir and science fiction elements in a story about a strange and deadly plague. A sexually transmitted disease called STBO is sweeping the country; it's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment. While a serum that can treat the disease has been formulated, it's been locked away in an inaccessible government building, and most of those suffering can't get at it. A woman known as "The American" (Carroll Brooks) has hired Marc (Michel Piccoli), who is deep in debt and desperate for cash, to steal the drug; Marc enlists the aid of Alex (Denis Lavant), the teenage son of one of his close friends, to help pull off the robbery. Alex is in love with Lise (Julie Delpy), a girl his age that he's been involved with, but he finds himself attracted to Anna (Juliette Binoche), Marc's younger lover who is determined to stand by her man. Mauvais Sang received the Alfred Bauer Prize at the Berlin International Film Festival and the International Fantasy Film Award at the Fantasporto Film Festival. ~ Mark Deming, All Movie Guide

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Starring:
Denis LavantMichel Piccoli, (more)
1988  
R  
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In Philip Kaufman's surprisingly successful film adaptation of Czech author Milan Kundera's demanding 1984 bestseller, Daniel Day-Lewis stars as Tomas, an overly amorous Prague surgeon, while Juliette Binoche plays Tereza, the waiflike beauty whom he marries. Even though he's supposedly committed, Tomas continues his wanton womanizing, notably with his silken mistress Sabina (Lena Olin). Escaping the 1968 Russian invasion of Prague by heading for Geneva, Sabina takes up with another man and unexpectedly develops a friendship with Tereza. Meanwhile, Tomas, who previously was interested only in sex, becomes politicized by the collapse of Czechoslovakia's Dubcek regime. The Unbearable Lightness of Being may be too leisurely for some viewers, but other viewers may feel the same warm sense of inner satisfaction that is felt after finishing a good, long novel. ~ Hal Erickson, All Movie Guide

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Starring:
Daniel Day-LewisJuliette Binoche, (more)
1988  
 
Al (Francois Cluzet) and Elsa (Juliette Binoche) have been a couple for some time, now, but the chances that their relationship will be long-lived are few. For one thing, Al is apallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. However, she has more in common with the Cheshire cat of Alice in Wonderland fame than anyone ever imagined. ~ Clarke Fountain, All Movie Guide

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Starring:
Juliette BinocheFrançois Cluzet, (more)
1991  
 
Women and Men 2 is the second installment of HBO's short-story anthology series. In the first episode, Carson McCuller's "A Domestic Dilemma," Ray Liotta plays a husband who has to cut back on his work in order to care for his children, since his alcoholic wife (Andie MacDowell) cannot be trusted. In Irwin Shaw's "Return to Kansas City," a boxer (Matt Dillon) is unwilling to take risks in order to win love. In Henry Miller's "Mara," Scott Glenn plays Miller in a story about his love for a Parisian prostitute. ~ Stephen Thomas Erlewine, All Movie Guide

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1991  
R  
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Paris has its share of homeless people, and some of them live in little communities near the oldest bridge in the city, the Pont-Neuf. In the story, street-person Alex (Denis Lavant) has passed out along a much-traveled road, and a taxi has slightly injured his leg, which was in the way of traffic. When he limps back to his usual resting spot under the bridge, he finds a surprisingly unspoiled young woman (Juliette Binoche) wearing an eye patch sleeping there and confronts her about it. They become acquainted, and he learns that she is Michèle, a painter from a good suburban family who has taken to the streets in order to practice her art uninterruptedly until the time when she will inevitably lose her vision to a degenerative eye disorder. Alex earns his booze money through doing street theater: fire-eating and gymnastic routines. The two become buddies and lovers, share many adventures while practicing the arts of street survival, and even have some fun along the way. So close do they become that, when Alex is imprisoned for a violent act of jealousy, a newly cured Michèle visits him in prison and promises to meet him on the bridge when he is released. Despite this film's setting among the poor, it cost a lot of money to make: one of the big costs was the need to build a replica of the Pont-Neuf. ~ Clarke Fountain, All Movie Guide

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Starring:
Juliette BinocheDenis Lavant, (more)
1992  
 
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Peter Kosminksy directed this faithful adaptation of the Emily Bronte classic. Ralph Fiennes has the role of Heathcliff, a wanderer adopted by the father of Cathy (Juliette Binoche), "a wild slip of a girl." Heathcliffe is looked down upon by his stepbrothers and becomes a servant. He is further crushed when Cathy, the love of his life, marries another man -- since to marry a servant would be the ultimate in humiliation for her. Heathcliffe disappears for a number a years but then returns, revenge and hatred for Cathy's family the only thing on his mind. ~ Paul Brenner, All Movie Guide

