Lina Sastri Movies

A handful of semi-professional musicians struggle to make a name for themselves in this nostalgic comedy-drama set in Italy in the mid-seventies. Faustino (Antimo Merolillo) is a would-be jazz guitarist who has just graduated from school and is looking for a gig, at least in part because he's trying to avoid the military draft. If he can get local promoter Raffaele (Ernesto Mahieux) to sign him to a contract, Faustino can tell the draft board that he's a professional supporting his widowed mother with his career in music, but getting Raffaele to make a deal is proving difficult. Faustino plays part time with a local band led by hard-drinking Mimmo Falasco (Toni Servillo), but when Augusto Riverberi (Fabrizio Bentivoglio), a once-famous bandleader looking to make a comeback, arrives in town, Raffaele pulls some strings and gets Faustino a job as Riverberi's assistant. In need of a singer, Faustino and Raffaele persuade Riverberi to hire a vocalist named Gerry Como (Peppe Servillo), and the first few dates of the tour go well as Riverberi entertains the crowds and juggles romances with Faustino's mother (Lina Sastri) and a lovely small-town hairdresser (Valeria Golino). But when Raffaele double-crosses Riverberi and runs off with the band's money, Faustino begins to wonder if he'll ever make good as a musician. Lascia Perdere, Johnny! (aka Don't Waste Your Time, Johnny!) was the first directorial credit for veteran actor Fabrizio Bentivoglio, who also co-stars as the bandleader Riverberi. ~ Mark Deming, All Movie Guide

Usury is a serious problem in mid-'90s Italy, a country torn by the realities of a long-term economic recession and the people's desires for material prosperity. Unforutnately, with the closure of many Italian banks and the lack of available credit, these things are hard to come by legally, so many, especially businessmen, turn to loan sharks. According to surveys, over %65 of the nation's businesses have involvement with violent loan sharks who like their seafaring cousins will patiently circle the rickety financial lifeboats of their prey until the right moment and then rush in for the kill. This allegorical crime drama from Italian filmmaker Ricky Tognazzi chronicles the complex psychological relationship between one such loan shark and his prey, an old friend from college. Francesco (the intended victim) runs a failing construction company owned by his dying father-in-law who went deeply in debt trying to keep the firm afloat. Outwardly, Sergio is an upstanding financial advisor who knew Francesco a decade before when they were both wild college boys. Sergio learns of Francesco's plight via a helpful banker and as soon as the father-in-law dies sends Claudio (his thug) to visit the bereaved family. Saying he represents the wealthy Signora Sauro (Sergio's secret lover and accomplice) Claudio offers to make a substantial loan to Francisco who accepts. Soon Sergio is back in Francesco's life. He has set his sights on his old friend's beautiful wife Miriam and becomes obsessed with bedding her. At the same time Claudio, whom Francesco doesn't realize is in cahoots with Sergio, begins threatening him for the money. Fortunately Sergio is there to 'save' Francesco from what he doesn't realize is the inevitable destruction of his business. At least that was Sergio's plan. Unfortunately, as ruthless and shrewd as he is, he does not count on the inconsistency of his accomplices. He also underestimates his victims and that proves for him, a terrible mistake. The film is also known as Un Homme Honnete. ~ Sandra Brennan, All Movie Guide

Good Night, Michelangelo is not, as one might expect, the story of the love life of the famed renaissance genius. The "Michelangelo" of the title is an 8-year-old boy, the youngest member of an early 20th century Italian immigrant family. Through his eyes, we see the assimilation of the rest of his family-and three other broods--into a strange and sometimes hostile environment. Top billing is bestowed upon British actress Kim Cattrall, the film's one "name" performer. Financed in Italy, the amiable, somewhat off-kilter Good Night, Michelangelo was filmed on location in the US. ~ Hal Erickson, All Movie Guide

Filmed in Italy, The Inquiry uses the Bible as a launching pad for speculative fiction. Shortly after the Crucifixion, Roman investigator Titus Valerius Taurus (Keith Carradine) is dispatched to the Holy Land. His mission: to find out who removed the body of Jesus Christ. Carradine is hampered in his investigation by governor Pontius Pilate (Harvey Keitel), who is anxious to keep the details of Jesus' last moments on Calvary from becoming public knowledge. ~ Hal Erickson, All Movie Guide

Giuseppe Bertolucci (younger brother of Bernardo Bertolucci) has created a movie unusual for its all-female cast of well-known Italian actresses and for a script that gives them latitude to develop their individual characters. The story is about Laura (Lina Sastri) a young terrorist who commits a rash act of cold-blooded murder which introduces the other women in this story. Laura is in Venice when she kills a judge and a gang member who was vacillating in his commitment. The dead terrorist's mother (Rosanna Podesta) and sister (Giulia Boschi) attend his funeral in Avellino, an area devastated after a severe earthquake -- a particularly dramatic backdrop for a funeral. Back home, Laura's former nanny (Alida Valli) still lives with the family and is as astute as ever -- she figures out what Laura has done and leaves for good. Laura's mother (Lea Massari) is not as perceptive about her own daughter and can hardly believe Laura has done anything wrong, even after the police come to take her away. The effect this has on the devoted mother is totally devastating. Meanwhile, Laura is brought before a judge (Mariangela Melato) for questioning, made all the more difficult because of her critical emotional state and the judge's own personal problems. The wisdom of Laura's confession and the many "secrets" she reveals is another matter entirely. ~ Eleanor Mannikka, All Movie Guide

Set in an early medieval period, this swashbuckling costume drama pits Christian knights against infidels in an imaginary holy war, and what is more astounding and a tribute to the Italian love of amore, is that the commanders from each side fall in love with "enemy" women and decide to call it a day, pack in their arms, and go off to do better things. Ruggero (Ronn Moss) leads the infidels in some of the best-looking armor this side of Armani, and Rolando (Rick Edwards) is at the forefront of the Christian knights. One of the knights is a misnomer -- he is actually a she, Bradamante (Barbara De Rossi), and when she sees the well-clad Ruggero, she agrees to hand over his sister Isabella (Tanya Roberts) just to get in his good graces. These four protagonists go through a series of adventures and misadventures in a gorgeous setting of Byzantine castles, mountain canyons, and dark forests, all complemented by aesthetic, inventive sets and creative costuming. ~ Eleanor Mannikka, All Movie Guide

This non-narrative, sketch-based film is a non-stop feast of antic and black humor. The sketches are framed within the context of a Roman student's school year, which is disrupted by political and amorous misadventures. The title Ecce Bombo means "Behold the Bumblebee" and spoofs both the ancient biblical phrase (in English, "behold the man") and the then-current wave of terrorism and bombings. This was director Nanni Moretti's first full-length feature, shot with a small but significant budget of $350,000 and featuring a large number of young previously unknown talents. ~ Clarke Fountain, All Movie Guide