Al Sapienza Movies

This inept, obviously low-budget, poorly-acted horror-comedy is primarily a showcase for Nai Bonet a belly-dancer turned actress in her role as Nocturna, the last descendant of Count Dracula. Nocturna has followed her love interest -- rock guitarist (Tony Hamilton) -- from Transylvania to Manhattan in spite of the wrath of her infamous grandfather, who proceeds to follow her. But his thirst for revenge is thwarted by Jugulia (Yvonne de Carlo), a vampiress with a protective bent toward Nocturna, her musician, and their friends. ~ Eleanor Mannikka, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

In the original box-office smash Under Siege, action hero Steven Seagal played Casey Ryback, a U.S. Navy SEAL who saved the world from nuclear destruction by outsmarting and killing off terrorists who had commandeered a submarine. In this sequel, Seagal's Ryback character does the same sort of thing aboard a train. Ryback now has retired from the Navy and is taking his niece Sarah (Katherine Heigl) on a vacation. They board a train traveling through the Rocky Mountains. Criminal mastermind Travis Dane (Eric Bogosian) is using the train as a control center in his effort to kidnap a top-secret government outer space super-weapon. Dane built the weapon but then was fired by the government before it was deployed. He has hooked up with shadowy Middle Eastern terrorists who have offered him $1 billion to use the satellite to blow up the Eastern seaboard by targeting a secret nuclear reactor underneath the Pentagon. Dane shows the Pentagon that he's got control of the weapon by blowing up a Chinese chemical plant. Officials can't stop him because they can't locate his headquarters. As long as the train keeps moving, his location can't be fixed. Ryback learns of the plot and enlists a porter named Bobby (Morris Chestnut) to help him in his battle. ~ Michael Betzold, All Movie Guide

Although the corrupt Borough commander Haverell has been forcibly retired, Haverell's replacement, Clifford Bass (Larry Joshua), proves to be just as big a bureaucratic pain in the neck to Lt. Fancy (James McDaniel). Bass' interference bogs down the investigation of a woman's charges that her ex-husband murdered her daughter. On other fronts, Simone (Jimmy Smits) is distressed to learn that a childhood friend is mixed up in a mob-controlled nightclub. And Martinez (Nicholas Turturro) and Lesniak (Justine Miceli) go after a "cosmetic" con artist. Guest star Shirley Knight won an Emmy award for her performance as Agnes Cantwell. ~ Hal Erickson, All Movie Guide

Beverly Hills 90210 star Tori Spelling and Star Trek: Voyager actress Jeri Lynn Ryan headline this made-for-TV movie about a hardworking college student who thinks she's found the answer to her financial and self-esteem issues when she falls into the lifestyle of a high-priced escort. Lonely, plain-Jane, cash-strapped Joanna Halbert (Spelling) attends university classes while also helping out at the bakery run by her no-nonsense, widowed mother, Teri (Susan Blakely). When her classmates jokingly leave Joanna's name and number on the voicemail of a Malibu escort service, Joanna finds her curiosity piqued. After finding a new best gal pal in the form of the vivacious escort Kimberly (Ryan), Joanna soon finds herself working for Kimberly's boss, Ron Tamblin (Scott Plank), who promises her that she doesn't have to sleep with the clients she "dates." Soon, Joanna is dressing like a grown-up, stepping out with fabulous men -- and getting paid hundreds of dollars a night for her trouble. This secret double life soon, however, takes a toll on Joanna's relationships with her mother, her friends and her would-be beau, Jack (Barry Watson). Although Joanna chooses to sleep with one of her clients, she refuses to sleep with another. But when Ron threatens to fire her, she acquiesces, and soon Joanna finds herself going on more dates where the sex is not only compulsory, but kinky. When she tries to quit, violence ensues, ultimately leading Joanna to criminal court, where she must defend herself against a charge of attempted murder. After first airing on CBS in 1996, Co-Ed Call Girl enjoyed a second life on cable, including the Lifetime network. ~ Brian J. Dillard, All Movie Guide

An intimate sexual act triggers further tension between two crime bosses in this episode of the HBO series. New Jersey mob boss Tony Soprano (James Gandolfini) ridicules his uncle and fellow mobster Junior (Dominic Chianese) on the golf course. Tony has heard about Junior's oral sex skills with his girlfriend, Bobbi, who has been gabbing to her friends about Junior's prowess while the two were on a vacation in Boca Raton, FL. In retaliation, Junior smashes a lemon meringue pie in Bobbi's face, breaking their 16-year relationship. He also tells his vicious top soldier, Mikey (Al Sapienza), a secret he's been keeping that he recently learned from his sister-in-law, Livia (Nancy Marchand): her son, Tony, is compromising family security by seeing a psychiatrist. Meanwhile, Tony and his friends make plans to convince their daughters' talented soccer coach not to accept a lucrative college job, until they learn that the coach has been sleeping with one of his underage players, a friend of Tony's daughter, Meadow (Jamie-Lynn Sigler). They take steps to teach the coach a lesson he'll never forget. "Boca" was first shown on March 7, 1999. ~ Karl Williams, All Movie Guide