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Starring:
Juliette BinocheRalph Fiennes, (more)
1992  
R  
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Adapted from Josephine Hart's spare novel by British screenwriter David Hare and French director Louis Malle, this brooding erotic drama concerns the obsessive sexual relationship between an English politician and his son's lover. Stephen Flemming (Jeremy Irons), an up-and-coming member of Parliament, has a beautiful and loving wife, Ingrid (Miranda Richardson), and two children, including son Martyn (Rupert Graves), a successsful journalist. Sparks fly, however, when Stephen meets beautiful art-world denizen Anna Barton (Juliette Binoche), Martyn's new girlfriend. A measured, seemingly passionless man who believes that life can be controlled, Stephen suddenly finds himself unable to resist brief but intense liaisons with the mysterious, melancholy Anna. Eventually she explains the palpable air of sadness that hangs over her: When she was 15, her beloved older brother committed suicide because he could not possess her. "Remember," Anna warns Stephen, "Damaged people are dangerous. They know they can survive." Drawn to Anna and the passion she engenders in him, Stephen tries to justify his betrayal by telling himself Martyn isn't serious about Anna; he is stunned, then, when the two announce their engagement. On the advice of Anna's mother (Leslie Caron), who sees right through the charade, Stephen tries to break things off. But soon the affair resumes with full force, eventually destroying several lives. Although Damage's stark, frank sex scenes were trimmed to attain an R rating for theatrical release, the original, uncut version is available on video and DVD. Richardson received an Oscar nomination for her work. ~ Brian J. Dillard, All Movie Guide

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Starring:
Jeremy IronsJuliette Binoche, (more)
1993  
R  
The first chapter in Polish filmmaker Krzysztof Kieslowski's "Three Colors" trilogy, Blue stars Juliette Binoche as Julie, the lone survivor of an automobile crash that killed her husband, a famed composer, and their only child. Despondent, Julie attempts suicide, but she cannot bring herself to take her own life. Instead, she sets about starting over, purging all remnants of her former existence in an attempt to sever her ties to the past. A piece in the trio of films loosely inspired by the colors of the French flag and their corresponding symbolic qualities, the basic focus of Blue is liberty. ~ Jason Ankeny, All Movie Guide

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Starring:
Juliette BinocheBenoit Regent, (more)
1994  
R  
The second feature in filmmaker Krzysztof Kieslowski's "Three Colors" trilogy, the black comedy White features Zbigniew Zamachowski as Karol Karol, an expatriate Polish hairdresser whose French wife (the breathtaking Julie Delpy) divorces him after just six months of marriage because of his impotency. Penniless and devoid of his passport, Karol must journey back to Poland by hiding in a trunk. Upon his return, he slowly begins amassing a considerable fortune, ultimately hatching a perverse plot for revenge. Often unjustly dismissed as the weak link in the trilogy, White grows in strength upon repeated viewings. An allegory about equality, the film is mordantly witty, a cynical look at power, marriage and capitalism. ~ Jason Ankeny, All Movie Guide

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Starring:
Zbigniew ZamachowskiJulie Delpy, (more)
1995  
R  
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In this beautifully mounted historical drama, Angelo Pardi (Olivier Martinez), an Italian soldier, is fleeing his country in 1832. After the fall of Napoleon, Austria is swooping down on Italy to take control of the nation, and like many patriots, Pardi is hoping to escape to France and fight for their freedom abroad rather than submit to Austrian rule. However, as Pardi discovers upon arival, an epidemic of cholera is sweeping the land, leaving death in its wake and causing most people to be fearful of strangers, who may well be infected. As he tries to outrun a trio of mercenaries who have been hired to take him back to Italy, he finds himself accused by a group of villagers of infecting their water supply. Trying to escape would-be captors on all sides and searching for refuge in a rainstorm, Pardi finds a house and takes shelter inside. Unknown to Pardi, Pauline (Juliette Binoche), the lady of the house, is at home, but to his pleasant surprise, she welcomes him cordially rather than sending him away. It seems that Pauline's husband is missing, and as she desperately wants to find him and Pardi needs to escape to friendlier circumstances, they travel together through the French countryside, hoping to avoid both the disease and the tragedy travelling in its wake. Reportedly the most expensive French production ever made at the time of its release, Le Hussard Sur Le Toit (released in the United States as The Horseman on the Roof) was nominated for ten Cesar Awards (the French Oscar); it won two, for Best Cinematography and Best Sound. ~ Mark Deming, All Movie Guide

