Edward Binns Movies

Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

Upon his release from prison, petty crook Jackie Blake (Darryl Hickman) is "adopted" by Martha and Ralph Collins (Mildred Dunnock, Nehemiah Persoff), the kindly parents of his former cellmate. For the first time in his life, Jackie has a family and a place that he can call home, and before long he has found a good job and has embarked upon a new direction in life. But as revealed in the episode's final moments, Martha and Ralph Collins aren't quite all that they appear to be. ~ Hal Erickson, All Movie Guide

It may be Christmastime, but there's no good cheer in the home of Nathaniel Beecher (Edward Binns), an embittered rancher whose son was stolen by the Pawnees many years ago. Believing that he has finally tracked down the Pawnee chief responsible for the abduction, Beecher hires Paladin to track the suspect down--a task that turns out to have more than its share of heartwarming surprises. This episode is preceded by a pre-credits teaser than can only be described as Pirandellian, as Paladin offers the home viewers a unique "Christmas present"! ~ Hal Erickson, All Movie Guide

A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, All Movie Guide

The Scarlet Hour was a relatively bold experiment for a mid-1950s Paramount release. The studio expended a great deal of money on the project and enlisted the services of top-flight director Michael Curtiz -- then populated the cast with young unknowns. Carol Ohmart and Tom Tryon (yes, the future novelist) star as Paulie and Marsh, respectively the film's villainess and protagonist. Knowing that Marsh is hopelessly in love with her, Paulie uses him as a dupe in an upcoming jewelry heist. Only after a killing has occurred does Marsh come to his senses. Jody Lawrance, whose previous career as a Columbia contract player had led nowhere, is "introduced" as the good girl to whom Marsh eventually retreats. Other comparative newcomers in the cast include Elaine Stritch, James Gregory and Edward Binns. ~ Hal Erickson, All Movie Guide

This Trilogy, Danger originally created for television by Sidney Lumet consists of three individual episodes, all in the film noir thriller style The Lady on the Rock, Death Among the Relics, and The System. The cast includes Kim Stanley and Eli Wallach. Director Lumet began his filmmaking career in television, directing episodes for Omnibus, Alcoa Theater, and Goodyear Playhouse. Despite several blacklisting attempts, his career, based on his excellent television work, thrived and he went on to make feature films. This fine trilogy includes the some of the best of his early work. ~ Linda Rasmussen, All Movie Guide

In Teresa, director Fred Zinnemann adopts the same quasi-documentary approach he'd used in The Search (1948). Lensed on location in Italy and New York, the film introduces Pier Angeli in the title role, and co-stars three male newcomers: John Ericson, Ralph Meeker and Rod Steiger. Teresa is the Italian bride of GI Philip (Ericson), who is established from the outset as mentally disturbed. Taking Teresa home with him to New York, Philip begins to crack under the pressure of married life -- not to mention the angst brought to bear by his highly dysfunctional family. A happy ending doesn't seem likely under these circumstances, but there's always hope. The best scene in Teresa occurs during an fateful visit to Coney Island. Featured in the cast is political cartoonist Bill Mauldin, who'd subsequently co-star in John Huston's Red Badge of Courage. ~ Hal Erickson, All Movie Guide