In the series' third episode, a crime family confronts the possibility of a future power struggle. Meadow Soprano (Jamie-Lynn Sigler), the daughter of New Jersey mob boss Tony Soprano (James Gandolfini), takes crystal methamphetamines with a friend in order to help them study for the SATs. Tony visits his dying Mafia superior, Jackie Aprile (Michael Rispoli), in the hospital and presents him with a gift: a hooker dressed as a nurse. Mikey Palmice (Al Sapienza), the top lieutenant of Tony's rival and uncle, Junior (Dominic Chianese), is convinced that Tony will make a grab for top boss after Jackie's death, and he begins to convince Junior that his nephew should be whacked. Tony, his henchman Paulie Walnuts (Tony Sirico), and another Soprano lieutenant, Silvio Dante (Steven Van Zandt), deal with a Hasidic family of motel owners who refuse to pay protection money. After hiring family friends Artie Bucco (John Ventimiglia) and his wife Charmaine (Kathrine Narducci) to cater a party, Tony's wife, Carmela (Edie Falco), learns that her husband slept with Charmaine in high school. Soprano associate Christopher Moltisanti (Michael Imperioli) tries to make a botched truck hijacking right by returning stolen goods to Junior, but the mob capo still orders Christopher's pal, Brendan Filone (Anthony de Sando), murdered and Christopher to be threatened. Airing on January 24, 1999, "Denial, Anger, Acceptance" was directed by independent feature filmmaker Nick Gomez (New Jersey Drive, Illtown). ~ Karl Williams, All Movie Guide

The D.A.'s office has quite a full docket in this episode. Vital ingredients include an assault on a former attorney, a messy divorce, the death of a patient during a routine operation, charges of criminal negligence leveled against two doctors, and a significant name spoken in passing. As A.D.A. Abbie Carmichael, actress Angie Harmon provides most of the episode's dramatic intensity. ~ Hal Erickson, All Movie Guide

Actor-director Clarence Williams III guest stars as Lateef Miller, a former member of the militant Black Panther party. A prominent 1960s activist, Miller again makes headlines when he is accused of murdering a white police detective. Media coverage of the subsequent trial serves as a forum for the personal attacks leveled by Miller against arresting detective Eddie Green (Jesse L. Martin). ~ Hal Erickson, All Movie Guide

A small town baseball announcer embarks on the journey of a lifetime after facing the prospect of being placed in a retirement home against his will in this bittersweet drama featuring Academy Award-winning actor Rod Steiger in his final film role. Despite the fact that his health is fading, and having recently suffered a mild stroke, Charlie McCabe is reluctant to give up his announcing position for the local baseball team and settle quietly into a local nursing home. Recalling an unfulfilled promise that he had made to his late wife that he would make amends with his estranged son, Charlie and his loving granddaughter Biddy set out to make good on his word and lay old ghosts to rest. ~ Jason Buchanan, All Movie Guide

In the Roaring '20s Chicago, three young men newly arrived from Liverpool find themselves working for Al Capone (Julian Littman). Capone's ruthless right-hand man Georgio (Al Sapienza) exploits Jimmy's (Marc Warren) explosive right uppercut by scheduling him in a boxing match against the local champ; in preparation, Georgio has Jimmy train with the aging coach Boom Boom (Richard Roundtree). Only later do they realize the fight is fixed and Jimmy is ordered to take a dive in the fifth round, something he's reluctant to consider. Jimmy makes things worse by having an affair with Georgio's girlfriend Edith (Kirsty Mitchell), and hot-tempered Georgio is not happy. Meanwhile Jimmy's mates are implicated in the kidnapping of Capone's young son, an accusation they compound by robbing the mob safe. Can these adventures possibly have happy endings? ~ Buzz McClain, All Movie Guide

In the course of a murder investigation at the magic school, Paige (Rose McGowan) and Agent Brody (Kerr Smith) find themselves plunked into the middle of a detective novel that was started 20 years earlier, but never completed. In order to escape their literary prison, Paige and Brody must figure out how the novel was supposed to end -- and they must also locate the book's long-missing author, Eddie Mullen (Bug Hall). As indicated by its title, this episode uses the Charmed format as a framework for an affectionate homage to the shadow-laden film noir genre of the 1940s. ~ Hal Erickson, All Movie Guide