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Starring:
Olivier MartinezJuliette Binoche, (more)
1996  
R  
This is a romantic comedy with an analytical edge from noted Belgian director Chantal Akerman. Set in New York, the fun begins when freewheeling French dancer Beatrice and stodgy psychoanalyst Henry Harriston agree to exchange apartments. He will live in her bohemian Paris flat and she in his upscale, neat-as-a-pin Manhattan abode. The two have never met when they change places. Poor frazzled Henry is hoping that some quiet time in Paris will provide him with some badly needed cultural enrichment and relaxation from the demands of his wealthy clients. Unfortunately there is no rest, as he is constantly assailed by Beatrice's numerous suitors. Beatrice also deals with an onslaught of Henry's needy patients. Poor Henry can no longer stand being away and so quietly returns home. He notices a stream of patients coming from his home and they look unusually happy and well-adjusted. Even his dog looks happier. Wanting to learn her secret, Henry masquerades as a one of his own patients. It is not long before romantic sparks begin to fly. ~ Sandra Brennan, All Movie Guide

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Starring:
William HurtJuliette Binoche, (more)
1996  
R  
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Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje's novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he's known simply as "the English Patient," thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient's story from the shards of his memories; he's actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy's team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo's most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche). ~ Mark Deming, All Movie Guide

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Starring:
Ralph FiennesJuliette Binoche, (more)
1998  
 
In this romantic French drama, auteur Andre Techine offers an intense, intimate look inside the complex relationship between two emotionally dysfunctional people. Neither Alice (Juliette Binoche) nor Martin (Alexis Loret) seem emotionally healthy enough to sustain a relationship, but somehow they manage to stay together amidst their many personal problems. The two met in Paris, where Martin fled after escaping the oppression of his recently deceased tyrannical father. Once in the City of Light, the depressed Martin attempts suicide and later accepts an offer to stay with his half-brother Benjamin (Mathieu Amalric) and his roommate Alice, a violinist, in their ramshackle garret. Shortly thereafter, Martin is spotted by a modeling agent and finds steady work on the city's catwalks. At first, Martin and Alice do not get along. He is brutish and incapable of expressing emotion. He pursues her, but Alice is not terribly interested, until her sexual frustration and need to be loved gets the better of her, and she succumbs to his advances. She then decides to leave Benjamin and travel with Martin to a modelling assignment in Granada, Spain. There the two are briefly happy, but as time passes, Martin's self-absorption increases. Alice's announcement that she is pregnant precipitates a crisis in which Martin reveals that he caused his father's death. Unable to bear the guilt and pain any longer, he commits himself to a mental institution and then requests he be given his day in court. Alice is convinced that Martin is innocent of the crime with which he has charged himself. When he insists on going to court, she goes there to save him from himself. ~ Sandra Brennan, All Movie Guide

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Starring:
Juliette BinocheAlexis Loret, (more)
1999  
 
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While pioneering pre-feminist author George Sand has been the subject of several film biographies focusing on her ten year relationship with Frederick Chopin, Les enfants du siècle looks at an earlier period in Sand's life, in particular her stormy romance with poet Alfred de Musset. In the early 1830's, Baroness Dudevant (Juliette Binoche) has abandoned her husband and arrives in Paris with her children in tow as rioting divides the city. The Baroness decides to reinvent herself and pursue a career as a writer; she renames herself George Sand, begins wearing clothes modeled after men's suits, and smokes cigarettes while penning manifestos denouncing marriage and affirming a woman's right to sexual satisfaction. Alfred de Musset (Benoit Magimel), a noted author, finds her brash nature fascinating, and they become first friends, then lovers as he helps her craft her literary efforts. However, Sand is six years older than de Musset, which leads to a severe conflict with his family; the couple heads to Venice in search of escape and inspiration, but Alfred decides that he prefers the city's brothels to George's company and that they should keep separate rooms from now on. George makes the acquaintance of an Italian doctor, Pagello (Stefano Dionisi), with whom she has a passionate affair; the realization that he's driven her into the arms of another man proves too much for Alfred, who returns to France. Eventually, George leaves Pagello and gives Alfred another chance, a decision she comes to regret. Les Enfants du Siecle had its world premiere at the 1999 Toronto Film Festival. ~ Mark Deming, All Movie Guide

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Starring:
Juliette BinocheBenoît Magimel, (more)
2000  
PG13  
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The most tempting of all sweets becomes the key weapon in a battle of sensual pleasure versus disciplined self-denial in this comedy. In 1959, a mysterious woman named Vianne (Juliette Binoche) moves with her young daughter into a small French village, where much of the community's activities are dominated by the local Catholic church. A few days after settling into town, Vianne opens up a confectionery shop across the street from the house of worship -- shortly after the beginning of Lent. While the townspeople are supposed to be abstaining from worldly pleasures, Vianne tempts them with unusual and delicious chocolate creations, using her expert touch to create just the right candy to break down each customer's resistance. With every passing day, more and more of Vianne's neighbors are succumbing to her sinfully delicious treats, but the Comte de Reynaud (Alfred Molina), the town's mayor, is not the least bit amused; he is eager to see Vianne run out of town before she leads the town into a deeper level of temptation. Vianne, however, is not to be swayed, and with the help of another new arrival in town, a handsome Irish Gypsy named Roux (Johnny Depp), she plans a "Grand Festival of Chocolate," to be held on Easter Sunday. Based on the novel by Joanne Harris, Chocolat features a distinguished supporting cast, including Judi Dench, Lena Olin, Carrie-Anne Moss, Peter Stormare, Hugh O'Conor, and Leslie Caron. ~ Mark Deming, All Movie Guide

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Starring:
Juliette BinocheLena Olin, (more)
2000  
R  
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Long-established director Emir Kusturica makes his acting debut in Patrice Leconte's 19th century tale of a loyal, strong-willed woman who follows her soldier husband to a desolate French territory off the coast of Newfoundland. Madame La (Juliette Binoche) lives in marital bliss on the island of Saint-Pierre with her loving, oddball husband (Daniel Auteuil), simply called "the Captain" by his charges. Their world is upset one night, however, when two visiting sailors on a bender murder a local citizen. Neel (Kusturica) is sentenced to death, but the other one dies in a carriage accident before reaching prison. As the island waits for a guillotine (or "widow") to be shipped from the French government, Madame La does her best to convince the townspeople that Neel is genuinely good of heart and doesn't deserve a bloody fate. La Veuve de Saint-Pierre marks the second time that Auteuil has worked with director Leconte: their first effort, La Fille Sur la Pont, earned him a Best Actor award at the Cesars, France's equivalent to the Academy Awards. La Veuve screened at the 2000 Cannes and Toronto film festivals. ~ Michael Hastings, All Movie Guide

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Starring:
Juliette BinocheDaniel Auteuil, (more)
2000  
 
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German-born filmmaker Michael Haneke continues the bleak, formalist experimentation of his 1994 breakthrough 71 Fragments of a Chronology of Chance with this similarly fragmented tale of racism, intolerance, and hatred in modern-day Paris. The focus of the narrative is split between three sets of people: the French actress Anne (Juliette Binoche), her husband and in-laws; a Romanian woman, Maria (Luminita Gheorghiu), who struggles to raise money for her family back home; and Amadou (Ona Lu Yenke), a teacher for the deaf who is at odds with his resolute African clan. The catalyst for the stories begins on a streetcorner, where Anne's brother-in-law Jean (Alexandre Hamadi) insults Maria, who is begging for change; incensed, Amadou picks a fight with Jean, resulting in negative repercussions for the triptych of protagonists. Throughout, Haneke punctuates the action with his unique editing and use of sound. After its Cannes debut, Code Inconnu made its North American premiere at the 2000 Toronto International Film Festival. ~ Michael Hastings, All Movie Guide

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Starring:
Juliette BinocheLuminita Gheorghiu, (more)
2002  
 
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Two of the biggest stars of the French cinema bring their contrasting styles together in this lively romantic comedy. Rose (Juliette Binoche) is an emotional makeup artist who is hoping to get out of a bad relationship with her boyfriend, Sergio (Sergi Lopez), by leaving him in Paris and heading off to Mexico for a holiday. After losing her cell phone, Rose borrows one from Felix (Jean Reno), a somewhat stiff salesman with an interest in gourmet cooking, who is en route toMunich to attend a funeral. When both Rose and Felix find themselves grounded due to changes in flight scheduling and a transportation strike strands them at the airport, they end up sharing a room at a nearby hotel, where their contrasting personalities make the evening rough sledding for them both. As their unexpected stay wears on, will these opposites begin to attract? ~ Mark Deming, All Movie Guide

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Starring:
Juliette BinocheJean Reno, (more)
2004  
R  
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The many emotional scars left by South Africa's history of institutionalized racism come under the microscope in this drama. As South Africa comes to terms with the legacy of apartheid, their government has created the Truth and Reconciliation Commission, in which the perpetrators of racial violence and injustice must come face to face with their victims if they are to be forgiven for their crimes. Langston Whitfield (Samuel L. Jackson) is an African-American journalist who is assigned to cover these hearings by The Washington Post; Whitfield doubts the efficacy of this process, and sets out to interview Col. De Jager (Brendan Gleeson), a notorious former officer of the South African police who was famous for his violence against blacks in order to put this method to the test. While in South Africa, Whitfield meets Anna Malan (Juliette Binoche), an Afrikaner poet who is covering the hearing for a radio station and is both appalled and disturbed by the details of the violence inflicted against her countrymen. After striking up a friendship, Whitfield and Malan become romantically involved as they try to come to terms with their feelings about what they've learned. Also screened under the title Country of My Skull, In My Country was adapted from a book by South African author Antjie Krog. ~ Mark Deming, All Movie Guide

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Starring:
Samuel L. JacksonJuliette Binoche, (more)

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